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  1. #76
    Professor Sarutobi's Avatar
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    Red flesh cloud's choking out
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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Professor Sarutobi View Post
    Ryuuchou Kawazoi Ryuujoukohaku -Flowing River of Fierce Fighting
    Type: Taijutsu
    Background: Developed by the Hozuki clan to combat the taijutsu clans of konohagakure, this style of fighting allows inhuman methods of fighting by combining the hydrification technique with taijutsu training, allowing the users to quickly turn parts of their body to water allowing them to dodge or attack in unique ways. It has been said masters of the Ryuuchou Kawazoi Ryuujoukohaku have battled for weeks without either of them landing a blow or showing signs of fatigue.
    Description on the Abilities and Inner Workings of the Style: The user combines the hydrification technique and taijutsu to enhance their blows's by focusing moisture into the main muscles for the attacks, turn joints and muscles into water to allow for unique ways of dodging (turn your spine or knees or neck into water on the inside for bending far beyond a human body. It can also grant the user much more stamina by diluting the acid that builds up in muscles with more water, letting them fight at full tilt for days.
    Additional effects and Restrictions:
    -The user will be very slow to use other elements to fight because of the heavy focus on water and taijutsu.
    -Can't use kaito's tai that utilizes an element other then water the same turn a move from this style is used.
    -Requires training by Professor Sarutobi to use.
    -Can only be used by Hozuki Clansmen who have mastered Water Release and Taijutsu
    -Masters of this style will be able to use water release in general much quicker as it is a fundamental part of performing Flowing River of Fierce Fighting techniques.
    -Users can push their bodies to their limits constantly with help from the stamina increasing ability letting them train for days at a time, with this training regime the users can perform normal taijutsu and Kenjutsu with more speed and power.


    ±± Declined ±± From what we've see with the hydration technique, it boosts physical strength and not speed. The user increases their muscle size through the unique ability they have of changing their body to water, reshaping it and increasing it in size by inserting more water and water chakra within the muscles. However, your description of its workings is a bit off. The part about transforming the bones into water to gain flexibility and such isn't correct. Make this style have great strength and stamina as well and endurance to pain and physical blows above average with below average or average speed (all of these when compared with a normal Strong Fist Master).


    Ryuuchou Kawazoi Ryuujoukohaku -Flowing River of Fierce Fighting
    Type: Taijutsu
    Background: Developed by the Hozuki clan to combat the taijutsu clans of konohagakure, this style of fighting is based on the combining of the hydrification technique with taijutsu training. It has been said masters of the Ryuuchou Kawazoi Ryuujoukohaku have battled for weeks without either of them giving in or showing signs of fatigue.
    Description on the Abilities and Inner Workings of the Style: The user combines the hydrification technique and taijutsu to enhance their blows's by focusing moisture and water chakra into the main muscles for the attacks, enlarging the muscles allows for a boost in natural stamina as well as a higher tolerance to pain. It can also grant the user additional stamina by diluting the acid that builds up in muscles with more water, letting them fight at full tilt for days.
    Additional effects and Restrictions:
    -The user will be very slow to use other elements to fight because of the heavy focus on water and taijutsu.
    -Can't use kaito's tai that utilizes an element other then water the same turn a move from this style is used.
    -Requires training by Professor Sarutobi to use.
    -Can only be used by Hozuki Clansmen who have mastered Water Release and Taijutsu
    -Masters of this style will be able to use water release in general much quicker as it is a fundamental part of performing Flowing River of Fierce Fighting techniques.
    -Users can push their bodies to their limits constantly with help from the stamina increasing ability letting them train for days at a time, with this training regime the user gains great strength and stamina as well as endurance to pain and physical blows above average to that of Strong Fist masters.
    - The user only has average speed when compared with a normal Strong Fist Master despite their increase in physical strength.
    -The master of this style has an above average tolerance to pain.
    .

    ____________________
    P a t e n t C e r t i f i c a t e

    Professor Sarutobi, our loyal member, gave on the 13th of March 2012 a request for a Patent on custom fighting style (Ryuuchou Kawazoi Ryuujoukohaku) Flowing River of Fierce Fighting. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Ryuuchou Kawazoi Ryuujoukohaku | Flowing River of Fierce Fighting
    Powered by Scorps
    Copyright 2012, Professor Sarutobi, NarutoBase.net


    Note: Because of the special abilities of the Hozuki Clan, this doesn't stop other members from submitting close combat Hozuki techniques as long as they don't clash with yours.
     
         
    Last edited by Scorps; 04-08-2012 at 04:00 PM.

  2. #77
    Shura.'s Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    (Akuma Homura) Satan’s Flame
    Type: NinTaijutsu
    Background: During the reign of Tobirama Senju the Second Hokage, members of the Uchiha clan began growing increasingly jealous (for lack of a better word) of the Taijutsu prowess of Konoha’s own Hyuuga clan. Their Gentle Fist style and Doujutsu showed exceptional capability, and this truck fear into the hearts of the proud Uchiha clan. With fear on their hearts that they, the great Uchiha clan of the Leaf would soon be overshadowed by the lesser Hyuuga, they began developing their own fighting style to combat the Gentle Fist. This fighting style included the use of the fire element, which they were known to have exceptional mastery over, earning it the title of NinTaijutsu. The new fighting style allowed those of the Uchiha clan to coat their own bodies in protective “blankets” of fire chakra in order to defend from the close range attacks of those their enemies. As it served as a powerful defense, it also serves as a hot offense.

    Although it was originally meant to stay within the Uchiha clan, on one unfortunate night, a member of the clan was stolen away from his home, by shinobi from Kumogakure in an attempt to steal the Sharingan. The kidnapped clansmen fought hard, defeating many of the shinobi with this fighting style, which they have never been exposed to and therefore were unable to effectively defend. Before being overwhelmed by sheer numbers and being captured, the shinobi of the leaf committed suicide in order to protect the style, and the Sharingan from falling into enemy hands (He destroyed his Sharingan as well). Several years later, the Uchiha clan was massacred and thought to be gone along with their style, but this was not the case. Few members of Konoha still use the style, having been taught by their former allies, the Uchiha (Before their elimination of course). The style is now only passed on to those who are deemed worthy and taught by a master of the style.

    Description on the Abilities and Inner Workings of the Style: The style allows one to focus fire element chakra to certain body parts, and even in some cases the entire body, in order to deliver heat damage on impact with a target. The use of this fire chakra will also increase the strength of ones punches and kicks. Users affected limbs will take on a slightly different appearance emitting bright red flames.

    Masters of this style are capable of coating their whole bodies in fire (while leaving them unharmed) hat increases their hand to hand offensive and defensive power as well as holding the properties that allow the user to burn targets on contact.

    Below is an image of what the completely developed style release would look like:



    Additional effects and Restrictions:
    • In order to maintain this technique, one must first undergo intense physical training to tone the body, as chakra control exercises.

    • One must have at least begun Fire Style Training in order to use the initial technique.

    • One must have mastered Fire and Taijutsu in order to use the complete version of the style.



    ____________________
    P a t e n t C e r t i f i c a t e

    XxFallenUchihaxX, our loyal member, gave on the 14th of March, 2012 a request for a Patent on custom fighting style (Akuma Homura) Satan’s Flame. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    (Akuma Homura) Satan’s Flame
    Powered by Scorps
    Copyright 2012, XxFallenUchihaxX , NarutoBase.net


    Note: edited a bit to make it approvable.
     
         
    Last edited by Scorps; 04-08-2012 at 08:53 PM.

  3. #78
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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Nara.. View Post
    Shadow Combat (Kage no Sentō)

    Type: Other (Nintaijutsu?? I don't know since it use shadow chakra)

    Background: This secret taijutsu style of Nara Clan was developed Nara.. who knows that the Nara members are weak at hand to hand combat. Nara.. develop the tech by learning the work of the shadow. It took 3 year for him to discover this technique. He found that by corrupting himself by the shadow, their taijutsu are enhanced. When he learns that, he runs across the field and shouted "I did it!!!". Now, he opens a dojo in his clan house and teach these combat styles

    Description on the Abilities and Inner Workings of the Style: This ability works by molding the user's body with the shadow. With this advanced shadow tech, the shadow overwhelm one's body, adding a new layer on it. Whenever the user punch the enemy, the shadow chakra gather there, and extend the fist about a inch and improving one's range and power of punch because it has more mass which means more force. The same goes for the leg. For defensive purpose, the shadow can be extended from the user's body acting like a sharp spike which pierce through the attackers(of taijutus). The spike are strong enough to hold even a sword attack. To be brief, it is an usage of the shadow and to add a layer on the user's body (Act like another skin so that it can prevent enemy from direct contact with the user's body which mean if enemy attack the user, the attack is lessened by the shadow skin) In addition, the spike can be used for attack purpose too. When a spike is extended from the user's palm, it can pierce through enemy body too.

    Additional effects and Restrictions:
    - User expert in Shadow Combat can use any Shadow tech faster
    - Cannot use in night time and cannot use near a huge light source
    - One cannot use normal shadow techs(like Shadow Possession) if he has activated his shadow taijutsu mode
    - User after activating are weak to fire attacks
    - User after activating are strong against taijutsu and Kenjutsu
    - User when exposure to sunlight has more power in using Shadow Combat moves
    - Users need to finish Shadow Training first

    Proof that the Nara Clan member can make his shadow goes up his body and to make spike from an existing shadow: Remember the part where Shikamaru fought with Tayuya? During that time, Shikamaru make his shadow goes up his body and make it strangle his finger to break the genjutsu. If the user is more expert in it, he can make the shadow goes up to full body. Shadow Sewing techniques prove that the user can make spike from his existing shadows

    If this is approved, do I need to submit techs? If yes, where can I do it? Feel Free to edit things if necessary ^__^



    ±± Declined ±±Off course you need to submit techs. You are patenting the idea of the style. A style is not a mode. That being said, you worked this out like a Mode, which it can't be. Please reword it. Also, the restrictions...it has been said multiple times, don't add useless restrictions on things. How does this make you weak to fire? This is a NinTaijutsu. Thus, you need to make it work like that.


    Shadow Combat (Kage no Sentō)

    Type: Nintaijutsu

    Background: This secret taijutsu style of Nara Clan was developed by Nara.. who knows that the Nara members are weak at hand to hand combat. Nara.. develop the tech by learning the work of the shadow. It took 3 year for him to discover this technique. He found that by corrupting himself by the shadow, their taijutsu are enhanced. When he learns that, he runs across the field and shouted "I did it!!!". Now, he opens a dojo in his clan house and teach these combat styles

    Description on the Abilities and Inner Workings of the Style: This ability works by molding the user's body with the shadow. With this advanced shadow tech, the shadow overwhelm one's body, adding a new layer on it. Whenever the user punch the enemy, the shadow chakra gather there, and extend the fist about a inch and improving one's range and power of punch because it has more mass which means more force. The same goes for the leg. For defensive purpose, the shadow can be extended from the user's body acting like a sharp spike which pierce through the attackers(of taijutus). The spike are strong enough to hold even a sword attack. To be brief, it is an usage of the shadow and to add a layer on the user's body (Act like another skin so that it can prevent enemy from direct contact with the user's body which mean if enemy attack the user, the attack is lessened by the shadow skin) In addition, the spike can be used for attack purpose too. When a spike is extended from the user's palm, it can pierce through enemy body too.

    Additional effects and Restrictions:
    - User expert in Shadow Combat can use any Shadow tech faster
    - Cannot use in night time and cannot use near a huge light source
    - User when exposure to sunlight has more damage in using Shadow Combat moves
    - Users need to finish Shadow Training first
    - All Rei's restrictions applied: [X]

    Proof that the Nara Clan member can make his shadow goes up his body and to make spike from an existing shadow: Remember the part where Shikamaru fought with Tayuya? During that time, Shikamaru make his shadow goes up his body and make it strangle his finger to break the genjutsu. If the user is more expert in it, he can make the shadow goes up to full body. Shadow Sewing techniques prove that the user can make spike from his existing shadows

    I remove unnecessary restrictions so that it will not looks like a mode but a fighting style


    ____________________
    P a t e n t C e r t i f i c a t e

    Nara.., our loyal member, gave on the 15th of March, 2012 a request for a Patent on custom fighting style Shadow Combat (Kage no Sentō). I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Shadow Combat (Kage no Sentō)
    Powered by Scorps
    Copyright 2012, Nara.. , NarutoBase.net

     
         
    Last edited by Scorps; 04-08-2012 at 04:14 PM.

  4. #79
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    Re: ±±Custom Fighting Styles Submission±±

    Santoryu – Three Swords Style
    Type: Kenjutsu
    Background: In the years of wars, ninjas developed and used many different fightning styles what are used different weapons, kunais, shurikens and even swords. Nowadays ninjas mostly relying on their elemental-ninjutsus and genjutsus without using their own strength. However a small group kept the tradition and still practicing swordsmanship in the era of ninjutsu. This group resides in the Hidden Mist Village and their most famous members are called, the Seven Ninja Swordsman of the Mist. They were not only famous but even strong too. Unfortunately all of them died, but their legend is still around and inspire the newer generation to dive in the depths of swordsmanship. One man in this new generation a young, but strong shinobi who not only aimed to be the best swordsman on the world, but in order to reach his goal, he developed his own style, named Santoryu.
    Description on the Abilities and Inner Workings of the Style:
    Santoryu is a style of sword fighting that deals with the wielding of three swords one in each hand and one in the mouth. For this style the user has to possess an exceptional mastery of swordsmanship, great strength and endurance. Using 3 swords is very difficult and also has the risk, the user couldn't react in time to the incoming attacks with elemental-ninjutsus. In order to fill this hole in the style, the users learned how to sheathe and draw their swords in seconds. Master Santoryu users could do this in mere 1 second and in combat it is automatical before the use of other techniques.

    This style is not only about how to wield 3 swords at the same time and swing with them randomly, but rather how to deal the most damage with the least move. That's why Santoryu users developed different techniques for the style.

    Shishi Sonson:
    High speed attacks with great accuracy. Shishi Sonson concentrating on killing the enemy mostly in 1 move. For this the user moves faster than he usually does and land hits before the enemy could react.

    Oni Giri:
    Direct hit attacks with great force. Oni Giri is the most common technique in Santoryu. The user puts more strength in his attacks than he usually does and land direct hits to crush his enemies.

    Hyaku Hachi Pound Ho:
    Compressed air projectile attacks with great speed and strength. Hyaku Hachi Pound Ho is the hardest technique in Santoryu. The user not only using his swords for his attacks, but at the same time he uses wind manipulation too. With this he could attack in far distances as well as in close ranges.

    Because of the harsh training, Santoryu users have better knowladge in other sword styles than normal ninjas have. They are especially good in 1 and 2 swords styles as they are the basic requirements for the 3 swords style. Every Santoryu user could use his moves with less weapons at the cost of losing effectiveness. This makes the attacks more adaptable in different situations.

    Nitoryu (Two Swords Style):
    Instead of using 3 swords the user uses only 2 and reduce every Santoryu attack to 75%.

    Ittoryu (One Sword Style):
    Instead of using 3 swords the user uses only 1 and reduce every Santoryu attack to 50%.

    Additional effects and Restrictions:
    - +1 rank for every non Santoryu kenjutsu techniques with 2 or 1 swords
    - increased strength, endurance and agility
    - needs finished kenjutsu training
    - needs to be at least S-Class Ninja
    - can only be used or taught by Frozenstein

    ~Thaaaaaaaaa no, already taken by moi, thus declined (and by taken I truly mean every aspect of it)~
     
         
    Last edited by Caliburn; 03-18-2012 at 08:51 PM.

  5. #80
    Senior Member Yüme's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Yūgana ken | Graceful Fist
    Type: Nin-Taijutsu.
    Background: There once was a time, when there was little known about jutsu, or Kekkei Genkai. A simpler time, when most fought with their body's alone. Due to this many struggled to stay on top, creating different form's of Taijutsu. But one form stood above all, and was never defeated. This style was known as the Graceful Fist. Many relied on power, and simple physical strength. But one man realized that there was another way. A better, and more peaceful way to end a fued. Graceful Fist is purely based on patience, and striking with maximum effect. And this was the key to winning any fist fight.


    Inner working's and Movement's of the Graceful Fist style.

    Description on the Abilities and Inner Workings of the Style: The Graceful Fist style consist's of three main rule's. The first rule is to stay Patient and Calm at all time's, it is alway's the key no matter what's headed your way, breaking this rule can be fatal. The second rule is to stay fluid, a stiff fighter is alway's inacurate. And the third rule, is to strike with Maximum effect, and we will get to that in the explanation here.

    Movement and Style: Graceful Fist is mainly performed with fluid movement of the body. The user will watch the opponent's every move, nothing get's past a Graceful Fist Master. You rarely block in this form of fighting, you will alway's counter. For example, if a simple quick punch is thrown, it can be blocked by simply moving the hostil fist out of the way with your wrist, this will also leave the opponent in an unstable position.

    Striking with Maximum effect: Graceful Fist user's also has knowledge over every single muscle that is in the human body, thus comes the striking with maximum effect. The strike will alway's be for an important area, more likely a pressure point.


    Nin-Taijutsu related effect's: Graceful Fist user's have the ability to create small wind gust's nearby their body with simply the swipe of an open palm. This was to knock the opponent off balance, for an opening to strike with maximum effort.


    Additional effects and Restrictions:
    - Graceful Fist user's have great stamina. Due to you having to move at all times fluidly regarding the style, stamina is built.
    - The user of Graceful fist will be able to take strong blow's, not only do you learn about pressure point's and muscular area's during the learning process, you must constantly resist these physical blow's. To be sure no Graceful fist user could really fight one another.
    - A Graceful Fist user does not require handseal's to create small wind gust's.
    - In The Training process, you will strike hard object's with merely a finger or two, practicing. Therefore the user's hand's and finger's will be rock hard.
    - A Graceful Fist user is not as strong as a normal strong fist user, so in a pure physical match, Graceful Fist is Outmatched.
    - You must be a master at the Graceful Fist to use it's wind technique.
    - Must be of at least Kage rank to master the Graceful Fist.



    ±± Declined ±± You need to develop the Ninjutsu part of this a bit more by explaining and developing the wind effects further.
     
         
    Last edited by Scorps; 04-14-2012 at 10:43 AM.

  6. #81
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    Re: ±±Custom Fighting Styles Submission±±

    (Ryuu no Taijutsu) Dragon Martial Arts

    Type: Taijutsu

    Background: The Dragons from the Forbiden Land of Ryuukami have created their own martial arts. When Uchiha Ryuu visited this land, he asked a Dragon Sensei to train him in Martial arts, and the Dragon Replied, amused "Only a dragon can fight like a dragon"... He was surprised when Ryuu replied "then, I guess I have to become one", and, with a cunning smile, transforming into one with the "Hange no Jutsu". The Dragon Sensei, amazed by Ryuu's transformation, taught him the basics of Dragon Taijutsu.

    Description on the Abilities and Inner Workings of the Style: Using a variation of the regular transformation (Henge no Jutsu) technique, the user changes his apearance into that of a 2,5 meter tall (5 when standing/ 7 with the tail.) Western Dragon. He can use his wings as a Hang-gliding when jumping, during the fall, to change direction in mid-air and focus his full body weight to a single point and slow down the fall... . Although his physical apearance changes, his power and speed remain the same. Using the body of a dragon, he can use his tail and wings to attack and use the Dragon Taijutsu style, whose base is slowing down and directing the fall from jumping up high, to focus all the weight of the user on one point (claw slash/tail slam etc...). Tail slaming and warping is also common in this fighting style. The Dragon's body is very flexible and can move his neck and tail in a simular way to a snake. However, when transformed, the user cannot use hand seals, due to the fact that dragon's claws are lacking the flexibility needed to use hand seals.

    Additional effects and Restrictions:
    -The Dragon's wings cannot be used to fly, because the user does not have full controll over his wings, since he was not born a dragon. They can only be used as a Hang-Gliding when jumping, during the fall, to change direction and prolonge the fall...
    -When transformed, the user cannot use hand seals (and, as a consequence, jutsu that need hand seals). This is due to the dragon's claws lacking the flexibility needed to use hand seals.
    -This fighting style can only be taught by Necron.
    -Must be at least S-class ninja.
    -Must have fought at least a total of 3 battles
    -Must have started Katon training (a minimum of 1 jutsu)... It would be weird for a dragon not to be able to breath fire...

    ±± Declined ±± >_> Just no.


    (Furīfōmu wa nari) Freeform Will
    Type: Ninjutsu
    Background:The Chaos Adepts created this fighting style to fight opponets in distance.
    Description on the Abilities and Inner Workings of the Style:The chaos adepts use their normal chakra to create an aura around them. This aura can be used to create small (about the size of a basket ball) shapes of chakra (must be a basic shape, like Sphere, Square, Pyramid, Disk) that can be thrown to the enemy and hit him, pushing him away. They can also be redirected, if controlled by a chakra thread. While using this aura, the user cannot convert their chakra nature as long as it is activated. The user can create basic shapes of normal chakra and throw them to the enemy to push him. The Shapes can also be controlled to grab and move objects at distance.
    Additional effects and Restrictions:
    -If active, can only be diss-activated at the end of the turn.
    -Cannot convert chakra nature as long as it is active.
    -This style is based on the chakra in the user's body that controls the muscular system. Considering that, the user can only move objects the user could move with his physical strength, by the same amount of mobility he could with his physical body... For example, the user cannot use this to control fire or something heavier than he/she can lift with his physical body...
    -Must be S-class or higher to use.
    -Can only be taught by a Chaos Adept.


    ±± Declined ±± CFS (Custom Fighting Styles) are "aditional fighting styles that may be Taijutsu Styles, Kenjutsu Styles or any other weapon styles. They can be vary variable and basically include any type of additional fighting style that fits either within the Hand to Hand Combat or the Weapons Combat." This is neither of those.
     
         
    Last edited by Scorps; 04-14-2012 at 10:46 AM. Reason: added a restriction

  7. #82
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    Re: ±±Custom Fighting Styles Submission±±

    (Haki)-Ambition
    Type: Taijutsu/NinTaijutsu
    Background: Long ago, before even the introduction of chakra, people used to fight primarily with their fists in hand to hand mortal combat. It was natural to end a fued this way back in the days of old. People would constantly create their own styles of fighting unique to themselves. It wasn't until the introduction of chakra, and the initial use of chakra that this began to change. People had begun to rel more heavily on the use of Ninjutsu than anything else, as the age of shinobi came to a start. Muramasa, a man who lived in Konoha during the time of Hashirama Senju's reign as Hokage had absolutely no talent for the Ninja Arts (Exactly like Rock Lee).

    Despite his wish to become a powerful shinobi, the fact remained that he had no talent for the Ninja Arts, so he began to sought out other ways to become a powerful shinobi; Through means of hand to hand combat, or Taijutsu.

    Through extensive periods of meditation he eliminated all of his self-doubt making him one of the strongest men in the village, in terms of spiritual power. Once all of his doubt out the window, and his assurance in his own abilities higher than ever, he began undergoing constant physical work-outs and taijutsu training in seclusion. After several years of training away from home he had returned to Konoha to show-case his astounding new abilities, and mastery over chakra in a public (but friendly) bout. Even his peers, and those he grew up with were suspicious at first. How could anyone, especially Muramasa grow som much in strength over such a short time.

    Even following his death, the style still lives on, having been passed down from generation to generation.

    Description on the Abilities and Inner Workings of the Style:

    Through different sets of training, one will come to unlock the three variations of existing Haki release:

    Observation Haki

    In the intial stage of training, one must undergo extensive periods of meditation, focusing primarily on their Brow Chakra and its purpose. This chakra is the center of a kind of image-creation
    which gives the spirit and mind influence on the physical body, allowing one to differenciate between right and wrong, and develp their own intuition to peak levels. Having students learn to unlock th Brow Chakra will allow them to give into a higher sense of intuition, where their mind holds influence over their physical movements, allowing for one to be able to react more fluently to an opponents incoming taijutsu attacks through a sense of foreboding, and use them to their advantage. This is done to strengthen one's self spiritually, rather than physically. This is done until the point where all self-doubt has been eliminated.

    Secondary to the initial, once one has learned to access their Brow Chakra, and given into intuition, the next step if sensory deprived training. One will undergo a suitable duration of training in which their eyesight is deprived, and they rely on their hearing and intuition as to derive where an enemy might be coming from, or their method of attack. Through this training, the teacher hones the students reflexing capabilities, where they rely not on their eyes which can be decieved, but their open and aware mind, in order to predict where an attack may be coming from next establishing precognition. This is a grueling physical training which brings one's reflexive capabilities to an absolute peak, and increasing the fluidity of powerful movements and stances.

    Though this method of training serves to increase one's ability to react to incoming attacks to superb levels, under no circumstances does it increase one's speed. You can only react to what you can percieve, if the incoming attack is too fast to avoid, or percieve, it cannot efficiently be avoided, or defended against.

    Color of Arms Haki

    In this training, one will be forced to undergo grueling physical training. Heavy body wieghts will be worn on the legs, arms as well as a heavy chest wieght. The student will be forced to wear these weights and maintain a position for extensive periods of time. When in battle, the teacher will approach the student with a swift combination of punches and kicks, at speeds which would usually overwhelm any original person. This in turn develops the users ability to effectively counter over a set amount of time, as well as strike with a considerable amount of extra force behind each blow, utilizing potential energy and physical strength to increase the amount of damage done.

    Following the training with weights, one will undergo battle training in which they utilize their chakra as to augment physical strikes that are delivered by the user. Through this training, a student will develop an "invisible armor" of chakra that can be used as a weapon to strike others with. Used as an attack, the chakra can be projected ahead towards an intended target within punching range, as brute force making it harder to avoid.

    Conqueror's Haki

    After all other training, if the teacher feels that the student is worthy and wields a vast amount of spiritual power and knowledge, will give them insight on Conqeror's Haki informing them of the unique trait. The teacher will push the student through extremely grueling tests to discover whether or not they possess the ability to intimidate other souls. In the case that they do, this form of Haki cannot be trained in, but rather developed through one's own means. This type od Haki can only be used by those few chosen people who have developed exeptional spiritual power. Those who are more materialistic, and have ties that hold them to the physical realm will be unable to achieve this fate. Intimidation works to physically intimidate an enemy with one's mere prescence by emitting a powerful malevolant stream of invisible chakra. The powerful chakra can then intimidate nearby enemy's, instilling feeling of fear that were non-existant before, sending chills down the spine, and cause trembling and hesitation in movements which can clearly be seen even by a novice. Through one's own sheer will and personal training can they hone this ability once they have unlocked it, learning to control it and intimidate only selected targets rather than anyone within the vicinity.

    They can all be seen in the below video starting from 1:30 for those who don;t know what it would look like. (Of course these techniques would be dulled down to fit into our Naruto RolePlay, this is just to get a basic idea at what it is based off of.)



    Skill levels of the style:

    Creator (created the style)>Master (One who can use all of the three granted abilities of the meditations)> Second Class Warrior(One who can use the first two abilities granted)>Third Class Warrior (One who can only use the first ability granted).

    Additional effects and Restrictions:
    • Increased reflexes, without any increase in speed.

    • One must have undergone extensive meditation periods.

    • One must have exceptional chakra control.

    • To even begin learning the style, one must be of at least Sannin Rank.

    • Musty have mastered Taijutsu and Genjutsu (Genjutsu as being based more off of spirituality then the physical.)



    ±± Declined ±± To make this adequate to the reality of Narutoverse and mostly our RP you need to severely tone this down or drop the idea. Its unapprovable as it is and its potentially ridiculously OPed.
     
         
    Last edited by Scorps; 04-30-2012 at 08:00 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Myu-Jikaru Gigei | Musical Arts

    Type: Ninjutsu/Nin-genjutsu/Genjutsu

    Background: Long ago, a cheerful family was famous for entertaining people by singing songs and using musical instruments. They used to entertain people using various melodies. One night they presented a sad song in front of audience, which was that deep and sad that after hearing the song the audience get sad and start crying and start killing themselves. The family tried to stop the audience but audience didn't listened to anyone and commited suicide. The whole village was put to sleep, except a few people. The next morning a child of the family again start singing the sad song in memory of the people died last night, and suddenly same thing happened and the remaining ones killed themselves. So the family realized that their musical art is not normal, its something special. It controled the people and made them killed by their own hands. So they developed various styles in this art and made it very useful which was proved worthy in the Great Shinobi War I. But due to their village not being strong enough, they all died leaving the secret of their art in a scroll. And one day "Enzup" found the scroll. He tried to master the art completely but was unable to do so because he realized that the real art was a trait of the family who discovered the Musical Arts. So he was unable to master the part where using musical instrument, one can control peoples actions. And he destroyed the scroll after learning and mastering the remaining part of the Musical art.

    Description on the Abilities and Inner Workings of the Style: In this type, user start singing a song, whose sound when heard by anyone disrupts their chakra flow in brain and thus putting them under strong genjutsu. The same can be done by playing any musical instrument.
    Apart from genjutsu type, musical instruments can be used in various other forms, like playing a guitar at very high pitch can shake the earth, bring small tremors and simultaneously putting enemy under genjutsu, this type of style gives rise to nin-genjutsu.
    Sometimes instead of using the style nin-genjustu, user can simply use ninjutsu by using different instruments which can be used in form of differnt elements nature.

    Additional effects and Restrictions:
    -Different melodies have different effects on enemy.
    -Anyone who has mastered Musical Art, is immune to his own style.
    -Because of understanding of different types of music and sound, user can know that from where the sound is coming and what is producing it (source of sound), i.e. user's hearing sense is at upmost limit.
    -User can focus/concentrate on differnet types of sound at same time.
    -Must have a bio which holds musical instruments.
    -Must be of atleast Kage rank in order to learn it.
    -Must have mastery over basic 5 elements, ninjutsu and genjutsu in order to learn it.

    ±± Declined ±± Do not resubmit. This isn't a CFS.


    __________________________________________________

    2.) Shikake Gigei | Gadget Arts

    Type: Shikakejutsu

    Background: A gadget is basically well developed tool which is an mechanical object such as a device that has a particular function, but is often thought of as a novelty. Gadgets are invariably considered to be more unusually and cleverly designed.
    The use of gadgets arised when small and weak villages were not able to win against big and powerful villages in fair and actual fighting in wars. Small and weak villages were always eliminated first or in no time because of lack of power and strength. So after thinking much on the affair, small villages decided to make some gadgets on their own which will help them in standing against strong villages for a long time, but they failed. They didn't lasted long enough as they expected, due to gadgets being less. After that incident, Enzup developed his own Art, The Gadget Art. In which he decided to make many gadgets with his true effort.

    Description on the Abilities and Inner Workings of the Style: The special type of art consists of gadgets which can be made before a battle using some metals or appropriate elements. In battle user can either summon these gadgets or he can simply enter the battle with gadgets. To use a gadget, user passes his chakra into the gadget and it start working.

    Additional effects and Restrictions:
    -User's accuracy and alertness increases.
    -Must be of atleast Kage Rank to learn them.
    -Different songs and melodies have different effects on enemies.

    Note to Mod who checks this: This type of art fits well with narutoverse. If you're thinking that these are high tech gadgets which don't fit well with narutoverse, then here are few examples which are already shown in Naruto and exists in Narutoverse.

    -Land of the Sky used Flying Destruction Machine in their assault on Konoha.
    -Medic Ninja uses Injection Shot Sniper to put the target to sleep.
    -Chiyo keep stored Mechanical Bird in a scroll that is able to fly and carry messages.
    -Mechanical Drilling Arm can be used to dig multiple holes, through which a person could dive underground and surprise the opponent.

    There are dozens of gadgets like this which exists in narutoverse.


    ±± Declined ±± Do not resubmit. Even if some signs of technology were shown in the Manga/Anime, the truth is that what you submitted isn't a CFS. Its a vague attempt at patenting several ninja weapons.
     
         
    Last edited by Scorps; 04-14-2012 at 10:51 AM.

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    Re: ±±Custom Fighting Styles Submission±±

    Alchemy Fist

    Type: NinTaijutsu

    Background:
    There was once a man who had mastered the strong fist he had spent years training, his phsyicque was impecabble, he could easily shatter boulders with his sheer strength, but he was still unhappy with his offensive capabilities, he felt something was missin. Although his physical prowess was near perfect, he felt that something was missing from his offense, he could easily destroy boulders and bones alike, but he knew something was missing, after much time and jouryning, he came across several ninja's seeing their techniques that in effect created something out of very little, or nothing other than their bodily energy. The man studied in ninjutsu and after combining his physical prowess with his taijutsu prowes he came across something entierly new, its basis, was equivilant exchange. The man found that he could strike a boulder and break it into pieces using his chakra causing a aura to crackle around his fist that deconstructed the object as he struck, but in his strike by releasing his chakra he could change the size desnity and shape of the boulders pieces into anything he desired, such as kunai made of immensly compressed stone, or in other words reconstruction of the object struck. Over time he perfected this art, however although he had found a answer to one thing many other answers still were unfound, and thus the man was still vunerable to old age and death, he soon came across two ninja's who he had deemed worthy passing the art down to them before he passed away into the void.

    Description on the Abilities and Inner Workings of the Style:
    The user by striking a solid or partial solid for instance earth or water, with their brute strength and chakra coating, chakra designed for deconstruction that crackles around their hand and despite being normal chakra has much resemblence to the most destructive elements fire and lightning, causes the object in question to de-construct, then within the same strike they release chakra which results in the de-constructed object being re-constructed the re-constructed objects size density and shape being dependant solely on the users will, however to this is a single rule, if a kilogram of earth is de-constructed only a kilogram of earth can be reconstructed, by making it larger than it origninally was, its density will lessen resulting in the object being lighter per square cm and of course weaker per gram, the opposite goes for if the object(s) was in total reconstructed smaller than the origninal object was, this is the rule of Equivilant Exchange the fact that rules over this style. Not only that but a second rule exists, the user cannot reconstruct cells of a sentient living being, such as animals and humans however they can de-construct it resulting in the de-consructed area, for instance a arm being coated in blood mangled and shirveled and usually im-movable. Not only that, but the user can re-construct over distance, for instance they punch the ground directly infront of them, resulting in a area of the ground being De-constructed leaving a small creater, then for instance several meters infront of them, a pillar made of the same substance will construct rising from the surface of the ground at high speeds without tearing through the earth and thus being fairly silent. This particular method of alchemly fist, is highly useful, since it is usually much faster than standard ninjutsu, since rather than something being created from nothing, or something pre-existing being manipulated and then moved, the user simply strikes something causing it to de-construct and re-construct somewhere else however the area de-constructed and the area where it is re-constructed has to be of the same body, for instance the user can strike the ground de-constructing it and then re-constructing it somwhere else on the ground, but the user cannot strike a boulder de-constructing it and then attempt to re-construct it on the ground as they do not belong to the same existance, the boulder can be moved and as such is not part of the ground. The user can of course strike a boulder causing it to deconstruct and fly towards the opponent as the pieces re-construct into new object(s)

    Additional effects and Restrictions:
    -A user of the Alchemy fist has high destruction capabilities their punches being much more potent than a average person, and even overshadowing a taijutsu masters without the chakra coating
    -Users of the Alchemy fist usually wear gloves gauntletts knuckle dusters or bracers as it helps enhance the alchemy fists usage
    and potency.
    -Must have started training in strong fist.

    Example of de-construction:


    It's demonstrated throughout the video.



    ±± Declined ±± This mimics too much Explosion Release techniques. Also, its incredibly OPed.
     
         
    Last edited by Scorps; 04-19-2012 at 07:58 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Thunderbolt View Post
    ±± Declined ±± You are confusing a custom hand to hand/weapon fighting style with a technique/move.
    Quote Originally Posted by Thunderbolt View Post

    ~Declined~ You need to wait 15 days before resubmitting. Please read the rules next time.^^
    Quote Originally Posted by Thunderbolt View Post
    ~Declined~ Needles placed inside of your veins? What's preventing you from slowly bleeding to death? Blood would still leak out while having those needles placed inside. The only effective way to have those needles inside of your veins and not lose blood is through medical related means which require training/permission. Also channeling chakra to expand the needles is too similar to the Akimichi Clan's expansion technique. Lastly, this still looks like a technique rather than a fighting style.




    Ancient Embedded Hidden needleの組み込まれた隠し針 Kodai no kumikomareta kakushi hari

    Type: Nin-Kenjutsu

    Background: This Fighting style was originated and first known to have been practiced in the early Greece more than a 3 Million years ago by the ancestral descendant of the Greek Gods. it was rumored and said to have been developed by the Greek God Zeus who developed the technique as a way to mark his ground and show his strength and dominance as the king of the heavens and ruler to the earthlings. The style was said to be of such power that even Zeus feared its strength and the wrong it could be used if placed in the wrong hands he kept the style of fighting under bay and never practiced and taught it to no one even his brothers, This was until he mated with a human and gave birth to a son which was known as the brave man in Greek mythology called Hercules he taught this style to his son as final measure to keep him safe if he ever came to any serious harm or fear of harm but telling him not to ever teach no man the technique or even talk of it. Hercules intends to the wise words of his father and shows the techniques to no one not even his own flesh and blood and rarely used it and preferred to result tot other means to deal with his problems which resulted in him fighting. Hercules was just one man and soon word got out a technique which could take out several men is jutst one move and attracted people all over the globe especially individuals from places we come to know today I asia as china and Japan they came all to see the forbidden fighting style which was being used but to their disappointment they did not. It was all moody and deem for these travelers until a certain day where he was assigned on one of his tasks or so called labours this time it was to retrieve a monster livin in the swamps with the name of Lernaean Hydra which was a monster of great strength and demonic power Hercules was sent to destroy this creature with is nephew lolaus but the strength of the beast was to fierce for Hercules to over come so he performed the technique and upon one slay weakened the beast up where lolaus was able to hold a torch to each of the stumps to prevent the demon of coming back again upon sight of this technique after they had come back from their journey it was said lolaus was fascinated with it and on several instances asked Hercules to teach him .Not much was known from them but it was said that Hercules finally taught lolaus the technique with which to Hercules disappointment passed it on to few other before he died.

    Description on the Abilities and Inner Workings of the Style
    :
    This fighting move is one of great strength and power and if wielded and used in a proper manner is one of the deadliest weapons in existence. The user prior to performing the the fighting move will carry several thin sharp needles finely carved And places into his veins on his hands he then uses his raw chakra and fuses it into the needles which make them grow to any desired length strength or thickness or numbers this is due to the needles being placed in the user body and chakra being implanted to it as if it was a body par and thus grows on it own the user also makes use of his wind chakra which he infuses around the already grown and neutered needles to further sharpen and strengthen the grown needles up to the point as If it were steel. The user can also use this style of fighting as a shield against taijutsu attack which deals with strong physical impact by bracing his arms together and using the needles as shield. The fighting style can also protect the user against lightning attacks of any sort due to the style usage of wind .The needles can be placed in one hands or two this is up to the opponent and his preference though two arms increases the strength of the style of fighting and also the damages on the user .This stye is able to create repel like impact when used on a target as the user as not only does it cut the target but die to the wind it pushes him back tremendously, this style one of little powerful a several abilities Is that it allows the user of the style to know the opponents whereabouts if he has being cut or impacted on by the fighting style since the usage of this fighting style revolves around the opponent veins and his blood system it is safe to say that when the opponent is being impacted on or cut by the style of fighting and also using little of the user blood and chakra and used in the attack and this affecting him too. Finally the last of the of this style ability and the and the most powerful .the style is done by a precise and strong and concentrated blow to the head of the opponent to his brain which affects his cerebral cortex the region of the brain which controls memory ,awareness ,thought and consciousness a direct from this technique can cause a sudden temporary but fast alteration in of the these functions this means it could render his opponent lacking memory loss and without knowledge of his jutsu or him not knowing his surrounding area due to no awareness or even passing out due to no or little concentrations and good consciousness.This needles can be pulled out and retracted at will upon choice of the user but is mostly left in arms later taken out after battle course this style has the capabilities depending on the user (Genin_Sage) to which amount of damage the technique does At full use or even at the mere hands of a practiced user with skill this jutsu is more than enough to overpower basic taijutsu attacks and even normal katana with basically minimal effort.This style of fighting combines with sharigan kekkei genkai makes this technique advance into another level where the opponents is able to dodge and intercept taijutsu and lightning attack with little efforts.This fighting style also provides the user with a great threshold against pain and a focused mind due to his ability to use the technique properly even though under pain this makes him more less to fall victim to ninjutsu attacks based on killing intentions and fears.This also seems to be a good defense against breaking genjutsu as the user can take use of the pain of the already imbedded needles and upon sudden movements can feel pain that can break low ranking genjutsu.

    Additional effects and Restrictions
    :

    Requires a sharingan to perform a concentrated blow which affects the cerebral cortex and affects the opponent human senses .

    Must have mastered wind and in Ninjutsu.

    Must need thunderbolt permission to use

    Can not use 3 jutsu for next 2 rounds due to pain from implanted blade needles.

    The technique which affects the senses due to a direct focused blow from the opponent can only be countered by a 2 tomoe sharignan.

    The technique last for 4 Rounds

    Solution to scorps decline issue: I changed it to nin kenjutsu making it be more of a weaponry fighting style but still involving ninjutsu i also made changes to the grammars and removed things about it be a jutsu . I increased the restriction from having starting training in ninjutsu to have mastered it i also made the specialized attack more dodge -able and not to be so op i did this by limiting the requirement of evading or dodging the move from having a 3 tomoe sharigan to 2.


    Solution to Mathias decline issues: The main problem why this was not approved was the fact that the needles we make me bleed out and thus lose blood and also that the expansion of the needle technique is similar to that of akaimichi so i removed all those things about the needles being expanded and i also made it - 10 damage to the user while he is using the fighting style i also indicated that the needles are nicely cut and craved which allows for easy passage through the veins similar to that of an iv in real life wards.

    Solution To Mathias Second decline issue:I did not wait the proper amount of day to submit but i have done that now and have successfully constructed all thing which are required for the technique approval.



    ±± Declined ±± Don't resubmit. It can't be fixed or helped.
     
         
    Last edited by Scorps; 04-19-2012 at 07:59 PM.

  11. #86
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    Re: ±±Custom Fighting Styles Submission±±

    Slowing Time Arts | Jikan Donka no Biijutsu
    Type: Gentaijutsu
    Background: This style of fighting originates from Konohagakure, developed by the time when the konoha games war taking place, a young ninja wanted to be faster than the others and take this into advantage for he wanted to defeat them easily. Using their genjutsu affinity and taijutsu mastery, the young ninja developed a way to become faster and faster, atleast in his opponents’ eyes.
    Description on the Abilities and Inner Workings of the Style:
    Slowing arts was originally believed to be capable of drastically enhancing the user’s own speed, though Slowing Arts, true to its name, are revealed to be a time-affecting genjutsu, changing the way its targets perceive time, and thus making it appear for them that the user is moving around at unholy speed, allowing him to attack freely before they get a chance to counter. Using those techniques make the user formidable at melee and short range, allowing him to evade most attacks performed against him, even the fastest ones, and even to avoid combined assaults from different opponents. So it basically allows its users to slow down their opponent, by inflicting a time-affecting genjutsu which makes them to believe that the opponent is moving at incredible high speeds while in fact, their movements are just too slow. Then with their opponent's delayed reactions, the user can move in and attack freely before the opponent has a chance to counter.
    Additional effects and Restrictions:
    • The range of the user's technique is limited, meaning that only people and objects within a short range from him/her are affected by this jutsu.
    • Slowing Time Arts users have Immense Strength: the users possesse high natural jumping talent and an extreme amount of lower body strength, which allowed them to perform great feats. On a side note, their overall strength doesn't seem to be limited to their lower body, as they are also masters of hand to hand combat.
    • Slowing Time Arts users are Master Hand to Hand Combatants: they are extremely accomplished in hand-to-hand combat, relying on it, along with their Slowing Magic, as their main form of offense, and being powerful enough to incapacitate multiple foes with this combination alone. They can use a variety of punches and kicks connected with fluent motions, remaining suspended in midair for large amounts of time to perform notable acrobatic feats like spinning kicks, hitting many enemies at once.



    ±± Declined ±± Time related Genjutsu...how do you set it on your enemy? Thrhough contact? Same as my Lazy Fist? Or does it passively happen as your opponent is near? Explain that better.
     
         
    Last edited by Scorps; 04-19-2012 at 08:01 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Kirabi View Post
    Shuurai Tekken Do [Way of the Lightning Strike Fist]

    Type: Taijutsu
    Background: Believed in the Country of Lightning to be one of the oldest taijutsu styles still in practice, Shuurai Tekken Do was originally developed by the monks that helped to create the first incarnation of the Hidden Village of Cloud long before there were even inklings of such a drastic change. Honed over hundreds of years, this style has been given an essential definition that is rooted in the seeming paradox of the practice of the style itself: "What you cannot see can indeed hurt you."

    The paradoxical nature of the practice of this style is the fact that despite being called the 'Way of the Lightning Strike Fist,' practitioners of Shuurai Tekken Do are known for their meticulously, almost languidly slow pace during practice. A simple movement bringing a fist across the chest from left to right may take up to a full minute or more in practice, but therein lies the difficulty itself. During all movements, muscles are constantly tensed and released without exerting much outward motion, thus making the slowness of the style the way in which it tones the body. Many practitioners choose to hold large buckets filled to the very brim with water while practicing, hoping to attain a sort of rigid fluidity, a statement that highlights the paradox present in the style's practice.

    In combat, however, the practitioner demonstrates exactly what this type of practice does for his or her close combat ability. As the practitioner progresses, the laboriously slow practice tones the muscles in such a way that muscle reaction times are increased exponentially with every level of the style achieved. Thus, in a combat situation, the practitioner spends the fight attacking with extremely quick single hits and flurries and then backing off, rapidly responding to any counter-attacks made, and then repeating the process ad lib. When mastery of this style is attained, some users have been known to appear to stand still while their opponent is mysteriously ravaged and bloodied when coming near to them. Despite the general lack in strength exhibited even by masters of this style, it is still a wholly destructive art.

    Description on the Abilities and Inner Workings of the Style:

    Shokidankai: Arashinomaenoshizukesa [Initial Stage: The Calm Before the Storm]
    In the first stage of learning Shuurai Tekken Do, the practitioner focuses in training on slow, fluid motion while flexing and releasing different areas of muscle. No aids are yet used to provide extra resistance to the training, only strict guidance from a good teacher with a judgemental hand. In battle, the practitioner focuses on blocking with sweeping motions and striking with fast single strikes, taking advantage of the forms learned in practice.

    Nidankai: An'unteimei [Second Stage: The Gathering Stormclouds]
    After a suitable duration of undertaking the first style to build on the basics, the teacher will add a tool to the practitioner's repetoire - small cups filled to the brim with a liquid. The goal of this addition is to work on the fluidity of the movements while still maintaining rigid muscle control. In battle, the practitioner's speed is noticably faster than the average nina, and while the sweeping blocks are now accompanied by extremely fast forearm and shin blocks, the single fast strike policy still stands for attacking.


    Sandankai: Yorunotobari [Third Stage: The Veil of Darkness]
    The third stage of learning Shuurai Tekken Do is a grueling one, as whole days are sometimes spent a single position, the two cups of the previous stage being accompanied now by cups positioned on the head, shoulders, tops of the hands and feet, and on the knees. The user spends long durations in a sitting position with arms level at the shoulders, but without a chair to sit on. Sometimes, if the teacher is feeling particularly cruel, the student may be asked to try walking in a small circle while the cups are all still in place. In battle, the practitioner begins to use striking flurries in addition to the quick single strikes, as well as learning to add counters behind the now extremely fast blocks.


    Yodankai: Haizename [Fourth Stage: The Torrential Rain]
    Once the practitioner has attained what the instructor deems to be proper levels of fluidity and solidity, the cups in hand are traded in for medium-sized buckets of water with rough rope handles, which are still filled to the brim with a liquid. The rest of the cups of the previous stage are removed. This adds the extra aspect of maintaining fluidity while improving on muscle control due to the resistance of the added fluid weight. In battle, the practitioner approaches speeds that will baffle the human eye and batter the human body, but due to intense training the user will be able to control every strike, counter, and dodge to a keen precision. Strong single strikes and the occasional flurry are still the mainstay of the practitioner's offense, though there is now a considerable increase in the power behind them.


    Saishuudankai: Tekken Tenrai no Raijin [Final Stage: The Divine Fist of Raijin]
    In the final stage of Shuurai Tekken Do, the teacher acknowledges the student's abilites by leaving the last training up to him, as the learning is now essentially complete. A complete emphasis on speed should be the focus of the training in the Final Stage; some training methods used in the past include weighted training underwater, deep squats carrying livestock on the shoulders while standing under a waterfall, and other such extremes. In combat, the practitioner is now the stuff of the legends surrounding this style, seeming to be able to attack without physically moving the body from a standstill. Striking and countering become so fluid and fast that some say the blocks are almost up before the opponent's strike begins and the counter is made before the strike is retracting.


    Additional effects and Restrictions:

    - User must be from Kumogakure or Have a Canon Kumo bio.
    - User must be trained by Kirabi
    - User has increased speed [+7 levels] and flexibility due to the intense training and as such has to sacrifice strength losing -10 to taijutsu.
    - User must have Mastery of Taijutsu and up to B-rank NB taijustu training.

    [note: finally! I get to submit this taijutsu.]

    ±± Declined ±± No references to the speed chart or to damage in any technique. Keep it reasonable and balanced.
    note: removed references to the speed and damage charts.

    Shuurai Tekken Do [Way of the Lightning Strike Fist]

    Type: Taijutsu
    Background: Believed in the Country of Lightning to be one of the oldest taijutsu styles still in practice, Shuurai Tekken Do was originally developed by the monks that helped to create the first incarnation of the Hidden Village of Cloud long before there were even inklings of such a drastic change. Honed over hundreds of years, this style has been given an essential definition that is rooted in the seeming paradox of the practice of the style itself: "What you cannot see can indeed hurt you."

    The paradoxical nature of the practice of this style is the fact that despite being called the 'Way of the Lightning Strike Fist,' practitioners of Shuurai Tekken Do are known for their meticulously, almost languidly slow pace during practice. A simple movement bringing a fist across the chest from left to right may take up to a full minute or more in practice, but therein lies the difficulty itself. During all movements, muscles are constantly tensed and released without exerting much outward motion, thus making the slowness of the style the way in which it tones the body. Many practitioners choose to hold large buckets filled to the very brim with water while practicing, hoping to attain a sort of rigid fluidity, a statement that highlights the paradox present in the style's practice.

    In combat, however, the practitioner demonstrates exactly what this type of practice does for his or her close combat ability. As the practitioner progresses, the laboriously slow practice tones the muscles in such a way that muscle reaction times are increased exponentially with every level of the style achieved. Thus, in a combat situation, the practitioner spends the fight attacking with extremely quick single hits and flurries and then backing off, rapidly responding to any counter-attacks made, and then repeating the process ad lib. When mastery of this style is attained, some users have been known to appear to stand still while their opponent is mysteriously ravaged and bloodied when coming near to them. Despite the general lack in strength exhibited even by masters of this style, it is still a wholly destructive art.

    Description on the Abilities and Inner Workings of the Style:

    Shokidankai: Arashinomaenoshizukesa [Initial Stage: The Calm Before the Storm]
    In the first stage of learning Shuurai Tekken Do, the practitioner focuses in training on slow, fluid motion while flexing and releasing different areas of muscle. No aids are yet used to provide extra resistance to the training, only strict guidance from a good teacher with a judgemental hand. In battle, the practitioner focuses on blocking with sweeping motions and striking with fast single strikes, taking advantage of the forms learned in practice.

    Nidankai: An'unteimei [Second Stage: The Gathering Stormclouds]
    After a suitable duration of undertaking the first style to build on the basics, the teacher will add a tool to the practitioner's repetoire - small cups filled to the brim with a liquid. The goal of this addition is to work on the fluidity of the movements while still maintaining rigid muscle control. In battle, the practitioner's speed is noticably faster than the average nina, and while the sweeping blocks are now accompanied by extremely fast forearm and shin blocks, the single fast strike policy still stands for attacking.


    Sandankai: Yorunotobari [Third Stage: The Veil of Darkness]
    The third stage of learning Shuurai Tekken Do is a grueling one, as whole days are sometimes spent a single position, the two cups of the previous stage being accompanied now by cups positioned on the head, shoulders, tops of the hands and feet, and on the knees. The user spends long durations in a sitting position with arms level at the shoulders, but without a chair to sit on. Sometimes, if the teacher is feeling particularly cruel, the student may be asked to try walking in a small circle while the cups are all still in place. In battle, the practitioner begins to use striking flurries in addition to the quick single strikes, as well as learning to add counters behind the now extremely fast blocks.


    Yodankai: Haizename [Fourth Stage: The Torrential Rain]
    Once the practitioner has attained what the instructor deems to be proper levels of fluidity and solidity, the cups in hand are traded in for medium-sized buckets of water with rough rope handles, which are still filled to the brim with a liquid. The rest of the cups of the previous stage are removed. This adds the extra aspect of maintaining fluidity while improving on muscle control due to the resistance of the added fluid weight. In battle, the practitioner approaches speeds that will baffle the human eye and batter the human body, but due to intense training the user will be able to control every strike, counter, and dodge to a keen precision. Strong single strikes and the occasional flurry are still the mainstay of the practitioner's offense, though there is now a considerable increase in the power behind them.


    Saishuudankai: Tekken Tenrai no Raijin [Final Stage: The Divine Fist of Raijin]
    In the final stage of Shuurai Tekken Do, the teacher acknowledges the student's abilites by leaving the last training up to him, as the learning is now essentially complete. A complete emphasis on speed should be the focus of the training in the Final Stage; some training methods used in the past include weighted training underwater, deep squats carrying livestock on the shoulders while standing under a waterfall, and other such extremes. In combat, the practitioner is now the stuff of the legends surrounding this style, seeming to be able to attack without physically moving the body from a standstill. Striking and countering become so fluid and fast that some say the blocks are almost up before the opponent's strike begins and the counter is made before the strike is retracting.


    Additional effects and Restrictions:

    - User must be from Kumogakure or Have a Canon Kumo bio.
    - User must have Mastery of Strong Taijutsu and up to B-rank NB taijustu training.
    - User cannot have a bio that contains Dojutsu.
    -User have increased agility, derexity, and speed but a decrease in physical strength when using the style.


    ±± Declined ±± This style has nothing special to it that requires it to be a CFS. Its basically normal Taijutsu trained in a flashy manner.
     
         
    Last edited by Scorps; 04-19-2012 at 08:04 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Link to Previous Approval: X



    Champuru | champloo Kendo


    Type: Taijutsu/Kenjutsu

    Background:
    Champuru was created by a man who exceled at both Taijutsu and Kenjutsu knowing that both these styles where Popular in the Ninja world he decide to add his own personal touch to it he did so by adding unorthodox movements and flips to the style as well as spins making the movements look like break dancing this style was created by a man named Mugen and was passed down to only a select few students making this style of fighting very rare


    Description on the Abilities and Inner Workings of the Style:
    Highly unorthodox swordplay and a fighting style based on break dancing the Style also take Movements from almost every kind of Marital Arts the Style allows the Users movements to be unpredictable and very deadly. The user can use this to even defend himself in very small and tight area's. Most movements of this style of Taijutsu and Kenjutsu are done with Flips and by the using their feet and is done low to the ground. Even tho most movement are unpredictable the Style has it weakness due to the fact that it involves flips and is done close to the ground the user unless properly is left open in the middle of dodging a Attack. Some of the Style can also be mistaken with Rock Lee's Drunken Fist and with some of the Movements seen by Sasuke while fighting Naruto on the roof before Sasuke left the village. This style allows very few Chances to use any Chakra Infused Attacks because while using the style the user is in consent movement either attacking or defending against his opponent.This style does not have to be done with a sword but works best with one


    Additional effects and Restrictions:
    • Must be At least Sannin Rank
    • Must Have Atleast Started Basic Kenjutsu
    • Must Have Mastered Basic Taijutsu
    • Must Have My permission and Proof of beginning Kenjutsu and Mastery of Taijutsu

    ____________________
    P a t e n t C e r t i f i c a t e

    ~Eikichi Onizuka~, our loyal member, gave on the 20th of May, 2012 a request for a Patent on custom fighting style Champuru (Champloo Kendo). I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Champuru (Champloo Kendo)
    Powered by Scorps
    Copyright 2012,~Eikichi Onizuka~, NarutoBase.net


    This was approved because it had already been approved. Took the speed bonus as it was ridiculous
     
         
    Last edited by Scorps; 04-19-2012 at 08:09 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Lucifer View Post
    Muay Thai

    タイ語 [タイご] - Muay Thai - Muay Thai Martial Arts

    Type: Advanced - Taijutsu
    Background: Muay Thaijutsu, the ultimate body techniques. It's a basic form of techniques and refers to any techniques involving the martial arts or the optimisation of enhanced human abilities. Muay Thaijutsu is executed by directly accessing the user's physical and mental energies, relying on the stamina and strength gained through training, and having complated regulair taijutsu. It typically does not require chakra as one would say, though chakra may be used to enhance its techniques. Taijutsu generally require no hand seals to perform, occasionally making use of certain stances or poses. Muay Thai is referred to as the "Art of Eight Limbs" because it makes use of punches, kicks, mostly elbows and knee strikes, thus using eight "points of contact", as opposed to "two points" (fists). This technique was created by Lucifer when he was little and lost in the high mountains of Iwagakure known for their brutal weather conditions and also for the dangerous animals, he discovered it by himself when he fully mastered taijutsu, he started using his elbows and knees more often making them just as hard as rocks due to the inhuman training sessions he went through. As said earlier this technique mostly uses elbows and knee strikes by focusing an enormous amount of chakra into the bones themself so making the body a deadly weapon of the user thus increasing the damage, if used in close combat the user can easly break a few bones (like ribs) of the opponent in a single strike also causing internal damages due to the shockwaves caused by high speed knee and elbow strikesn that the user sends through the body of his opponents. But before doing that the user has to enter a particulier stance which requires, that the user raising his dominant arm forward with the knuckles pointing tords the opponent, and the other arm under his chin, and coming to the lower region the user will raise his dominant leg, forward in the same manner of the arms but lifting it up as seen in this picture below.
    Example
    Description on the Abilities and Inner Workings of the Style: This is a unique type of fighting style mainly, uses the elbow and knee strikes to make impact on the opponent(s), by focusing a incredible amount of chakra into the 4 joints the bones the two elbows and knees themselves. Thus making the ninja body a deadly weapon, the user can use the speed to send schockwave trew the bodys of his opponents, in a similar manner that gai used when fighting kisame increasing piercing and impact ability. So in short it uses the four points of the human body creating a deadly fighting style which can shatter the bones and cause damage to any kind of creature.
    Example
    Additional effects and Restrictions:
    ♦ The user will gain extreme strenght similar to Tsunade's.
    ♦ The user can use the eight joints to send shockwaves through his opponent's body.
    ♦ The user must have mastered regulair taijutsu inorder to use Muay Thaijutsu.
    ♦ This technique can only be taught by Lucifer.
    ♦ This technique also requires the user to have a strong build body as it uses the four joints.


    ±± Declined ±± How does this differ from anything you can do with regular taijutsu in free form? also, shockwaves...how come? and strength of tsunade...no. Sorry but no. Its too much and belittles her abilities. Same as i won't allow anyone to use a style to get the speed of rock lee without weights. same principle. I don't see anything special with this style that you can do with an elbow strike using Strong Fist.
    ♦ I apologise about belittling tsunades abililties and i'll also remove the shockwave part i added that to make it more powerful than it already is, as always hungry for more powerm so i'll make some changes and hopefully it i'll get approved. ♦
    ---------------------------------------------------------------------------------------------------
    Resubmitting;

    Muay Thai

    ムエタイ, Muay Thai - The Art of Eight Limbs

    Type: Advanced - Taijutsu
    Background: Starting with taijutsu, it's a basic form of techniques and refers to any techniques involving the martial arts or the optimisation of enhanced human abilities. Taijutsu is executed by directly accessing the user's physical and mental energies, relying on the stamina and strength gained through training. Normaly taijutsu does not require chakra as one would say, though chakra may be used to enhance its techniques. Taijutsu generally require no hand seals to perform, occasionally making use of certain stances or poses. The Muay Thai; Muay Thai is referred to as "The Art of Eight Limbs" because it makes use of punches, kicks, mostly elbows and knee strikes, thus using eight "points of contact", as opposed to "two points" (fists). This technique was created by Lucifer when he was little and lost in the high mountains of Iwagakure known for their brutal weather conditions and also for the dangerous animals, and mostly fighting against the samurai, he discovered it by himself when he fully mastered taijutsu, under Goro Kaguya, so after a while he thought why not create my own style? he started using his elbows and knees more often making them just as hard as rocks due to the inhuman training sessions he went through. Normally taijutsu does NOT, require chakra but in this case the user has to focus chakra into certain points of his body; Both elbows, knees, fists, and both feet, the eight points. Now, coming to the part where it differs from Strong Fist, this style mainly focuses on the offensive power, as this particular style is created to stand up against armed opponents, you could say any kind of weapon, by rotating your fist in the opposite direction of the weapon the user can deflect it and knock it out of the enemies hand, and lastly the user alwayshas to wear rope gloves for the strikes to do more damage so the user can not feel any pain at all when striking something hard as steel.

    The Muay Thai Stances;
    Description on the Abilities and Inner Workings of the Style: This is a unique type of fighting style mainly, uses the elbow and knee strikes to make impact on the opponent(s), by focusing a incredible amount of chakra into the 8 joints the bones the two elbows, knees and both feet themselves. Thus making the ninja body a deadly weapon, the user can use the speed to literally breake through the defence of the opponents, using chakra to increase the piercing and impact ability. So in short it uses the 8 points of the human body creating a deadly fighting style which can shatter the bones and cause damage to any kind of creature.

    Punching;
    The punch techniques in muay thai were originally quite limited being crosses and a long (or lazy) circular strike made with a straight (but not locked) arm and landing with the heel of the palm. Cross-fertilization with Western boxing and western martial arts mean the full range of western boxing punches are now used: lead jab, straight/cross, hook, uppercut, shovel and corkscrew punches and overhands as well as hammer fists and back fists. As a tactic, body punching is used less in muay thai than most other striking combat sports to avoid exposing the attacker's head to counter strikes from knees or elbows. To utilize the range of targeting points, in keeping with the center line theory, the fighter can use either the Western or Thai stance which allows for either long range or short range attacks to be undertaken effectively without compromising guard.
    Elbow;
    The elbow can be used in several ways as a striking weapon: horizontal, diagonal-upwards, diagonal-downwards, uppercut, downward, backward-spinning and flying. From the side it can be used as either a finishing move or as a way to cut the opponent's eyebrow so that blood might block his vision. The diagonal elbows are faster than the other forms, but are less powerful. There is also a distinct difference between a single elbow and a follow-up elbow. The single elbow is an elbow move independent from any other move, whereas a follow-up elbow is the second strike from the same arm, being a hook or straight punch first with an elbow follow-up. Such elbows, and most other elbow strikes, are used when the distance between fighters becomes too small and there is too little space to throw a hook at the opponent's head. Elbows can also be utilized to great effect as blocks or defenses against, for example, spring knees, side body knees, body kicks or punches.
    Kicking;
    The two most common kicks in muay thai are known as the thip (literally "foot jab") and the te chiang (kicking upwards in the shape of a triangle cutting under the arm and ribs) or roundhouse kick. The muay thai roundhouse kick uses a rotational movement of the entire body and has been widely adopted by practitioners of other combat sports. It is superficially similar to a karate roundhouse kick, but includes the rotation of the standing leg, like in Kyukushin, Goju, Kojosho and Kenpo, it is done from a circular stance with the back leg just a little ways back (roughly shoulder width apart) in comparison to instinctive upper body fighting (boxing) where the legs must create a wider base. This kick comes with the added risk of having the groin vulnerable at times, which is against Karate and Tae Kwon Do ideology in general except for brief moments after a kick for example. The roundhouse kick draws its power entirely from the rotational movement of the body; the hips. It is thought many fighters use a counter rotation of the arms to intensify the power of this kick, but in actuality the power is from the hips and the arms are put in said position to get them out of the way. If a roundhouse kick is attempted by the opponent, the Thai boxer will normally check the kick, that is he will block the kick with his own shin. Thai boxers are trained to always connect with the shin. The foot contains many fine bones and is much weaker. A fighter may end up hurting himself if he tries to strike with his foot or instep. Muay thai also includes other varieties of kicking such as the side kick and spinning back kick. These kicks are used in bouts only by few fighters.
    Knee;
    Supposedly, when the Thai users fought with rope-bound hands rather than the modern boxing gloves, this particular technique was subject to potentially vicious cutting, slicing and sawing by an alert opponent who would block it or deflect it with the sharp "rope-glove" edges which are sometimes dipped in water to make the rope much stronger. This explanation also holds true for some of the following knee strikes below as well.
    Additional effects and Restrictions:

    ♦ This style can only be taught by Lucifer.
    ♦ The user will mostly gain increased strenght, and a well build body.
    ♦ The user must have mastered regulair taijutsu inorder to use this style.
    ♦ The user will be able to destroy solid concrete stones, with a single blow.
    ♦ The user will be able to withstand physical attacks from B-Rank and below.
    ♦ The users must mention in their biography that the he is a Taijutsu and a Muay Thai specialist.


    ±± Declined ±± Again, this has several things that don't allow me to approve it:

    -Taijutsu does use chakra. All of it. Chakra is the combination of two energies, spiritual (mind) and physical (body), that are basically the life force of sentient beings. Chakra flows passively through the body and "powers" it. The only difference is that Taijutsu (normal one) doesn't require you to MOLD your chakra. You can still focus it and you still require it. The difference is that you use it passively or simply by focusing it on a part of your body. If not, then why would you open your EIG? Rock Lee powers his Taijutsu with chakra...he simply is a ninja that is unable to MOLD his chakra, making it impossible for him to do ninjutsu or genjutsu. I think you mastered taijutsu (you say you did) so i'm pretty sure you already know this.

    -Again, this style is simple hand to hand combat which you are trying to describe as more powerful but nothing special is in there to make a complete CFS. All of what you describe is either a copy of cannon and custom moves, Tsunade mimicking techniques, or simple free form taijutsu.

    -Yeah...and as if i'm going to approve a CFS that would make any bio you possess immune to physical attacks B-Rank and below. Yeah, right.

    Sorry but this isn't showing any way of getting approved.
     
         
    Last edited by Scorps; 04-19-2012 at 08:21 PM. Reason: Grammar

  15. #90
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    Re: ±±Custom Fighting Styles Submission±±

    (Suna : Poppubeibaku) - Sand Style : Popcorn
    Type : Supplementary
    Rank : B
    Range : Mid - Long
    Chakra cost : 30
    Damage points : N/A
    Description : The user will first bring out a handful of deeply, fire chakra-infused sand particles which can be infused and brought beforehand or made within a turn's time. These sand particles aren't normal and are slightly larger than regular sand particles due to expansion caused by the fire-chakra. The user will then launch those sand particles into the air above and once it has reached the edge of short-range from the user, it falls back down onto the ground from the start of mid till the end of long-range. As they crash onto the ground, the friction produced causes them to pop into multiply pieces. Works best to confuse the enemy and cause noise-chaos. This in time covers the field in front of the user but is not capable of covering the area around the user sadly.

    Note : Only covers mid to long-range
    Note : Can only be used thrice per battle
    Note : Can only be used by all sand users
    Note : Can only be used or taught by -Yusuke-
    Note : Special-heated sand can be added to biography
    Note : Does not have the capability to burn if it touches anybody
    Note : If user does not have the special sand, he can heat a handful of sand particles on the spot but it takes at least a turn till ready
    I can't make the quote link since I am not allowed to quote in closed threads so heres a link of the post instead.

    This is mostly a remake into a style.

    Poppubeibaku Sabure| Popcorn Sand

    Type: Special Ninjutsu

    Background: It was the middle of the summer and -Yusuke- was laying on the sandy surface of a scorching desert. Not really disturbed by the whether conditions, it occurred to Yusuke how warm and rough the sand that laid there was. He was able to compare regular sand carried by his friend, Gaara. Gaara's sand came from Sunagakure, where darkness normally fell on the city, and naturally-grind earth sand. Both Yusuke and Gaara was able to notice the differences and was amazed. The sand found in the scorching desert was slightly larger, rougher and warmer. There it struck Gaara, fire chakra. Gaara started channeling his fire chakra into his gourd, heating the sand within. Yusuke offered a hand and started bursting his own fire chakra within Gaara's gourd and after a few minutes of constant heating and warming, the sand started popping inside the gourd abnormally, much like popcorn.

    Yusuke released his chakra and hold of the gourd from being shocked and frightened by the sound the gourd had made. Despite less fire chakra being channeled into the gourd, the sound got even heavier as Gaara continued channeling more and more fire chakra. The sound was consistent now and Gaara asked for Yusuke's help for more fire chakra. When Yusuke added his own fire chakra, the sound had not increased but reduced instead. A discovery that foreign chakra of those who are not capable of manipulating sand was not capable of doing this.

    The cork that was placed onto the gourd to seal the sand within had no longer stayed in place and went flying into the sky. Sand was bursting out of Gaara's gourd and rained on them. Gaara and Yusuke ran around in circles, trying to avoid the raining sand. It was definitely hot enough to cause burns, rough enough to scrap their skin, as big as metal ball bearings and pelted them like rocks. Gaara thought of it as a magnificent discovery while Yusuke thought it was rather annoying.

    From that day on, Gaara had include the special heated sand in his fighting style, developing techniques that regular sand could not hope to achieve but of course, Gaara had still kept his regular sand as sand was the starter of all Gaara knew. (:


    Description on the Abilities and Inner Workings of the Style: The art of Popcorn Sand is a special ninjutsu style that applies fire chakra during the usage of sand in order to increase its destructive capabilities. People who know how to manipulate regular sand are not capable of controlling Popcorn Sand unless taught by the creator/user as this sand is a completely different thing. By imbue-ing the users very own fire chakra into his or her sand, he is capable of causing the sand to expand and develop into a bigger sand particle, hot enough to cause burns, hard as a rock and rough enough to scrap skin. Foreign chakra is not capable of doing so to the user's sand and hence, nothing will happen except the ordinary. Sand that has previously been imbued with the user's chakra is much easier to turn into Popcorn Sand while it takes awhile to turn sand that has not been touched with the users chakra into Popcorn Sand. Also, when water is usually absorbed by Popcorn Sand, it is also being evaporated by the heat as well at the same time so it looks like the water does not have that muddy effect on sand at all from a person's point of view. More to come with each technique submitted and approved! ^+^ (or declined T^T)

    Additional effects and Restrictions:

    - Can only be taught and used by -Yusuke-
    - Usable only by those capable of manipulating sand
    - Restrictions and effects would be included as techniques are submitted


    ±± Declined ±± This isn't a CFS. These are techniques you should submit through CJs.
     
         
    Last edited by Scorps; 04-19-2012 at 08:23 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    i know this may come across as nintaijutsu (maybe even Kiyoshi like) but i had this created before kishi created A or B and with Roku's Permission before he created the Kiyoshi Clan

    Blind's One Fighting Style - Zatoichi Taijutsu
    Type: Other
    (more of mix of Taijutsu/Chakra Manipulation. Kenjutsu will be expanded upon if approved officially)

    Background:Our Founder Zatoichi Katsu

    The shinobi was a blind man who was a master martial/weapons artist. Due to an accident in the Great Shinobi wars Katsu became blind. He didn't let this stop his growth in the world of the shinobi. Katsu developed a form of Taijutsu that he applied to his everyday life. We shall continue where he left off.

    Although blind, nothing is beyond the sight of our fist. --> Zatoichi Dojo

    Description on the Abilities and Inner Workings of the Style:
    This art of Taijutsu was named Zatoichi or Blind One, it allowed Katsu to focus his chakra and slowly release it from his body as a pulse/vibration surrounding the user, these vibrations would reflect off of object back to the user.

    The Katsu could then sense the make up of the surrounding area by making a map (similar to sonar) to "see" his surroundings. Katsu further developed the technique so that using elemental chakra, one could conditions ones body to be like the elements themselves.

    For example Katsu would use earth chakra and combine it with Zatoichi taijutsu to see through any object in and on the ground. Using the vibrations created by his body the vibrations are sent through the earth he could see great distances.

    There are 4 methods or parts to this style. Fist, Foot, Mind and Heart.

    Fist:introduces chakra pulses, full body radar pulses.
    Foot: introduces elemental chakra into the use of the chakra pulses/vibrations.
    Mind: trains the user to manipulate the chakra pulses for distance for genjutsu applications (breaking them or applying them to others).
    Heart: (rarely taught method) Trains the user to condense the chakra pulses into a focus attack.

    One is only required to learn the first three methods to be considered a Zatoichi Master. Few know all four methods, they are known as the Grand Masters of this form.

    Additional effects and Restrictions:
    *Minor Chakra Sensing Abilities through mediums of their primary affinity.

    *User gains a greater defense to attacks, due to emitting a constant barrage of chakra waves outside the body that could repel attacks.

    *Greater immunity to Genjutsu due to the constant bombardment of chakra going in and out of the body.

    **However this is all at the cost their sight. Users of Zatoichi taijutsu can only see what is connection to their chakra pulse.

    Current Rank limits the range and intensity of pulse used by user.
    Ex;

    Genin-Jounin: Short Range; C rank and below jutsu repelled

    S Class Ninja - Kage: Mid; B rank and below

    Sage- Official Sage : Long; A and below


    Can Only be trained by a Zatoichi Master.
    Mastery of Strong Fist Style required.
    Binding Seal must be applied to the eyes.



    ±± Declined ±± This is too much for a CFS. A CFS won't give you chakra sensing abilities, sensing abilities or anything related to that. That is KG/Ability domain which is Custom Clan domain. To approve something like this most of your "Additional effects and restrictions" must be removed. Also, if you remove the chakra sensing, vibrations sensing part, you are left with just normal taijutsu.

    You can, however, make this a CFS based on enhanced hearing only (although never to the extent of mugis inner sonar skill nor even to the extent of sound jutsu) or something like that but still, as it stands its basically a Custom Clan list of abilities/ability. Sorry.
     
         
    Last edited by Scorps; 04-30-2012 at 08:07 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Darius.. View Post
    Musha Shukke Fuu (The Warrior Monk's Way)

    Type: Taijutsu
    Background:
    Fighting technique and styles don't just pop out of thin air. Most of the times, there are events that take place, or a following or something that triggered the creation of some type of styles, or religions even that do this as well. The Musha Sukke Fuu's story is no different then these. The creators of such a fighting style are no more then monks. Literally, "Musha Sukke Fuu" Stands for "The Warrior Monks Way." Now, being monks, they are not violent people in the least bit at all. This particular fighting style in derived primarily as a defensive style, however, that's not to take away form the fact that it indeed has offensive capability.

    The creation of Musha Sukke Fuu, as a formalized martial art, is attributed to Dong Haichuan in the early 19th century, who apparently learned from Taoist, masters in the mountains of Iwakagure. There is evidence to suggest a synthesis of several pre-existing martial arts taught and practised in the region in which he lived, combined with Taoist circle walking. Because of his work as a servant in the Imperial Palace, he impressed the Tsuchikage with his graceful movements and his skill at martial arts and became an instructor and a body guard to the court. Dong Haichuan taught for many years in Iwa, eventually earning patronage by the Imperial court.

    Famous disciples of Dong to become teachers were Ichiro Tamazaki, Kisihmo Kayuga, Raiden Matzui, Ike Lennon, Ma Weiqi , Liu Baozhen, Liang Zhenpu and Liu Dekuan. Although they were all students of the same teacher, their methods of training and expressions of palm techniques differed. The Cheng and Liu styles are said to specialize in "Pushing" the palms, Yin style is known for "Threading" the palms, Song's followers practice "Plum Flower" ( Mei Hua) palm technique and Ma style palms are known as "Hammers." Some of Dong Haichuan's students, including Ike Lennon, participated in the Boxer Rebellion. In general, most Bagua practitioners practice either the Yin , Cheng, or Liang styles of Baguazhang, although Fan, Shi, Liu, Fu, and other styles also used to exist. However with time those other styles and formations of the said style became lost as its creators and followers either died and vanished.

    It is said that only four of those who did such still exist, the Four masters of Musha Sukke Fuu. These teachers are Ichiro Tamazaki(尹福), Kisihmo Kayuga(程廷華), Raiden Matzui(宋長榮), Ike Lennon(劉鳳春).Each one resides in a different country, or so they say. There are very few people who even know of the fighting style and the rumors, and even fewer who practice it.The base style known today is really more of a combination of things from the past of the branch teachers, those of the past present. The thing about Musha Shukke Fuu, is even though they are Monks, they traditionally don't mind mixing styles, especially of the same base such as Musha Sukke Fuu. In fact, that's hows it came to be what it is today, or so it is said.

    Really, know one ever seems to know, and nothing more of which is ever really mentioned in the history books to prove otherwise. It is a really secretive style to begin with, and finding it would require ones full study and seeking of, and the actual finding of one of the few masters, should they still even exist.

    Description on the Abilities and Inner Workings of the Style:

    Stage One: The Art of the Spirit (Chakra) Sphere.

    The main art of the Musha Shukke Fuu, is the knowledge of summoning the Chakra Sphere. This is the most basics of basic fundamentals with the style. Without the Chakra Sphere, the art could not exist. The Chakra Sphere is a small, hollow sphere of chakra that hovers over one's head. It is however, clearly visible to to others and can be touched, and popped rendering it useless furthermore. The Chakra Sphere consists of one's own chakra, and thus can be reentered into one's body in such a way, with of course proper training, in a way that may be used as an attack within said style. User usually concentrates in meditation in order to learn how to do this incredible feat. The stance is nothing short of a learning method for the Chakra Sphere Summoning. User sits Indian style with crossed legs and rests his hands together forming a special handseal. This handseal is created by pushing the users palms together, and crossing the middle and ring fingers, as the pinky fingers and index fingers clasp together. The thumbs cross as well. Eyes close, and user sits straight upward and meditates. This allows easier flow of chakra within ones chakra system.

    Stage Two: Reduce, Reuse, Recycle.

    Once Chakra Spheres have been properly summoned, the next challenge the user faces is having the Chakra Sphere re-enter the body for technique use. This is quite simple to do, and Requires a great deal less of training then first summoning the chakra spheres did. The user simply had to do said technique, and handseals and think about the sphere striking their body, and it should happen with rather repetitive training. This stage of training is perhaps the quickest and easiest stage of training. This reduces chakra output, reuses the chakra that is output, and recycles and leftover from the technique, because the chakra is still trapped within the body.

    Stage Three: Striking by Striking.

    Once the user has mastered the summoning of chakra spheres, and then mastered how to channel them throughout the body, The user now must undergo training to learn how to strike a foe while doing so, while channeling the chakra sphere. This isn't easy. User must stand in front of a stray dummy, tightly packed of course, and continue striking it until it explodes in a small 'boom' where the user strikes. It sounds easy and repetitive as well, but it is truly a lot harder then it sounds. Once the explosion had been seen, the user will repeat this until mastered, where every strike will be a minor explosion. At this level, the user will have mastered the art of the Chakra Sphere.

    Stage Four: Techniques

    This is the stage in which the user begins and starts training techniques within the fighting style that involve training and special usage of the Chakra Spheres. Specialized techniques that deal in both offense and defense, put primarily defense, are the techniques listed below within the style. Mastering all these techniques takes time, but when accomplished, the user will achieve the Master rank within the monk society.

    Additional effects and Restrictions:
    - User must be from Kirigakure or Iwagakure
    - User must be trained by ~Sanji~
    - User must have Mastery of Taijutsu.
    - User cannot have a bio that contains Dojutsu.


    ±± Declined ±± i like the idea. but some things need editing. For example, this isn't a Taijutsu but rather a NinTaijutsu. Also, you need to tie this a bit more with Taijutsu as its appearing to be simply you creating (not summoning...so that also needs tweaking) an orb of chakra as a projectile and striking people with it. You must have Taijutsu moves as a basic and develop this to be something added to the taijutsu, otherwise its all ninjutsu.
    -Resubmitting-

    Musha Shukke Fuu (The Warrior Monk's Way)

    Type: Nintaijutsu
    Background:
    Fighting technique and styles don't just pop out of thin air. Most of the times, there are events that take place, or a following or something that triggered the creation of some type of styles, or religions even that do this as well. The Musha Sukke Fuu's story is no different then these. The creators of such a fighting style are no more then monks. Literally, "Musha Sukke Fuu" Stands for "The Warrior Monks Way." Now, being monks, they are not violent people in the least bit at all. This particular fighting style in derived primarily as a defensive style, however, that's not to take away form the fact that it indeed has offensive capability.

    The creation of Musha Sukke Fuu, as a formalized martial art, is attributed to Dong Haichuan in the early 19th century, who apparently learned from Taoist, masters in the mountains of Iwakagure. There is evidence to suggest a synthesis of several pre-existing martial arts taught and practised in the region in which he lived, combined with Taoist circle walking. Because of his work as a servant in the Imperial Palace, he impressed the Tsuchikage with his graceful movements and his skill at martial arts and became an instructor and a body guard to the court. Dong Haichuan taught for many years in Iwa, eventually earning patronage by the Imperial court.

    Famous disciples of Dong to become teachers were Ichiro Tamazaki, Kisihmo Kayuga, Raiden Matzui, Ike Lennon, Ma Weiqi , Liu Baozhen, Liang Zhenpu and Liu Dekuan. Although they were all students of the same teacher, their methods of training and expressions of palm techniques differed. The Cheng and Liu styles are said to specialize in "Pushing" the palms, Yin style is known for "Threading" the palms, Song's followers practice "Plum Flower" ( Mei Hua) palm technique and Ma style palms are known as "Hammers." Some of Dong Haichuan's students, including Ike Lennon, participated in the Boxer Rebellion. In general, most Bagua practitioners practice either the Yin , Cheng, or Liang styles of Baguazhang, although Fan, Shi, Liu, Fu, and other styles also used to exist. However with time those other styles and formations of the said style became lost as its creators and followers either died and vanished.

    It is said that only four of those who did such still exist, the Four masters of Musha Sukke Fuu. These teachers are Ichiro Tamazaki(尹福), Kisihmo Kayuga(程廷華), Raiden Matzui(宋長榮), Ike Lennon(劉鳳春).Each one resides in a different country, or so they say. There are very few people who even know of the fighting style and the rumors, and even fewer who practice it.The base style known today is really more of a combination of things from the past of the branch teachers, those of the past present. The thing about Musha Shukke Fuu, is even though they are Monks, they traditionally don't mind mixing styles, especially of the same base such as Musha Sukke Fuu. In fact, that's hows it came to be what it is today, or so it is said.

    Really, know one ever seems to know, and nothing more of which is ever really mentioned in the history books to prove otherwise. It is a really secretive style to begin with, and finding it would require ones full study and seeking of, and the actual finding of one of the few masters, should they still even exist.

    Description on the Abilities and Inner Workings of the Style:

    Stage One: The Art of the Spirit (Chakra) Sphere.

    The main art of the Musha Shukke Fuu, is the knowledge of creating the Chakra Sphere. This is the most basics of basic fundamentals with the style. Without the Chakra Sphere, the art could not exist. The Chakra Sphere is a small, hollow sphere of chakra that hovers over one's head. It is however, clearly visible to to others and can be touched, and popped rendering it useless furthermore. The Chakra Sphere consists of one's own chakra, and thus can be reentered into one's body in such a way, with of course proper training, in a way that may be used as an attack within said style. User usually concentrates in meditation in order to learn how to do this incredible feat. The stance is nothing short of a learning method for the Chakra Sphere Creation. User sits Indian style with crossed legs and rests his hands together forming a special handseal. This handseal is created by pushing the users palms together, and crossing the middle and ring fingers, as the pinky fingers and index fingers clasp together. The thumbs cross as well. Eyes close, and user sits straight upward and meditates. This allows easier flow of chakra within ones chakra system.

    Stage Two: Reduce, Reuse, Recycle.

    Once Chakra Spheres have been properly created, the next challenge the user faces is having the Chakra Sphere re-enter the body for technique use. This is quite simple to do, and requires a great deal less of training then first creating the chakra spheres did. The user simply had to do said technique, and handseals and think about the sphere striking their body, and it should happen with rather repetitive training. This stage of training is perhaps the quickest and easiest stage of training. This reduces chakra output, reuses the chakra that is output, and recycles and leftover from the technique, because the chakra is still trapped within the body.

    Stage Three: Striking by Striking.

    Once the user has mastered the creating chakra spheres, and then mastered how to channel them throughout the body, The user now must undergo training to learn how to strike a foe while doing so, while channeling the chakra sphere. This isn't easy. User must stand in front of a stray dummy, tightly packed of course, and continue striking it until it explodes in a small 'boom' where the user strikes. It sounds easy and repetitive as well, but it is truly a lot harder then it sounds. Once the explosion had been seen, the user will repeat this until mastered, where every strike will be a minor explosion. At this level, the user will have mastered the art of the Chakra Sphere.

    Stage Four: Techniques

    This is the stage in which the user begins and starts training techniques within the fighting style that involve training and special usage of the Chakra Spheres. Specialized techniques that deal in both offense and defense, put primarily defense, are the techniques listed below within the style. Mastering all these techniques takes time, but when accomplished, the user will achieve the Master rank within the monk society.

    Examples of Techniques:

    Create Chakra Sphere
    Type: Supplementary
    Rank: D
    Range: Self
    Chakra cost: 10
    Damage points: N/A
    Description: User gathers a small amount of chakra around their body. A small orb of hollow chakra, barely of "D" rank amount of chakra seems to appear out of the sky, radiating from the users being, hovering around their head about half a meter away from them. This orb of chakra is harmless and meaningless in this form and can be walked through. In fact, striking the orb will cause it to disparate into nothingness, causing the need for another. This technique is only takes a "E" Rank of chakra per sphere.
    *Note*: Can summon up to 5 Spheres
    *Note*: Note the spheres can be used at anytime
    *Note*: Normal eyes may see the spheres

    Absorb Chakra Sphere
    Type: Supplementary
    Rank: C
    Range: Self
    Chakra cost: 20
    Damage points: N/A
    Description: It is not uncommon for a time to come in battle when one runs low on chakra. Chakra spheres may not always be used in a battle, and thus can be used for other things. Concentrating and using ones knowledge of Chakra Spheres, they adsorb Chakra Spheres in a manner that allows them to use certain jutsu. This, restores the user chakra for a "D" Rank amount per sphere. More effective when used with more spheres summoned. All 5 chakra spheres can be used at the same time. The one great trick to this technique, is that it can be used against other monks chakra spheres as well. They may adsorb other monk's spheres to restore their own chakra, and remove their spheres, make them re-summon them if they wish to use techniques in Musha Shukke Fuu. This technique is a technique used as a medium for all of the techniques where adsorbing a chakra sphere is needed, and such the restored chakra is often quickly re-used for techniques.

    Double Punch
    Type: Offensive
    Rank: C
    Range: Short
    Chakra cost: 15
    Damage points: 30
    Description: At close range, the user adsorbs a chakra sphere into their body and channels it throughout to their fist quickly. This extra chakra boost allows the user to rush extra energy to their fist and almost cause a twitching motion in ones fist, to where they punch twice with the same fist instantly. This causes double "C" rank damage if successful. Based on the users class and the opponents rank, this technique cause a slight stun to the victim. If the ranks of each are equal, it is a half a turn. Add half a round for every rank higher the user is than the victim, and if the user is lower rank than the victim, there is no stunning effect. This is used a follow up technique for later moves.

    Raging Palm Trust
    Type: Offensive
    Rank: C
    Range: Self
    Chakra cost: 15
    Damage points: 30
    Description: User focuses chakra sphere into their body and then quickly focuses it into the palm of their hand. A shock wave is released once this happens from the users palm, however the radius is very small and more confined. Width wise, the radius is only 1 meter wide. The shockwave that hits the opponent pushes them back 10 meters into the distance. This move is more deadly when used directly after Double Punch.

    This is basically giving you a general idea of what this style actually entails. If you wish to see more just decline this and I'll give you more.

    Additional effects and Restrictions:
    - User must be from Kirigakure or Iwagakure
    - User must be trained by Darius..
    - User must have Mastery of Taijutsu.
    - User cannot have a bio that contains Dojutsu.


    ±± Declined ±± Well the idea of mixing taijutsu moves with the chakra spheres is ok but you are making this almost like gentle fist in the way you are using the chakra spheres.

    This is almost there but its still not quite what we call a CFS as you are making the chakra spheres into something that purely boosts the power of your moves and not as a weapon that aids your taijutsu. And if you do that then its basically only a flashier way to do chakra focusing moves.
     
         
    Last edited by Scorps; 04-30-2012 at 08:13 PM.

  18. #93
    Kyudaime Kazekage Teño's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Itsutsu Sacchi
    Five Senses Fighting Style

    Type:
    TaiJutsu

    Background:
    This style even though it says 5 senses it only uses 4. This was a blind mans way of fighting. But Teno Discovered the Art. Teno went 3yrs without uncovering his eyes. And enhanced his senses throughout his body by increasing the chakra through all his body by making his brain believe that his eye sight has been lost. So he had to trick his brain cause he was not really blind. He Learned these styles with the blind man. Everyday, living daily life without opening eyes. But you have to control your cjakra and emit it from your body and enhance it. Teno could hear ants crawling back and fourth, He could feel vibrations in the air even the slightest, He could Taste the diffrence in the air. He could also smell if its something lethal coming or not. His Reflexes enhance without his eye sight. So he is able to react in less then a second.

    Description on the Abilities and Inner Workings of the Style:
    The user Emit and enhance Massive amounts of chakra from their body to all the senses (Except Sight), The user will then Be able to Hear the slightest difference in noise. Even Over a Huge crowd the user can distinguish where its coming from. The User Can Smell anything out of the ordinary and able to track down something. Said to have a even keener smell then track dogs, The User Can taste the difference as well. (That kinda goes along with smell) and the user can feel vibrations in the air.. Even if somebody emerge from the ground without causing a sound the vibration in the air will give them away. With the User not being able to use his sight. His Reflexes, Speed, And Strength Increase. about 10% then it normally is. But the down side to this is.

    Additional effects and Restrictions:
    The most Obvious.. Sight. If the user can cause a confusion or even Hide their physical presence or do multiple things at once. I will never know which one unless one has footsteps. also Do to the massive emitting of chakra. Once The eyes close and you go in 5senses mode. You can not open them back up for the whole battle. If you do you will be drained and withing 1move afterwards you will faint. The Chakra is giving you the extra boost you need normally pushing past the limit. but since the eye sight is back. the chakra regulation is back. Making you have little or no chakra


    ±± Declined ±± This is not were near something that could be approved.
     
         
    Last edited by Scorps; 04-30-2012 at 08:14 PM.

  19. #94
    Senior Member Mugen Ryukyu's Avatar
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    Tell the truth, I won't listen
    to ya. Cuz I don't like being
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    Re: ±±Custom Fighting Styles Submission±±

    Butuokai Sono Hyouketsu Waza|Dance Of The Freezing Art
    Type: Nintaijutsu
    Background: Dance Of the freezing arts first began long time ago and was founded by Mugen Ryukyu & -Kamishiro-, an Ice master and his student. Mugen Ryukyu combined various Japanese martial arts which were used on the battlefield for close combat in situations where weapons were ineffective with his kg "Ice"
    with his movements, but accidentally rhe found how to combine his unusual movements with his Ice and that while he was teaching his student -Kamishiro- how to wrap you your legs around your opponent's stomach while being on the ground ,He found that he is able to turn any part of his body to Ice that is capable to freeze anything it touches by channeling his Ice chakra to any part of his body like
    legs hands etc...... however he found just one trouble on it that when he channel his Ice chakra to his body parts it becomes hard to move it and to strike the opponent with the speed that he used to hit and strike the enemy.Dance Of the freezing arts developed among the samurai of feudal Japan as a method for defeating an armed and armored opponent in which one uses no weapon,
    or only a short weapon. Because striking against an armored opponent proved ineffective, practitioners learned that the most efficient methods for neutralizing an enemy took the form of pins, joint locks, and throws.The advantage of Dance of the freezing arts is that it's based on irregular movements that surprise the opponent whenever the user attack in addition to that the ice is strong so it double the strike and also it's able to freeze the part it touches.

    Description on the Abilities and Inner Workings of the Style: Dance Of The Freezing is styles of jujutsu mix in with the deadly arts of hyouton. By the user utilizing Hyouton chakra and gathering it up in the users limbs to freeze and damage the opponent, it makes the art very dangerous. Dance of the freezing arts utilizes swift movements and patience to easily block and parry the opponents strikes and attacks. It is used for manipulating the opponent's force against himself rather than confronting it with one's own force. In contrast to the other forms/styles whose martial arts were centered around striking techniques, Dance Of The Freezing Arts hand to hand combat forms focused heavily upon throwing, immobilizing, joint-locks and choking. As striking techniques were ineffective towards someone wearing armor on the battlefield, but it works just as well against an opponent who isn't wearing armor. Dance Of The Freezing Arts works well in unarmed combat but was developed in for an unarmed or lightly armed warrior to fight a heavily armed and armored enemy on the battlefield.

    There is also another form of Dance Of The Freezing Arts These, are correctly designed to deal with opponents neither wearing armor nor in a battlefield environment. Most systems include extensive use of atemi waza (vital-striking technique), which would be of little use against an armored opponent on a battlefield. They would, however, be quite valuable in confronting an enemy or opponent dressed in unarmored attire. And Occasionally, inconspicuous weapons such as tantō (daggers) or short swords were included in the curriculum.


    It can also be used to take down multiple opponents by incapacitating one using grapples while striking the other using lower body kicks and other lower body strikes.

    Additional effects and Restrictions:
    * Can Only be taught by Mugen Ryukyu & -Kamishiro-
    *Since Combined with Hyouton when hit with causes many different such as becoming numb, body temperature drops,extreme frostbite.
    *Must have a mastery over Taijutsu
    * Must have a mastery over ice
    *Users of D.O.T.F.A have enhanced agility and reaction time

    ±± Declined ±± Freezing people by touching them? Hum...nah. I need you to simply the description of this much better. Are you simply combining Ice Release with Taijutsu? then you need to simply say that and be quite clear and restrict to all the effects of an Ice Taijutsu move. I won't have you freezing people by touching them. I noticed you put something at the end about numbing body and frostbite but i need this a bit more clear.

    -----------------------------------------------------------
    Previously Approved - http://www.narutobase.net/forums/sho...ng#post3221594
    Kung Fu | Chinese Martial Arts
    Type: Taijutsu
    Background: Kung Fu being the first styles of martial and also reformed as the deadly was made a long long time ago. It was from a man who had trained in the way of fighting from a very young age. His way of fighting was unorthodoxed, taking bits and pieces of many different styles and using them all in one fight. It was revered as a legend in the fighting world and on his death they asked him what his styles were called and with his last breath he slowly uttered the words "Kung Fu" and then past.
    Description on the Abilities and Inner Workings of the Style: kung fu are a number of fighting styles that have developed over the centuries in China. These fighting styles are often classified according to common traits, identified as "families" , "sects" or "schools" of martial arts. Examples of such traits include physical exercises involving animal mimicry, or training methods inspired by Chinese philosophies, religions and legends. Styles which focus on qi manipulation are labeled as internal (内家拳, nèijiāquán), while others concentrate on improving muscle and cardiovascular fitness and are labeled external (外家拳, wàijiāquán). Geographical association, as in northern and southern , is another popular method of categorization.The genesis of Chinese martial arts has been attributed to the need for self-defense, hunting techniques and military training in ancient China. Hand-to-hand combat and weapons practice were important in training.

    There are many different styles to Kung Fu such as -Kung Fu Style: Chángquán - 长拳長拳
    The forms of the Long Fist style emphasize fully extended kicks and striking techniques, and by appearance would be considered a long-range fighting system. In some Long Fist styles the motto is that "the best defense is a strong offense," in which case the practitioner launches a preemptive attack so aggressive that the opponent doesn't have the opportunity to attack. Others emphasize defense over offense, noting that nearly all techniques in Long Fist forms are counters to attacks. Long Fist uses large, extended, circular movements to improve overall body mobility in the muscles, tendons, and joints. Advanced Long Fist techniques include qin na joint-locking techniques and shuai jiao throws and takedowns.[citation needed]
    The Long Fist style is considered to contain a good balance of hand and foot techniques, but in particular it is renowned for its impressive acrobatic kicks.[citation needed] In demonstration events, Long Fist techniques are most popular and memorable for their whirling, running, leaping, and acrobatics. Contemporary changquan moves are difficult to perform, requiring great flexibility and athleticism comparable to that of gymnastics.
    Long Fist's arsenal of kicks covers everything from a basic front toe-kick to a jumping back-kick, from a low sweep to a tornado-kick.
    (Chángquán Style: Shadowless Kick Technique)
    Rank: S
    Type: Attack
    Range: Mid - short
    Chakra cost: 40
    Damage points: 80
    Description: The user from mid-range(or short) Quickly dashes in front of the opponent, to the opponent to his surprise and assumes the crane stance where he then jumps and kicks the opponent in the chin with the upper most top part of his foot. The opponents head will be forced upwards and thats when the user quickly dashes around the opponent, ending up behind him. Where he then delivers a strong kick to the opponents side, connecting his shin to opponents rib cage. The user then dashes around the opponent again, back to front and kicks them dead in the chest with a chakra infused foot. Quickly incapacitating the opponent or among certain situations brings upon death.
    *This can only be attempted twice per battle.
    *Can only be landed once.
    * Since the user uses all of his speed, he is exhausted and can only preform two jutsus in the next turn.
    --------------------------------------------------------
    Kung Fu style: Eagle Claw - 鷹爪派
    A style of Chinese martial arts known for its gripping techniques, system of joint locks, takedowns, and pressure point strikes, which is representative of Chinese grappling known as Chin Na.
    (Eagle Claw style: Ripping limbs)
    Rank: A
    Type: Defense/Offense.
    Range: Short.
    Chakra cost: 30
    Damage points: 60
    Description: Once the target physically attempts to kick or punch you, you will use your upper body strength, andspeed to grab the opponents limb. Once you've got ahold of the limb, you will harshly twist it untill the bone is completely broken or out of place.
    -------------------------------------------------------
    Kung Fu style: Wing Chun - 永春
    A concept-based Chinese martial art and form of self-defense utilizing both striking and grappling while specializing in close-range combat.
    (Wing Chun style: Explosive impact)
    Rank: S.
    Type: Attack.
    Range: Short.
    Chakra cost: 40.
    Damage points: 80.
    Description: In a close range battle, or during hand to hand combat, the user will pull both of his/her arm's back while squatting as if he were pulling back a samurai sword. While this is happening the user is focusing massive amounts of chakra within each arm. In a split second the user will thrust his/her arm's forward with great force with the bottom of the wrists together and the hands open (second knuckle's bent down). When you're hands make impact with the target the concentrated chakra is released at the same time, this causes a fierce impact that could even level Doton.
    *Can only be used once per battle.
    *Cannot use your hands for anything in the next two turns, including handseals.
    ------------------------------------------------------
    Additional effects and Restrictions:
    *Only Mugen Ryukyu can teach this
    *Must have a Mastery over Taijutsu
    * Users of kung fu have slightly enhanced speed and agility when compared to a normal Strong Fist user
    (All the jutsu have been previously approved swell)

    ____________________
    P a t e n t C e r t i f i c a t e

    Mugen Ryukyu, our loyal member, gave on the 24th of March, 2012 a request for a Patent on custom fighting style Kung Fu | Chinese Martial Arts. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Kung Fu | Chinese Martial Arts
    Powered by Scorps
    Copyright 2012, Mugen Ryukyu, NarutoBase.net

     
         
    Last edited by Scorps; 04-30-2012 at 08:22 PM.

  20. #95
    Legend ~Yubel~'s Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    (Gomu Gomu no Kata) Gum Gum Style
    Type: Nintaijutsu
    Background: Inspired by his friends, Luffy wanted to come up with fighting style of his own, he had a nack for always thinking out of the box to do things not only in training but in life that only he could do, he never had to think about being different but it happened on its own for him, to always follow his own path and express his uniqueness happened subconciously but this time it was different.
    He wanted to do something original, something that suited him, his own fighting style developed by himself.
    He had no idea of what he could do and after thinking long about it, he realized how hard it was going to be to come up with a fighting style that no one else had, what could he possibly do? It wasn´t easy.
    He chose to put it aside and not let his ego for wanting to be different rule him, he came to a point where he realized he didn´t have to be different, that it wasn´t important to have a fighting style of his own, he had friends and that´s what truly mattered.
    He joined his friends for a night-party, having given up, there were lots chatting, eating, dancing, funny pranks with usopp and chopper and after having a little game with usopp of who had the longest tounge(in which usopp won, trying to stretch his tounge further) luffy had an idea that came to him like thunder.
    He was just goffing around when it happened but he kept it in mind, having thanked everyone, he tried it on the next day where after 15 months training, he had mastered it with his friends watching, helping and giving him support which ultimately let him master the gum gum style, a style of taijutsu where you turn your body into rubber.
    Luffy had another realization that day, that it was his friends that made him unique, that it was because of his friends that he ever came this far and he smiled as usual like he always does knowing he made the right choice putting friends above all else when he gave up on creating the fighting style...when he got the idea......for the gum gum style.

    Description on the Abilities and Inner Workings of the Style: As the name suggests, the gum gum style revolves around turning your body into that of rubber to make you into a rubber-man to be able to stretch, giving you the ability to stretch long distances. Having trained hard for 15 months , Luffy is able to supplement his stretching powers with immense strength, agility, and creativity in combat though it should be noted that he can´t automatically stretch it, his body acts more like a rubber-band meaning he has to use some force for his limbs to stretch.
    In the first month of training he had to focus his chakra on his joints to loosen them, the next 4 months revolved around him being able to throw long-range punches and kicks, focusing chakra to produce muscle-structure and blood-cells where he had stretched so as not to tear any muscles and maintain it as it is.
    The other 4 months were about him trying to add speed and strength to his punches and kicks so as to punch and kick through solid walls and be able to stretch and retract it at great speed.
    Luffy then tried to take to take it to another lvl in the next 3 months as he uses his rubber-body and excellent chakra-control to pump blood through his legs to supercharge his blood-circulation and reaching heart-rates that are normally impossible but his veins can withstand it because of his rubber-body.
    It´s like he´s on steroids and he´s able to move at tremendous speeds, his strength also gets a considerable boost, using his rubber-body to maximum benefit, he calls this Gear Second.
    After another 3 months which finishes the 15 months, pumping great amounts of chakra from breathing on his thumb while bitting it through his bones to make them gigantic, this gives his arm more size and mass.
    He can use this on his limbs to give him a larger area to attack with much greater force, he calls this Gear Third.
    He has also mastered how to slow his super-charged blood-circulation in Gear Second to get to normal and not have to wait for the blood-circulation to slow down itself while wearing himself out when he doesn´t have to aswell as the ability to do partial-rubber body transformation.
    Luffy mastered the gum gum style in only 1 year and 3 months through grueling hard-work but he mastered it because of his friends.
    Additional effects and Restrictions:
    - After training his strength and speed of gum gum attacks, his body also got extremely hard and durable for a rubber-man.
    - Not only because of his durability but also because of him being rubber, damage from physical attacks are greatly reduced
    - Body is immune to bullets
    - Body is immune to most lightning(up to S and forbidden rank) as rubber is a resistor to electricity
    - Must have mastery of Taijutsu
    - Can only be used with a Luffy bio
    - Can only be Taught by MyWorldOfTsukuyomi

    ±± Declined ±± Yeah...become an official Sage, submit your Custom Clan and then you can submit a custom KG of this sort... Until then...nope, Don't resubmit.
     
         
    Last edited by Scorps; 04-30-2012 at 08:25 PM.

  21. #96
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    Re: ±±Custom Fighting Styles Submission±±

    Giant Tortoise Style (Ogame Ryu)

    Type: Kenjutsu/Nin-kenjutsu

    Background: The Giant Tortoise Style was created in the Land of Iron by a swordsman who had observed a large shinobi battle. During the battle he made note of the different elements the ninja used and how those elements acted. After returning to the land of iron he began experimenting with both movements in order to recreate the nature of the elements he saw. Over the next decade he developed the Giant Tortoise Style as well as the Ogame Dojo, where it would be taught.

    Description on the Abilities and Inner Workings of the Style: This style revolved around five main forms, each representing a different element. The different forms have their own strengths and weaknesses and usually a person trained in this school will have certain styles which fit their persona. After several samurai in the Land of Iron learned to unlock their elemental chakra for short periods of time, some of these techniques were combined with their actual elements to increase their strength.

    Ikazuchi Kata: The first form is Ikazuchi Kata (Form of the Thunder and Lightning God) in which the user relies on fast and direct movements to attack the opponent.

    Example:
    Form of Thunder and Lightning God | Purple Lightning Flash
    (Ikazuchi Kata: Shidensen)
    Type: Attack
    Rank: A
    Range: Short-Mid
    Chakra Cost: 30
    Damage: 60
    Description: The form of thunder and lightning God is a style of the Ogame school which focuses on raw speed to attack the target. In this technique the swordsman will stand sideways and crouch down with their right shoulder tilted down. They will hold their sword with both hands vertically in front of the back shoulder and behind the head. They will then release their strength and throw their body towards the ground, appearing to fall. The hard fall will create speed which is then shot forward by using all of their strength to push off their back foot to create acceleration. This sudden burst of speed catches the opponent off guard as they're not expecting a lazy fall to turn into an extremely fast movement. The swordsman then finishes with and upward slash across the target's torso.
    ~Can only be used by a person trained in the Ogame school of kenjutsu.
    ~Can only be used thrice per battle.
    ~Can only be tracked by two tomoe sharingan and above.

    Kagatsuchi Kata: The second form is Kagutsuchi Kata (Form of the Fire God) in which the swordsman utilizes their entire bodies to produce powerful attacks capable of breaking through steel.

    Example:
    Form of the Fire God | Pillar of Fire
    (Kagatsuchi Kata: Hibashira)
    Type: Attack
    Rank: B/A
    Range: Short
    Chakra Cost: 20/30
    Damage: 40/60
    Description: The form of the fire god is a stance of the Ogame school in which the swordsman focuses on raw power for their attacks. In this technique the swordsman holds the sword over their head in their right hand with the tip pointed down so the blade is vertical and splitting their face. Their left hand is held horizonatally over their head with the fist bisecting the right elbow. They then flick the sword up while at the same time flicking their left hand up so both the sword and their left hand are now pointing up, and then they will bring the sword down in a whipping motion putting the full force of the attack in the tip of the blade. They use their entire body by dropping to the ground and bringing the left arm down as well to create as much power as possible. This makes their attacks capable of breaking through standard weapons such as kunai, shuriken, and even other standard swords. This technique can be upgraded through the addition of fire chakra causing the blade to glow red and sear through its target.
    -Can only be used by a person trained in the Ogame school of kenjutsu.
    -Can only be used twice per battle.

    Oboro Kata: The third form is Oboro Kata (Form of the Moon God; Form of the Void) where the swordsman uses specific body movements to simultaneously dodge an attack while also closing distance.

    Example:
    Form of the Void | Shadow Stitch
    (Oboro Kata: Kagenui)
    Type: Defense/Supplementary
    Rank: B
    Range: Short
    Chakra Cost: N/A
    Damage: N/A
    Description: The form of the void is a style of the Ogame school in which the swordsman makes quick movements to simultaneously dodge an attack and close the distance on their target. With this technique the swordsman rotates their body to narrowly avoid an incoming attack while simultaneously stepping forward to close the distance to their opponent. By doing this they move into extremely close range while the opponent over extends themselves, creating an opening for attack while the opponent is incapable of defending themselves. This can only be used to avoid certain techniques such as other kenjutsu or taijutsu, or even narrow elemental techniques. Larger techniques such as large fireballs would be too large to avoid.
    ~Can only be used by a person trained in the Ogame school of kenjutsu.
    ~Can only be used twice per battle.

    Mizuchi Kata: The fourth form is Mizuchi Kata (Form of the Water God) where the user performs fluid movements by changing their grip mid attack. This causes the attacks to suddenly and fluidly change their course allowing them to slip past the defense of an enemy.

    Example:
    Form of the Water Dragon | Imperial Wrath
    (Mizuchi Kata: Gekirin)
    Type: Attack
    Rank: B
    Range: Short
    Chakra Cost: N/A
    Damage: 40
    Description: The form of the water dragon is a style of the Ogame school which focuses on bypassing an enemy's guard with a quick alteration of the attack. In this technique the swordsman stands with their left foot forward and knees slightly bent. They hold their sword over their right shoulder with their left forearm horizontal across their chest and their right forearm vertical at their side and their hands gripped on the sword just at their shoulder. The swordsman then steps forward and begins to swing the sword in a straight vertical motion. The obvious defense to this is to meet the sword high as it comes down. But as the swordsman swings down they quickly switch their hand position so the blade deviates to the left before continuing downward, creating an S-shaped attack. The quick movement allows the swordsman to move their blade around the target's defense and hit them.
    ~Can only be used by a person trained in the Ogame school of kenjutsu.
    ~Can only be used four times per battle.

    Dokou Kata: The fifth form is the Dokou Kata (Form of the Earth God) where the user focuses on stout and powerful defenses to deflect, disarm or destroy an opponent's weapon while opening their defenses to attack.

    Example:
    N/A


    Additional effects and Restrictions: This style involves an incredible knowledge and control over one's own body movements. Mastery of different forms give the swordsman advantages over others. A practitioner in this style is capable of mastering up to two of the five forms and gain the bonuses from those, the two forms they master must be stated in their biography (though they're still capable of using all five).
    • Fire: Increased Strength
    • Lightning: Increased Speed
    • Void: Increased Reaction Time
    • Water: Able to string attacks together quicker
    • Earth: Increased Durability


    ±± Pending ±± This is all ok except for one thing...is this samurai exclusive or can it be used by shinobi as well? Also, note that if i approve this, i can't decline some additional elemental NinKenjutsu that might be submitted because you are basically patenting all five which would be unfair. however, i'll be sure not to approve any that can collide with yours. So your own uniqueness is kept.

    ------------------------------------------------------------------------
    ------------------------------------------------------------------------


    Hikasazanami-Ken | Chop-Hanging Rippling Fist

    Type: NinTaijutsu

    Background: This style of martial arts was developed long ago and focuses on fluid and odd body movements to create powerful palm strikes. Because of its reliance on palm strikes, it made it particularly adaptable to the Hyuga clan. Rather than utilizing their ability to directly target the internal organs of an opponent, this style generally focuses on dealing direct external damage. The style was once popular within the Hyuga clan during the time of the first hokage, but was soon replaced by the more popular gentle fist. However the style was still maintained by few within the clan mostly for training and exercise purposes. A member of the clan, Bacchus, became interested in the style and also noticed its compatibility with drunken boxing, another favorite of his. Over the years he practiced the style and is now seeking to revive its use.

    Description on the Abilities and Inner Workings of the Style: This style focuses on using chakra to enhance the strength and destructive capability of palm strikes. This style is a variation of the Hyuga's gentle fist, which inserts chakra into an opponent's body to directly damage their internal organs and chakra pathways. However, in this variation, rather than pushing their chakra into the opponent the chakra is spread around the surface causing direct physical damage. When a practitioner's palm strikes the opponent they release their chakra as a burst, same as with gentle fist. However, instead of pushing the chakra into the opponent's body they let it ripple outward from the point of contact, moving through the skin and muscle of their enemy. A good way of imagining this is to think of dropping a rock into a pond. When the rock hits the surface it's energy is disipated along the surface of the water in the form of ripples. That same effect is replicated in this technique by creating those ripples with chakra. The spread of chakra increases the impact zone three fold causing a greater area of effect.

    The actual physical movements of this style utilize swaying and long movements to generate a great deal of force, but strikes can be strung together in surprisingly quick fashion. The basic stance of a Chop-Hanging Fist practitioner involves crouching low with one leg fully extended out front and the arms held out to the sides with the palms up facing outwards. The main area of movement is through the waist and the "kua" which is the are of the body affects by movements of the pelvis and joints in that area. They then attack with palms strikes or back handed strikes through sweeping movements. The fluidity and oddity of the movements make it a very difficult style to follow, making it hard for opponents to land their own strikes or parry incoming strikes. The fluid nature of this style also makes it very compatible with drunken boxing, which causes imbibing alcohol to improve the styles effectiveness greatly; a variation dubbed Drunken Chop-Hanging Fist.

    Basic Stance:


    Additional effects and Restrictions: This fighting style can be learned by anybody, but to utilize the chakra enhancement the practitioner must be from the Hyuga clan.

    -Movements are more difficult to follow than normal taijutsu.
    -Techniques utilizing palm strikes are more powerful than normal.
    -Palm strikes from Hyuga members impact an area three times larger than normal.
    -Must undergo training before being able to use.

    ____________________
    P a t e n t C e r t i f i c a t e

    Typhon, our loyal member, gave on the 29th of March, 2012 a request for a Patent on custom fighting style Hikasazanami-Ken | Chop-Hanging Rippling Fist. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Hikasazanami-Ken | Chop-Hanging Rippling Fist
    Powered by Scorps
    Copyright 2012, Typhon, NarutoBase.net


    Note: VM/PM me the japanese name for this.
     
         
    Last edited by Scorps; 05-01-2012 at 10:15 AM.

  22. #97
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    Re: ±±Custom Fighting Styles Submission±±





    (Oyayubi no insatsu sutairu)Thumb printing style

    Type: Nin-Taijutsu

    Background: This Fighting style was never known or truly proven to be existent it was said to be a mere rumor and myth told by parents to their children at night .The technique true beginning started off from that off early beginnings of the ninja world were the first hokage had established his dominance and formed the konoha. It was initially made and created by masters of taijutsu who were known for their great expertise and strength in taijutsu ,they were trying to form a technique which demands little physical strength unlike taijutsu which mostly entails kicks punches and brute force. They wanted to balance the difference between them and ninjutsu style users and also find a way to narrow the gap in strength between them and so they did they and made a fighting style which was called nin taijutsu the technique was only known and taught to taijutsu users only but was later practiced by most Ninja’s. The fighting style was now developed from a technique which concept revolved around finger and thumb to involving ninja chakra being utilized when the fighting style was active. Like they say all things are abused and people tae advantage of situations and turn it to their favor for a certain period in time the fighting’s style was being massively abused and used for individual purposes such as assassinating and other crimes Thus the konoha elders and the 1st hokage harashima at then decided to ban the technique and punish anyone who was found using it this was due to the technique destructive strength and it being abused. many years after he 2nd hokage took over harashima the fighting style was seemed to have started peeking root again and being practiced it was kept under secret from the hokage and the konoha elders and village council the fighting style was now rarely used when ninja or Shinobi were sent on high s rank as it depended on their lives. It was later sited after the third hokage death before tsunade was chosen as hokage it was used mainly to protect the villages and villagers against any sudden or surprised attack since then the lightning style has not been used or if it has there has been none recorded.

    Description on the Abilities and Inner Workings of the Style: This Fighting style is one of the rarest in existence and one which is overlooked upon by many Shinobi and warriors due to the fighting style revolving around the user fingers however the technique true grasp come from the five basic ninja affinity earth, water, fire, wind, lightning which is used in the fighting style the user utilizes the 5 affinity into his five fingers and utilizing each as an individual affinity chakra fighting style to the fullest. The fighting style involves using the user fingers to the full extent and full potential and delivering the direct blows to the opponent even without the usage of ninja chakra this is due to the vigorous training and time spent on training the fingers The fighting styles allows the user to hit or locate direct pressure points and weak regions in the body (This is due to no knowledge of medical jutsu it is commence sense that certain areas in the body when hitting such as the testes in male, and pivot region causes pain more than some other places) and upon full mastery is able to overpower a sword with the tip of his finger. The fighting style utilization of the five elements which are Earth, fire, wind, lightning, water depends on the user of the fighting style as each ninja using this fighting style most have an element which far surpasses his skill or mastery in any other elements an thus will be more unique at its usage. This fighting style also gives the user has a strong defensive counter against genjutsu as the user uses their finger to liberate pain and make the user to cancel the genjutsu. The user wears a rubber like glove covering his hand and the fingers are left not covered this help the user to fight against raiton attacks launched at him in a more defensive manner as rubber does not conduct light. This fighting style is used to the fullest when being matched with a dojutsu mainly the bykaguan and the sharingan. As for the sharingan it is best used in short fighting combat where the user hits blows on the opponent and is still able to dodge his attacks with much easiness and swiftness and for the Bykugan to grant perfect eye sight when fighting the target. The fighting style is divided into two. One being the usage of the 5 left fingers and the five right fingers the are used for elemental attacks such while the left is mainly used for physical combat in close and mid ranges. The most fearsome and feared Power of this fighting style is thumb print and razor sharp sword strikes. The thumb printing is the name of the fighting style while thumb print is an example of it ,in the thumb print the user builds up huge amount of chakra and channels it in his thumb then at once releases it with physical touch to the opponent ,this will give the opponent the a non permanent mark in the shape of the user thumb on the affected area similar to if a human being is being slapped on the cheek in real life depending on the strength or force applied or used some marks of the user hands will show on the face. It is the same in this style the only difference is in this fighting style the user does not necessary have to feel pain he might feel a touch on his body but not pain this is to catch the opponent unaware and ignorant of the mark, when the mark is successful on the opponent body the user thumb and chakra mark appears on the opponent and makes the user being able to mark him and sense his movements While the tiger like strikes are done by the left fingers which are used mainly for used for physical combat and due to extreme training and chakra manipulation are able to land razor claw like attacks which when are used to attack the opponent causes severe damages.

    Additional effects and Restrictions


    Must have mastered Ninjutsu

    Must have started training in all the five element





    ±± Declined ±± Don't resubmit. This is just poorly made and poorly explained. It collides with so many things in our RP that its too much to list. Also, i understand writing in english might not be easy for everyone, but if so, then ask someone to help you. The simple lack of periods makes your submissions incomprehensible and i won't spend another 20minutes trying to read through one more of your submissions. Look at the parts i colored. Its barely understandable. Try to work that out. It wasn't the reason why this is declined, DNR, but it doesn't help your submissions if we can't understand what you are writing.
     
         
    Last edited by Scorps; 04-30-2012 at 08:43 PM.

  23. #98
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    Re: ±±Custom Fighting Styles Submission±±





    ドラゴンスタイル Doragon sutairu (Dragon Style)
    Type: Taijutsu
    Background:
    Coming from the ancient dragons themselves. Humans saw how their moves were graceful and in tune. Humans began to copy these movements and to use it as their own. Later in years the elder dragons themselves begain to teach humans their ways in the art, fearing that one day their kind will end soon. So they passed their legacy down in hopes that the art of Dragon style will never be forgotten.
    Description on the Abilities and Inner Workings of the Style:
    Dragon style is accesible by getting in touch with your inner dragon (kinda like how naruto can talk to the 9 tails). By doing so you can unlock and unlease your hidden Dragon powers know as "Dragon Aura". Dragon style works by channeling your "Dragon aura" and use it to move once like the dragons themselves, Gracefully, and in tune with ones self. A Dragon stylist defends himself by withdrawing or curving his body inwardly to absorb or neutralize any incoming attack. When the opponent has over-reached in his or her attack, the dragon stylist changes from soft to hard, and combines footwork with blocks as he intercepts his or her opponent. As one arm strikes forward, the other is readied back. Your arms swing in and out with power generated from the waist. The application of pressure is in the same direction as the attacker’s force.



    Additional effects and Restrictions:
    Because dragons are know for their power and sense's (eye sight, hearing, etc.) using Dragon Style one can become extra awar of ones surroundings and presence, you also gain extra strength, but decreasing your speed and stamina. while your using dragon style, and because of the way you move using dragon style it takes energy to do so which takes away from your stamina and with each use of energy your speed begins to slow down as well.

    -Must be at least a Jounin ninja.
    -Must be calm and in tune with one self to even unlock the ability to learn this style.
    -Can only be taught by Kwalker394
    -Will get tired after awhile since your stamina is decreased
    -Your lack of Speed and stamina will leave you open for attacks


    ±± Declined ±± You don't have the required rank to submit this
     
         
    Last edited by Scorps; 04-30-2012 at 08:26 PM.

  24. #99
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    Re: ±±Custom Fighting Styles Submission±±


    Type:Gen-Taijutsu
    Background:The origin of the style of fighting came from a rouge hyuga ninja who left his clan at the age of 15.He left his clan before he could master jyuken so after years of practising to perfect jyuken he couldn't figure out the style without the help of his clan.He was determined to return to his clan with the power to show them all he was right to leave the clan but to also make sure his power was different.The rouge hyuga ninja had already mastered aspects of jyuken for example the speed and agility.He used this to develop Leaf sway.He then in the mountains to study the wind.
    Description on the Abilities and Inner Workings of the Style:
    This type of taijutsu relies on the user to move his body like they are swaying in the wind without a care.They loosen the muscles in there body and move like they are a leaf blowing in the wind.For example when a crane sway user go to turn they will lean forward and as they almost are about to fall on the fall lift them selves up like a gust of wind has just lifted them up.The user can do this by releasing points of chakra in the body moving them in anyway so if they are about to fall on there back they release chakra from there back giving the illusions they so quick they are moving like they are swaying in the wind.When the enemy is watching them perform the Leaf sway they become trapped in a transe/genjutsu from watching the user move there body.The second ability to this is the offensive type to this fighting style.The user can channel chakra into there elbows,knees,feet and fists.They then use the crane sway to increase the momentum of there movements then as they are finished one sway release a burst of chakra from that certain point to unleash a blast of chakra in a straight line with can hit the enemy as long as they are in close range.For example you are doing the Leaf sway by turning left and falling and you are nearly hitting the floor so you releasee chakra from your palms lifting you back up using that momentum with the already stored chakra in your elbow you half turn releasing the blast of chakra
    Side noteWhat i was trying is to describe is that the user has constant storage of chakra in the joints to release the blast of chakra out in a single line like a stream of a water blast.Then to cause the genjutsu you are moving you body like a lead in the wind like when the leaf is about to hit the ground a gust of air lifts it back up and when you fall you release chakra from a body part.I'm not very good at describing things

    Additional effects and Restrictions:
    -Masters of Leaf sway have increased Agility,reflexes and speed compared to a normal taijutsu user and Leaf sway learner.
    -They gave great chakra controll
    -Can only be taught by foxnaruto
    -Must be at least S-class ninja.
    -Have above average speed
    -Must start learning in both taijutsu and genjutsu

    ±± Declined ±± Do not resubmit. Oped. Unrealistic. Poorly made. Also, how can you submit a GenTaijutsu when you are at B-Rank gen and D-Rank Tai?


    (hishou sono fenikkus)Flight of the phoenix
    Type:Fire/Taijutsu
    Background:This fighting style is the only known one of its kind in the world.Marco was raised with phoenixs.While growing up Marco became very attached towards these birds and also wanted to be with them but couldn't since they could fly and he couldn't.One day one of these birds came up to him and taught him how to make his chakra lighter around him self trying to make him light enough to fight but it just didn't work,Until they told Marco to cover him self in chakra from the outside and then cover his body in flames.As he covered his body in flames they came of blue for some reason but will still the same tempature and texture of ordinary fire.As the blue fire covered Marcos entire body he manipulated the fire on his arms into a wing like shaped which would make him fly.At this time marco could only fly for 5 minutes but by the time he was 10 he had fully mastered this ability and could fly just as long and high/fast as any other bird.Marco wanted to push his new found ability of flight even more and tried to fight with the bird by using his feet and hands while in his bird form.After many years of practising he became a expert in close combat while in the bird form.
    Description on the Abilities and Inner Workings of the Style:
    Flight of the phoenix is a fighting style which requires mastery over fire to even begin to try and control the power.The user of this style of fighting can cover any part of his body for close range combat but he only has the power of flight when his arms are covered in fire.Due to the constant training with fire when in phoenix form the user can withstand fire attack with ease
    Additional effects and Restrictions:
    -The user has great fire chakra control and can withstand fire attacks with ease only up to A rank
    -He has the ability of flight
    -He has above average close combat skills.
    -Leg kicks from someone in the full form of the suit are equal to a,A rank taijutsu attack
    -Can withstand fire attack better than the average ninja due to being surround by flames for his whole life
    Video of close combat:


    Video of the close combat move.
    http://www.youtube.com/watch?v=MeSkr...feature=fvwrel
    Its 3.04 to 3.20

    Picture of half phoenix form in top panel


    Full form:



    ±± Declined ±± Do not resubmit. Don't submit CFS without mastering the fields you are using to create the CFS.
     
         
    Last edited by Scorps; 04-30-2012 at 08:47 PM.

  25. #100
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    Re: ±±Custom Fighting Styles Submission±±

    Sesshoku Sentou | Contact Combat (קרב מגע | Krav Maga)

    Type: Taijutsu


    -=-=-=-=Background=-=-=-=-


    A noncompetitive eclectic, self-defense system that involves striking techniques, wrestling and grappling. Krav Maga is known for its focus on real-world situations and extremely efficient, brutal counter-attacks. It was derived from street-fighting skills and has a philosophy emphasizing threat neutralization, simultaneous defensive and offensive maneuvers, and aggression. Krav Maga is used by both regular and special forces, and several closely related variations have been developed and adopted by law enforcement and intelligence organizations.



    -escription on the Abilities and Inner Workings of the Style=-


    A key principle of Krav Maga is finishing a fight as quickly as possible and therefore all attacks are aimed towards the most vulnerable parts of the body (e.g., face, neck, groin, knee, etc.). Because there are no sporting rules, individuals trained in Krav Maga are not limited to techniques that avoid severely injuring their opponents, but training and sparring drills provide maximum safety to the students by the use of protective equipment and the use of reasonable force. For example, kicks to the groin during sparring is commonplace, but groin protection must be worn and students should demonstrate due diligence with regards for their partners' safety.

    Students learn to defend against all variety of attacks before engaging in full-contact sparring. Students are taught to respond to attacks in the quickest and most efficient way; a common lesson taught is 'always use the nearest tool for the job'. This basically means use whichever limb is closest to your attacker at the time and whichever feels most natural. Men and women generally undergo the same drills. It has no sporting federation and there are no official uniforms (such as a gi). Usual training attire consists of a t-shirt and loose fitting trousers. Krav Maga is also one of the few martial arts in which footwear is habitually worn, due to it being 'reality-based training'. Most organizations recognize progress through training with rank badges, different levels, and belts.




    General principles include:

    Counter attacking as soon as possible (or attacking preemptively).
    Targeting attacks to the body's most vulnerable points such as the eyes, jaw, throat, groin, knee, etc.

    Neutralizing the opponent as quickly as possible by responding with an unbroken stream of counter attacks and if necessary a take down/joint break.
    Maintaining awareness of surroundings while dealing with the threat in order to look for escape routes, further attackers, objects that could be used to defend or help attack and so on.

    Basic training entails a warm-up, learning essential pressure points, and learning how to approach and control an opponent using force. Students learn how to execute strikes and kicks including punches, hammer fists, elbows, and various kicks. Students learn defenses against take-downs, chokes, bear-hugs, arm bars, and other possible attacks. Training also includes learning to defend against various weapons, such as knives, bats, guns, etc. Pressure drills, in which students engage with multiple attackers, are also common. Other tests include students closing their eyes and reacting to a variety of potential threats. Fitness and endurance training is also incorporated into regular classes.

    Training can also cover situational awareness to develop an understanding of one's surroundings and potentially threatening circumstances before an attack occurs. It may also cover ways to deal with potentially violent situations, and physical and verbal methods to avoid violence whenever possible.






    -=-=-=-=-=-=Techniques=-=-=-=-=-=-

    Arm techniques:
    Punches are highly emphasized in Krav Maga as basic strikes which are useful in almost any situation. Training in boxing is highly prized in Krav Maga. Among the punches taught are the straight punch, palm heel strike, low punch, hammerfist, hook, uppercut, chop, overhand, as well as a variety of elbow strikes.

    Leg techniques:
    While Krav Maga does use kicks, it focuses on efficient, low-risk kicks. The main focus is on low kicks. More advanced and risky kicks are taught at high levels, but use of them is discouraged. They are primarily taught so that practitioners are able to recognize them in case they are facing an opponent with a background in kick-heavy martial arts. Leg techniques that are taught include the front kick, round kick, side kick, back kick, heel kick, slap kicks, axe kicks, various knee strikes, and sweeping.

    Head strikes:
    Krav Maga uses all of the tools available, including the head.

    Defense techniques:
    Krav Maga practitioners are taught to go from defending to attacking as quickly as possible, and most blocking techniques are designed to facilitate this. They learn how to defend against both kicks and punches, as well as learning how to defend against attacks from any angle.

    Throws and takedowns:
    Throws are not covered much in Krav Maga, because the system stresses staying off of the ground. Some techniques that are taught include the wristlock, one and two leg takedowns, the hip throw, and the one arm shoulder throw.

    Groundfighting:
    While Krav Maga stresses staying off the ground at all costs, it accepts that you may eventually have no choice but to fight there. Students are taught the best positions while on the ground, how to throw certain kicks while on the ground, arm bars, triangle choke, and guillotine. They're also taught to defend against punches while mounted, chokes, headlocks, and what to do if their wrists are pinned.

    Weapon defenses:
    Krav Maga details many ways to remove and defend yourself against many common weapon threats. These techniques include defences against knives [kunai] and blunt striking weapons, such as sticks, and even swords. The use of these techniques vary: each possible scenario requires its own set of actions.

    Multiple Opponents/Protection Details:
    Krav Maga masters are highly sought in protection details for high value targets as the style has been found to be very adaptable against multiple opponents.





    Additional effects and Restrictions:

    -Though weapon's removal is a key focus, the user must be able to realistically explain how they are disarming their opponent. (Ex. Shurikens are mid-long range weapons, you would have to utilize other RP techniques to get within range of trying to disarm your opponent)
    -Master users of this fighting style tend to have quick reflexes as the goal is to neutralize the threat as soon as possible, but this applies strictly to hand-to-hand combat and shall not be misconstrued to give the user benefits in other areas of RP. This form does not allow a normal user to go beyond 3 turns of fighting, but a Master user has a Maximum of 5 turns to succeed.
    -The techniques vary in speed and strength making this an intermediate form between strong and gentle fist.
    -Pressure points may be deemed chakra points, but users shall not confuse this with gentle fist. The pressure points on the human body are fewer than chakra points so you cannot completely disrupt an opponents flow of chakra with this fighting style.
    -By utilizing pressure points, you can perform joint/pressure point manipulation techniques.
    -Master users will also find this to be highly useful amongst multiple opponents and when protecting/escorting others.
    -This style has no "rules," so any weakness can be exploited.
    -Must be at least a Kage before the title of "Master" can be bestowed.

    ±± Declined ±± Don't Resubmit. All of this can be described using free form tai.


    =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-



    Jinteki Kikan | Human Mirror


    Type:Gentaijutsu



    Background:

    Developed in secret, this fighting style is known to very few. By studying the patterns and habits of human choice and decision, it was discovered that one could manipulate the actions of another after careful, detailed observation and analysis of their movements. A lone shinobi gave birth to this fighting style after several years of constant self-disciplinary training. By mixing taijutsu and genjutsu he discovered that it was possible to manipulate and subsequently predict the movements of a fellow shinobi. Often called the "Dance of Death," the Jinteki Kikan style is not easily countered.

    Description on the Abilities and Inner Workings of the Style:

    By analyzing the fighting style of your opponent, you begin to mimic their moves and convince them that they are actually mirroring yours. You look for "tells" in their body language to assist you in the manipulation which in turn helps you cast the genjutsu. Eventually your opponent feels that they have lost control of their body and that you are forcing them to act. They feel compelled to follow your movements.

    Because you aren't relying solely on the genjutsu, even if they disrupt their flow of chakra to release the genjutsu, you will still be mirroring their moves, though as stated before, they think you are the one being mirrored. Once you are confident that they are indeed under your control, the user will then break from the dance and strike down their opponent. The focus is to blend genjutsu and taijutsu so well that the opponent cannot distinguish reality from genjutsu.


    Additional effects and Restrictions:

    -If the user wishes to mimic ninjutsu, they must have received the same level or higher training and must know how to perform the jutsu they are mimicking.
    -To mimick ninjutsu and not just taijutsu, the user needs a Swift Release and/or Sharingan bio.
    -When mimicking Taijutsu, user must have adequate knowledge of opponents fighting style.
    -Genjutsu or Taijutsu alone are not enough to accomplish the goals of this fighting style.
    -Obviously you need Genjutsu and Taijutsu training to pull this off.


    ±± Declined ±± Don't resubmit. Won't approve a CFS that is basically taking control over your opponents mind/will/movement.
     
         
    Last edited by Scorps; 04-30-2012 at 08:49 PM. Reason: (Added second style for kicks) I'm curious about it.

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