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  1. #141
    Mythological Envy Coyote's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Rosuto Oshie sono Gekiryuu Yajuu (レイジングの失われた教え) | Lost Teachings of the Raging Beast

    Type: Nin - Taijutsu

    Background:
    The Inuzuka clan of Konoha had been well known for their hit&run tactics on the battlefield. This allows for the them to cause plenty of damage then retreat before a counter attack can be made. However this has been mostly done by the Inuzuka's use of spiraling attacks able to cause destruction on anything but often times in a one on one match it can be proven useful but can be avoidable at times. Long ago the Inuzuka formed a Taijutsu that combines the ability of the ravenous within them but by using their speed and reflexes to their advantage which in turn it soothes the beasts intent but keeps all the power. After this form of Taijutsu was formed the Inuzuka were able to stand ground in a fist fight with quick, in your face movements with a side of intellect.

    Description on the Abilities and Inner Workings of the Style:
    This form of Nin - Taijutsu works in relation to the use of "Four Legged Technique". This increases the users speed, reflexes, physical power, and beast-like features. By using the teachings it makes the most out of what they gain from the increased abilities. The Inuzuka are able to channel their chakra into their sharp/long nails and keep the tiger/wolf/claw like fist when they use these teachings, they also use their feet as wells since they're also increased by the 4legged tech.

    The teachings shows the user quick, in your face strikes with their enhanced claws. Just like a wolf the attacks are pinpointed to weak areas to slow and eventually cause a fatal wound to the target. By using the claws they're able to slash specified muscles and veins to cause damage and incapacitate a target. In addition to the slashing of body points, they use a rotation claw maneuver in which when they aim attacks in the lower stomach or chest, the claw fist hits but then the user very quickly turns their hand clockwise as they puncture, this happens in a fluid motion due to the years of teachings in which they prefect this by the use off both their legs and hands.

    1. Claw strikes directed at pinpointed muscles & tender areas
    2. Use of very quick kicks and claw punches
    3. Purpose to disable/incapacitate target
    4. Using 4legged to the fullest in terms of speed/reflexes/reactions
    5. More beast-like features while in 4legged form then those who haven't learned teachings
    6. High level techs forms a chakra-like wolf over the claw, serves no additional purpose except mastery of teachings. (picture below)


    Pictures to show some aspects below.
    Four legged technique // Claw Fist

    Chakra wolves on fist similar to pic below



    Additional effects and Restrictions:
    - Masters of the teachings allows for enhanced reflexes, speed, and reactions then those Inuzuka who haven't learned it while in 4legged tech.
    - Allowing them to channel chakra in their claws for increased length by a few inches and increases sharpness.
    - Knowledge of the human body is needed. Since Inuzuka grow up with dogs and sometimes wolves they gain the insight to how and why they pinpoint areas of targets to cause the most damage.
    - Heightened Senses is generally not applied to these teachings because the Inuzuka already have extremely heightened smelling and hearing.
    - Only Sannin rank and above can be taught.
    - Only teachable to a Inuzuka clan member.

    ____________________
    P a t e n t C e r t i f i c a t e

    Coyote, our loyal member, gave on the 4th of May, 2012 a request for a Patent on custom fighting style (Rosuto Oshie sono Gekiryuu Yajuu) Lost Teachings of the Raging Beast. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    (Rosuto Oshie sono Gekiryuu Yajuu) Lost Teachings of the Raging Beast
    Powered by Scorps
    Copyright 2012, Coyote, NarutoBase.net

     
         
    Last edited by Scorps; 05-31-2012 at 09:24 PM.

  2. #142
    Senior Member Mugen Ryukyu's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Kaji Bokushingu | Fire Boxing
    Type: Advanced Nintaijutsu
    Background:During his travels a named Mugen once went to see an event composed of battles and fights. Being a shinobi he loved to battle and went to attend the show, he saw something that he had never seen before. it was called boxing. As he saw a legendary man named Axle, using more defensive than offensive attacks. People called it the turtle shell style due to the fact that nobody could get past his defense.The minute Mugen saw it he fell in love with and began practicing it day and night. Eventually he became a master at boxing. But wanting to increase his power and take boxing to a whole new level he tried to mix boxing with his elemental art and after many fails he finally got and thus FireBoxing was born.

    Description on the Abilities and Inner Workings of the Style:
    Fire boxing is one of the ultimate/advanced styles of nintaijutsu ever. It requires great chakra control and stamina. due to the fact that the user has to constantly move it uses up a lot of stamina and therefor you must train constantly to learn how to maintain and use the style. Fire boxing is composed of quick steps, light foot work, fast punches and quick dodges and spins.It is split up into two categories first there is regular boxing style

    (Kentou Sensu) - Boxing Style
    Rank: N/A
    Type: Supplementary
    Range: Short
    Chakra: N/A
    Damage: (Taijutsu rules)
    Description: The user raises their fists up close to their face and begins jogging in place. By using this style, they must concentrate on their opponent at all times. And it has basically became a reflex to jab and dodge, making the user move a little faster than average (nothing compared to gates speed). The user also is ready to block at will, since his fists are already raised to do so. In this style the user only uses punches and constantly shifts their feet to move at lightning fast speed around the opponent when in elbow range.
    Note: Can only be taught/used by Axle
    Note: being in this style involves a strong cardio system, so it's very difficult to maintain without getting exhausted.
    1- training session let's the user maintain for 2 turns
    2:3 - training sessions lets the user maintain for 5 turns
    5-training sessions lets the user maintain for 10 turns
    Note: takes 3 turns to use this style again in the same match.
    (previously approved and I got permission from axle to use this in my style)

    before you can learn how to box you must go through 10 speed/stamina
    training sessions with me first.
    Then after you learn boxing style you must go through 10 boxing training sessions with me to learn how to utilize Katon chakra into your first and master fire boxing.

    (Kaji Bokushingu Sensu) - Fire Boxing Style
    Rank: N/A
    Type: Supplementary
    Range: Short
    Chakra: N/A
    Damage: (Taijutsu rules)
    Description: The user raises their fists up close to their face and begins slightly hopping from left to right in place. By using this style, they must concentrate on their opponent at all times. And it has basically became a reflex to jab and dodge, making the user moves a little faster than average (nothing compared to gates speed). The user also is ready to block at will, since his fists are already raised to do so. In this style the user only uses punches and constantly shifts their feet to move at lightning fast speed being able to dodge attacks with ease. After they get into stance, they begin to create reserves of fire chakra into their hands preparing themselves to use various fire type blasts.
    Note: Can only be taught/used by Mugen Ryukyu
    Note: being in this style involves a strong cardio system, so it's very difficult to maintain without getting exhausted.
    1- training session let's the user maintain for 2 turns
    2:3 - training sessions lets the user maintain for 5 turns
    5- 10 training sessions lets the user maintain for 10 turns

    Fire Boxing is much harder to maintain than regular boxing style. After a person learns fire boxing they must then become a World Champion to learn how to maintain the style for 10 turns. To become a World champion you have to go through even more training sessions, and be a master at boxing and fireboxing

    Ranks :
    Amateur - To become an amateur you must have mastered Boxing style
    Lightweight - To become a lightweight you must master Boxing style and have at least 1-2 fireboxing training sessions
    Super Lightweight - 3-4 fireboxing and speed/endurance/stamina training sessions
    Middleweight - 5-6 fireboxing and speed/endurance/stamina training
    Super Middleweight - 6-8 fireboxing and chakra control/speed/endurance/stamina training
    Light Heavyweight - 9-10 fireboxing and chakra control/speed/endurance/stamina training
    Heavyweight - 10-11 fireboxing and chakra control/speed/endurance/stamina training
    World Champion -12-13 fireboxing and chakra control/speed/endurance/stamina training

    After becoming a World champion you can utilize fireboxing and its techniques for 10 turns and regular boxing for 10 turns.

    Technique examples -


    Kaji Bokushingu | Fire Boxing - Bringer Of Hell
    Rank: B
    Type: Offensive
    Range: Short
    Chakra: 20
    Damage: 40
    Description: The user begins by hopping in place then dashes at the opponent, once at top speed the user than leaps into the air towards the opponent and comes down on top of him releasing a huge burst of fire from his fist blasting the enemy backwards and resulting in serious burns.


    Kaji Bokushingu | Fire Boxing - 1, 2 punch
    Rank: B
    Type: Offensive
    Range: Short - mid
    Chakra: 20
    Damage: 40
    Description: The user quickly begins by hopping and then rapidly unleashes two jabs in rapid succession one after the other unleashing two burst of flames from his hands that hit the opponent. These flames are compact and has more of a solid impact resulting in bruises and burns.



    Kaji Bokushingu | Fire Boxing - Bob & Weave
    Rank: N/A
    Type: Defensive
    Range: Short
    Chakra: N/A
    Damage: N/A
    Description: Due to the fact the fire boxing style only reaches upto mid-range this leaves users at a disadvantage in a long range bout, so to compensate. Due to the stamina/speed training the user begins to hop in place and becomes light on his feet and utilizes quick spins, ducks and side-steps to dodge incoming jutsu.




    Additional effects and Restrictions:
    *Can only be maintained for 10 turns due to the strain it causes
    *due to the intense and extensive amount of training the user has increased speed and reflexes.
    *Can Only be taught by Mugen Ryukyu
    *Must Be a Kage to use or learn this style
    *Must have a mastery of Katon


    ±± Declined ±± I needs a bit of rewording. In the submission you aren't required to explain how you'll teach it, just in what does it consist. Key word here is simplify. Also, is the original boxing style yours? Because it does exist.
     
         
    Last edited by Scorps; 05-31-2012 at 09:30 PM.

  3. #143
    House's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Arts of the Double Blade

    Type: GenKenjutsu/NinKenjutsu

    Background: The style had originated from a very long time ago, but one man had found it within a treasure box in the middle of a forest. There was a unique sword within this box, where two swords where attached to each other by the hilt, he called it, "Double Blade".

    Description on the Abilities and Inner Workings of the Style:

    ~The abilities of the sword can be said as both defensive and offensive. While the user had blocked the opponent's strike, he may use the other style of the sword to deal damage, meaning to defend and to attack at the same time. The user may grab the hilt with one or both hands and to spin it at fast rates our its axis, dealing more damage. Example of the spinning(course without the abilities shown in the anime):


    The user may also use its hilt protector (the one around the hilt in the picture) to trap one's sword and to immobilize one's sword by pulling the sword out, or pulling the user with it while dealing damage with the blades. Because of its unique hilt, one can perfectly deal pressure on one's sword, allowing the user to out-strengthen a one handled sword user.
    One may allow himself to move with the ways of the Double Blade, but only masters may. This includes as the opponent made a horizontal slash, the user may block it with the right side of the sword, allowing the user to step to the right side of the opponent, following the momentum of slashing the opponent's back with the left side while being next/almost behind him.

    ~When chakra is channeled through, these moves (I mean by literary move with the ways of the Double Blade) become more fluent. For more clarification, here at 1:11 to 1:21:


    The sword gains speeds where normal eyes will be barely see it or not, but in the reality, it moves according to the rank of the holder (this was the genjutsu part). Spinning rate increases, having the user's speed of dealing damage increase drastically, and the strength of the crushing effects increases. As the sword spins at fast speeds, any solid strike object which is about to crush into him, will be stopped as the momentum of the object will be transferred/reflected through the blades as a resonance, and eventually escaping at the end of the blades to the sides. The ongoing energy will crush anything in path, according to the rank of the jutsu.

    Additional effects and Restrictions:
    ~One may take the swords apart, having two swords in each hand and its hilts attached by a really short (15cm) chain.
    ~Sword may have any elemental chakra channeled through
    ~bio must have a double bladed sword
    ~The sword must look very similar to the picture, but the end of the blades may have an additional blade like the one below that.
    Picture of a basic sword:




    ±± Declined ±± sorry but this isn't a CFS and it borderlines space time and etc etc. It can't be approve the way it stands.
     
         
    Last edited by Scorps; 05-31-2012 at 09:36 PM.

  4. #144
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    Re: ±±Custom Fighting Styles Submission±±

    (Shurikenjutsu) Throwing-Star Arts

    Type:Shuriken-Jutsu/NinKenjutsu

    Background:A shuriken is a traditional Japanese concealed weapon that was generally used for throwing, and sometimes stabbing or slashing. They are sharpened hand-held blades made from a variety of everyday items such as needles, nails, and knives, as well as coins, washers, and other flat plates of metal.

    Shuriken are commonly known in the West as "throwing stars" or "ninja stars" though they took many different shapes and designs during the time they were used. The major varieties of shuriken are the bō shuriken (棒手裏剣, stick shuriken) and the hira shuriken (平手裏剣, flat shuriken) or shaken (車剣, also read as kurumaken, wheel shuriken).

    Shuriken were mainly a supplemental weapon to the more commonly used sword or other various weapons in a samurai warrior's arsenal, though they often played a pivotal tactical role in battle. The art of wielding the shuriken is known as shurikenjutsu, and was mainly taught as a minor part of the martial arts. Eventually Ninja began to use Shurikens more proficiently, adding the usage of chakra to create a more deadly weapon, and using it alongside things such as extremely shaprnened wire. Through Ninja history several legendary shurikens have been forged, with abilities of their own, such as The Morning Star. After finding the Morning Star, the man set out, reforging the weapon and attempting to further enhance its prominent abilities through practice, while doing this the man practiced in the art of shurikenjutsu, adding more of a ninjutsu aspect in a attempt to further self educate himself, and become more lethal in the use of the Morning Star and Shurikens in general. While doing this the man explored how he could also pair his shuriken with sharp coord or even chains to create more tatical offenses and being able to re-direct shurikens mid flight while also practicing using Shurikens in a way more similar to kenjutsu, for close quaters combat and how to tamper with The Morning Stars and shurikens formations to do so.

    Descriptions of the Abilities and Inner working of the Style.
    Shuriken-jutsu, mainly revolves around using shurikens in unison with chakra to achieve greater effects, as well as in unison of things like chains or coords that are so thin and sharp that they are invisible to the naked eye. As well as that, it also intends to tap into Legendary Shurikens (Shuriken revolved custom weapons) in a attempt to bring out their full potential. Or even crafting Shurikens or Fuuma Shurikens out of pure chakra.

    The use of razor sharp and extremely thin to the extent of invisibility to the naked eye wires are prominently used in Shurikenjutsu, adding a greater length of versatility. Or using Chakra to enhance upon a shurikens natural characteristics, for instance causing a tornado of chakra to form around a thrown shuriken, the tornados size being respective to the size of the Shuriken thrown and giving the thrown shuriken devestating brute power to clash with jutsu. Shurikenjutsu also accomodates, for all of the Legendar Shurikens forms, even if they may be more sword or spear like than shuriken like.

    Additional Effects and Restrictions
    ~The users tracking speed, insight and dexterity increases in proportion to how much they practice Shurikenjutsu, for the simple fact that great tracking ability is needed to target a moving enemy and great dextreriy to actualy hit the moving with a thrown projctile enemy.
    ~Projectile throwing speed becomes quicker, and also throwing several shurikens in quick succession becomes easier as the time between throwing decreases.


    ±± Declined ±± If you want this to be a CFS you need to develop it much more because the way it is its anything that you can already do without it.
     
         
    Last edited by Scorps; 05-31-2012 at 09:39 PM.

  5. #145
    Migualon J.J.'s Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Buzzard Kata

    Type: Nin-Taijutsu

    Background: Hundreds of years ago, the Buzzards were at war. Their enemies, other animals and humans alike tried to take over the Buzzard Realm for it's vast resources. The war lasted years and the Buzzards were forced to evolve. One particular buzzard evolved faster then the others who became known as Blaziken. He created a fighting style that compliments the structure of himself and the other buzzards allowing them to engage in direct combat. Through his endevors, the Buzzards won the war. Apon signing the contract with the Buzzards, the signer has the option of learning whats known as Buzzard Kata which was created by the Blaziken himself.

    Description on the Abilities and Inner Workings of the Style: Buzzard Kata is based off complimenting the structure of Buzzards which mostly involve using the talons (Feet) and Wings (Arms and back). It could be said that the fighting style can turn a body into a living sword. The movements flow like the air itself, while the user continually manipulates the chakra within his/her feet, arms, and back. Apon manipulation of chakra, the user is able to sharpen his chakra across his limbs in a way similar to Asuma's chakra blades without hurting him/hersel allowing for cutting and wind based combat from the body itself. Thats the basic concept but masters of the style can take it even further to the point where they are able to extend the range of which their techniques reach. The fighting style is even more useful when a Buzzard is actually on the field with the user as it makes for combination techniques, amplifying the style.

    Additional effects and Restrictions:
    (Additional Effects)
    -Faster reaction time as the user moves with the wind itself allowing them to react and attack at high speeds.
    -Better chakra manipulation as it takes skill to turn ur body into a blade.
    -Through turning the body into a blade, the user can block basic ninja tools, basic sword strikes, etc, as long as it's not infused with chakra.

    (Restrictions)
    -Must have signed the Buzzard contract
    -Must have trained in Ninjutsu


    ±± Declined ±± this is nearly not enough to call it a CFS. it has nothing unique or different about it nor is it really explained for that matter.
     
         
    Last edited by Scorps; 05-31-2012 at 09:42 PM.

  6. #146
    Jinbei's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Memory-Make || Memori Meiku
    Type: Other ( Ninjutsu/Genjutsu )
    Background: A style developed by Jinbei Sarutobi and so far it's unique to him. The ability's origins come from the very basics of genjutsu and Jinbei bumped into this idea when thinking on how to manipulate his opponent's brain to his advantage. He then realized that manipulating the memories would be a great weapon in battle and thus a new art was invented; Memory-Make!

    Description on the Abilities and Inner Workings of the Style:
    The style in itself is extremely complex, even more so than Genjutsu. This art was founded by a mixture of genjutsu and ninjutsu, and thus has a terrific potential. The idea was built upon the fact that genjutsu is, by definition, the insertion of chakra into someone's brain and manipulating them to their advantage. If that was the case, why couldn't someone manipulate the opponent's past instead of his senses?

    Memory-make jutsus will invade someone's brain, at times even the user's, and terraform as they were told to. By doing this, one can have either complete and utter control over one's own brain or be able to completely wipe out another person's grey matter. In that sense, this makes up for the best style for interrogation or anything memory-related.

    However, that doesn't mean this arts are completely useless in battle; in fact, they are quite strong when in a quarrel. The applications for this style are numerous but in simple terms, the modification or elimination of certains events of the past can completely bring down a person psychologically, not to mention the fact that said person will basically become anew, with a new background history and new missions.

    Additional effects and Restrictions:
    -Memory-Make practitioners are bound to have a great memory, for in order to master this art, one must practice the jutsus upon oneself. As such, the user can expand his memory capacity and utilize his/her brain to it's full power.
    - The bio must be at least a natural genius to be able to learn this style and only individuals of a really high IQ can even phantom the possibility of mastering it.
    -Must have genjutsu and ninjutsu mastered
    -The style can only be taught by the creator of it, yours truly.


    ±± Declined ±± humm....the principle behind it actually makes me excited to see what will come of it. It has potential but you haven't really explained what you'll do with it in combat. Erasing memories and etc may become oped. You need to define this in a manner that makes it usable in our RP. Otherwise it has the potential to be DNR. Work it out a bit better and provide me with some usage examples.
     
         
    Last edited by Scorps; 05-31-2012 at 09:45 PM.

  7. #147
    Senior Member Akisha's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Akisha View Post
    Slowing Time Arts | Jikan Donka no Biijutsu
    Type: Gentaijutsu
    Background: This style of fighting originates from Konohagakure, developed by the time when the konoha games war taking place, a young ninja wanted to be faster than the others and take this into advantage for he wanted to defeat them easily. Using their genjutsu affinity and taijutsu mastery, the young ninja developed a way to become faster and faster, atleast in his opponents’ eyes.
    Description on the Abilities and Inner Workings of the Style:
    Slowing arts was originally believed to be capable of drastically enhancing the user’s own speed, though Slowing Arts, true to its name, are revealed to be a time-affecting genjutsu, changing the way its targets perceive time, and thus making it appear for them that the user is moving around at unholy speed, allowing him to attack freely before they get a chance to counter. Using those techniques make the user formidable at melee and short range, allowing him to evade most attacks performed against him, even the fastest ones, and even to avoid combined assaults from different opponents. So it basically allows its users to slow down their opponent, by inflicting a time-affecting genjutsu which makes them to believe that the opponent is moving at incredible high speeds while in fact, their movements are just too slow. Then with their opponent's delayed reactions, the user can move in and attack freely before the opponent has a chance to counter.
    Additional effects and Restrictions:
    • The range of the user's technique is limited, meaning that only people and objects within a short range from him/her are affected by this jutsu.
    • Slowing Time Arts users have Immense Strength: the users possesse high natural jumping talent and an extreme amount of lower body strength, which allowed them to perform great feats. On a side note, their overall strength doesn't seem to be limited to their lower body, as they are also masters of hand to hand combat.
    • Slowing Time Arts users are Master Hand to Hand Combatants: they are extremely accomplished in hand-to-hand combat, relying on it, along with their Slowing Magic, as their main form of offense, and being powerful enough to incapacitate multiple foes with this combination alone. They can use a variety of punches and kicks connected with fluent motions, remaining suspended in midair for large amounts of time to perform notable acrobatic feats like spinning kicks, hitting many enemies at once.



    ±± Declined ±± Time related Genjutsu...how do you set it on your enemy? Thrhough contact? Same as my Lazy Fist? Or does it passively happen as your opponent is near? Explain that better.
    Slowing Time Arts | Jikan Donka no Biijutsu
    Type: Gentaijutsu
    Background: This style of fighting originates from Konohagakure, developed by the time when the konoha games war taking place, a young ninja wanted to be faster than the others and take this into advantage for he wanted to defeat them easily. Using their genjutsu affinity and taijutsu mastery, the young ninja developed a way to become faster and faster, atleast in his opponents’ eyes.
    Description on the Abilities and Inner Workings of the Style:
    Slowing arts was originally believed to be capable of drastically enhancing the user’s own speed, though Slowing Arts, true to its name, are revealed to be a time-affecting genjutsu, changing the way its targets perceive time, and thus making it appear for them that the user is moving around at unholy speed, allowing him to attack freely before they get a chance to counter. Using those techniques make the user formidable at melee and short range, allowing him to evade most attacks performed against him, even the fastest ones, and even to avoid combined assaults from different opponents. So it basically allows its users to slow down their opponent, by inflicting a time-affecting genjutsu which makes them to believe that the opponent is moving at incredible high speeds while in fact, their movements are just too slow. Then with their opponent's delayed reactions, the user can move in and attack freely before the opponent has a chance to counter. The genjutsu passively happens as the opponent is near the user (an activation jutsu would be submited)

    Additional effects and Restrictions:
    • The range of the user's technique is limited, meaning that only people and objects within a short range from him/her are affected by this jutsu.
    • Slowing Time Arts users have Immense Strength: the users possesse high natural jumping talent and an extreme amount of lower body strength, which allowed them to perform great feats. On a side note, their overall strength doesn't seem to be limited to their lower body, as they are also masters of hand to hand combat.
    • Slowing Time Arts users are Master Hand to Hand Combatants: they are extremely accomplished in hand-to-hand combat, relying on it, along with their Slowing Magic, as their main form of offense, and being powerful enough to incapacitate multiple foes with this combination alone. They can use a variety of punches and kicks connected with fluent motions, remaining suspended in midair for large amounts of time to perform notable acrobatic feats like spinning kicks, hitting many enemies at once.



    ±± Declined ±± Sorry but if its like that then its unapprovable. Don't Resubmit.
     
         
    Last edited by Scorps; 05-31-2012 at 09:47 PM.

  8. #148
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    Re: ±±Custom Fighting Styles Submission±±


    Fencing (Kendou)
    Type: Kenjutsu
    Background: As Double D is wondering the ninja world on a vacation from Kumo, he had to think of a new style of fighting because of the old kind was getting old. He started seeking out information on every style of kenjutsu and taijutsu. As he seen each style, there was somethings he like and only two or three really caught his eye. Those three he would love to learn but the owners don't know him so well expect one so he ask and he will recieve training in the style of fighting of the owner. The other two he never asked. But as he keep on going through the world, he started making his own style. Double D begin by increasing his speed, balance and reaction time by going back to the old school style of training. He wore heavy ankle and wrist weights. During his vacation, he finally increased his speed, balance and reaction time to the right where he wanted it at. His final step was to develope a stance and moves which came easy to him since used all types of stances so all he had to figure out which stance to use and the moves of the style would just fall in place. He finally completed his style at the end of his two year vacation and when he got back, he started carrying a katana(not a fencing katana that is used in sporting events as in rl, the ones shinobis use in Narutoverse) because he usely did not carry a katana. He sometimes carry two katanas to use this style.
    Description on the Abilities and Inner Workings of the Style: Fencing is a style that uses speed and balance to attack the target. What sets this apart from kenjutsu its self is that the style uses kenjutsu but upgrades the speed and balance with a different stance and attacks. The attacks are more stabs or lungs. The user speed and balance is increased to the point the user can be in combat with one leg and still able to fight. Once the user insert chakra into the katana the user attacks take on the chakra type increasing its attack damage to slashes, burns, dripping in water, shock or bone crushes. The style is also uses hopping towards the opponent to put them in a pickel or corner. The main point the Fencer is aiming for when in battle is the chest area mainly the heart so the user speed must be able to dodge then attack in a split sec after the dodge hints the reason of the increase in speed.
    Additional effects and Restrictions: The user speed and reaction time is increased. The user also body is more flexible and able to balance on foot in combat because of the years of training and balance training. The reason of the increased of speed, reaction time and flexiblity is because a Fencer is always moving around from up to back, legs moving from a normal standing postion to a lung. The user is needed to dodge the opponent's attack and be able to move side to side or back to front so the user can dodge the attack then attack immeditalty with a lung or just rush in. The real main reason is because the user is always manuvering in and out of range.

    Requirements:
    -Must have been trained in Kenjutsu, Taijutsu and Kaito's Taijutsu up to Sixth Sense(so the user can stay calm and be able to not rush every attack)

    Note for Checker: I tried putting Fencing into Naruto terms with the speed, balance and reaction time. The one leg thing is all about balance is basicly something I thought Narutoverse could actually do.

    Link to fencing---->http://en.wikipedia.org/wiki/Fencing


    ±± Declined ±± While the principle and the inner workings are well described and ok, the thing is that this can be done and achieved through free form kenjutsu and description alone. It doesn't have anything that you can't do with simply Kenjutsu customs. Its not established as a CFS.
     
         
    Last edited by Scorps; 05-31-2012 at 09:52 PM.

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    Oh jóia, anda cá ao ourives!
    - OMG I HADN'T SEEN THIS LOL
     



    Re: ±±Custom Fighting Styles Submission±±


    ( Kaniken ) Gurgling Fist - Pincers of Cancer

    Type: Taijutsu

    Background: The Gurgling fist originated from an inept Hyuuga from a lower branch, banished by his community. Enable to control his chakra, he was not suited for the fine arts of gentle fist, instead producing extremely rough and inaccurate chakra injections, which started to manifest themselves as points of chakra strain and physical tumors. The more and more frustrated he'd get, the more chakra was put into it, and the more gruesome the effects became. In his exile, he met a woman of non-Hyuuga descent. She was bright and skilled, and together they worked on the style, making it much more defined and effective, further differentiating it from the Gentle Fist. It is said that the man died by the woman's hands, his body burst and collapsed, while she carried on teaching the style to her disciples.

    Description on the Abilities and Inner Workings of the Style: The Gurgling Fist, is a Taijutsu Form where the user charges chakra her feet and hands forcefully inserts it on it's opponent. This martial art makes use of the opponents' 361 chakra points to destroy the enemy from within. Preforming accurate chakra injections onto the chakra system, which translate in knots where the chakra path is roughly blocked, the user is able to force the chakra to abnormally accumulate on the point of impact, translating into a physical manifestation of tumors.

    Said tumors cause an increasing strain on the chakra and on the blood system, preventing effective circulation and, depending on the magnitude and aggressiveness of the tumor, loss of movement and even gruesome bursts, as the tissue collapses from the strain. It is generally necessary more than one injection to be able to cause palpable injuries, and even more so to cause the burst of the tumors.

    1-6 Injections - Causes minimal or partial obstruction to the circulation, creating small tumors but just generally causing light weakness to the adjacent limb or overall body, being more or less effective depending on the area.

    7-12 Injections - Causes maximum or total obstruction to the circulation, which can render a limb useless if left untreated, and prevent the emission of chakra from said area. Depending on the spot of the tumor, it can cause loss of motion and restrain on the muscle.

    13-up Injections - Causes sufficient strain on the tissues surrounding the tumor to make it collapse, bursting blood and flesh on the spot. Depending on the area, the effects of the burst can range from great blood loss to internal bleeding, even causing death.

    Additional effects and Restrictions: This style can be used through description alone, following closely the above guidelines. Jutsus can be submitted to allow for a more aggressive or specific chakra injection.
    While every member is able to learn Gurgling Fist, Hyuuga and similar clans are the only ones able to inject their chakra from roughly any chakra point, which we will call Cancers, making their Gurgling fist more versatile, as opposed to the standard, Pincers, chakra points of the hands and feet. Thus:

    Normal Pincers: Can use this from only 6 chakra points in the hand/feet at once.
    Normal Cancers: Can use from every chakra point in the hand/feet. With a palm strike, the area of most surface, they can use up to 12 injections.
    Expert Pincers: Can use from every chakra in the hand and feet, three in each elbow/knee and 1 in the forehead. With a palm strike, they can release up to 13 injections.
    Expert Cancers: Expell chakra from any chakra point, enabling them to release a maximum of 6 around their body, 9 anywhere in their limbs and 13 with their hands/palms.

    The effects of the Gurgling fist are not immediate, requiring a few moments for the chakra to accumulate and become physical. Although this means that the user can be left open to a counter for not having the immediate results, this can also mean that, depending on the attack unleashed on the opponent, the target's fate can already be sealed even though they feel nothing strange.


    ±± Declined ±± Well, the idea is ok, the overall description is ok, but i can't have you just bursting people from the inside out just by touching them. I suggest rewording the "tumor" to "internal chakra expansions that damage the surrounding tissue". This way its not a burst from the inside, but an injury to the soft tissues.
     
         
    Last edited by Scorps; 05-31-2012 at 09:56 PM.

  10. #150
    Azazel's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Oraan Nguyen View Post



    Hojōjutsu / Nawajutsu - Hidden Rope Art
    Type: Other (encompasses Taijutsu, Kenjutsu and Fuuinjutsu as well)

    Background: Hojōjutsu or Nawajutsu, is the traditional Japanese martial art of restraining a person using cord/rope/chain. Encompassing many different materials, techniques and methods from many different schools, Hojojutsu is a quintessentially Japanese art that is a unique product of Japanese history and culture.

    Description on the Abilities and Inner Workings of the Style: Hojojutsu can be divided into four broad categories.
    1. The first category is the capture and restraint of a prisoner that was effected with strong, thin cord (usually 3-4 millimeters) called a hayanawa or “fast rope”, and sometimes the sageo carried by samurai on the sword-sheaths. In law-enforcement, this cord was carried by constables who secreted the rope in a small bundle that fed cord from one end. This torinawa ("capture-rope") was coiled so that the cord would pay out from one end as the bundled cord was passed around the prisoner’s body, neck and arms as he or she was tied. This was usually accomplished by one constable in the course of performing an arrest while the
    prisoner was actively resisting and had to be accomplished quickly.

    Even at this stage, attention was still paid to visual and aesthetic concerns in the tying method as well as to the cultural needs of Japanese society. According to experts, an accused but not convicted prisoner would be tied using methods which allowed the prisoner to be securely restrained but which contained no knots to save the prisoner the shame of being publicly bound. Instead of securing the tie with knots, the constable held on to the free end of the rope and walked behind the prisoner to keep him or her under control as the prisoner was taken for an interrogation which could involve the application of one or more forms of judicial torture to elicit a confession.

    2. The second category was effected with one or more “main ropes” or “honnawa” which like the torinawa could be any one of many different lengths, but was a proper hemp rope, possibly six or more millimeters in diameter and as much as eighty feet long—which was used to provide a more secure, long-term binding than is possible with the torinawa for transportation to a place of incarceration, restraint at legal proceedings, and—in the case of particularly severe crimes—for the public display of the prisoner prior to execution by such methods as beheading, crucifixion (i.e., the prisoner was displayed tied to a cross before spears were driven through the body), or, in arson convictions, death by fire.

    Honnawa ties were applied by a group of people, usually not less than four, whose presence allowed the use of more intricate and ornate patterns than was the case with the torinawa. Both forms combined effective restraint with a distinct visual aesthetic.

    In either form, the hojojutsu ties known today display a shrewd understanding of human anatomy through several recurrent themes. This can include leverage-removal (tying limbs in positions that decrease the force they can generate), rope-placement to discourage struggling or to make it less effective by placing one or more loops of rope around the neck and constricting restraint around points on the upper arms where determined struggle put pressure on blood vessels and nerves numbing the extremities.

    3. Hojojutsu/Nawajutsu is extremely efficient when fighting in hand to hand (taijutsu) combat. Capable of subduing the opponents hands and feet rendering them unable to move. The free use of the Hidden rope arts simply using the chakra to manipulate the ropes to do the user's bidding is the best use of rendering taijutsu users immobile. However there is also the Knots-in-hands style, which is used purely as a strike based taijutsu. The knots are thick and deliver quick, powerful blows to the body of the opponent. Even blocking an opponent's blow causes the opponent pain. Enough blocking in one particular area can immobilize an area rendering it numb and unusable. Another adaptation was for Hojojutsu users through the use of chakra, separate unwound their ropes and form smaller ropes, hence the reason that it looks like there is soo many ropes instead of just 3 or 4, and can easily force them to make nets and other objects.

    4. Having been experienced with opponents using sharp weapons to battle, masters of Hojojutsu had to come up with a better way to defend themselves. Their ropes were too inefficient as the blades would easily cut through them. The masters decided that they made two decisions. The first was to use Hojojutsu with chakra chain metal. The second was to line the rope with multiple lines of chakra metal to advance with the times. The lining of the very flexible chakra metal enable them to use chakra just like others could with the blades, and kept their ropes from fully being cut through unless by a powerful technique capable of cutting metal. This is what makes the ropes heavier. The heavier the ropes the more chakra metal it is lined with. This enables the users to deal heavier blows with extended rope, capable of fighting at a safe distance from the blades as well as still allowing them to bind their opponent as well, making it even easier for them to subdue their opponent and impossible to escape from, making the breaking of the ropes physically impossible (Steel release, other metal CE exception).


    Additional effects and Restrictions:
    -This style encompasses the raw strength of the user and requires finesse in its use. The cords/ropes are constantly feed chakra from the user and hidden under the clothes of the user in such a way that they are still capable of maintaining their full bodily movement without any restriction even though it is wrapped around the arms, torso, and legs of the user.
    -Constant placement of the user's chakra in the cords/ropes grants the user complete control.
    -Training with the slightly heavy cords and rope wrapped around their body occurs round the clock. When the user of Nawajutsu gets used to wearing a certain weight of rope/cord around their body, they increase the seal placed inside the very thread of the cord/rope, increasing its weight and hardness. This keeps the natural speed of the user in check. The weight of the ropes cannot exceed 100lbs.
    - The cords/rope are laced with lines of chakra flexible/malleable metal capable of channeling chakra especially in the bulb ends of the cords/rope that are great conductors of electricity. The metal keeps the rope from being easily ignited via techniques of the user or the opponent. The most skilled users are capable of tying kunai to the ropes to attack with as well and still keep them hidden under their clothes without hurting themselves. They have scars under their clothing proving how difficult this was to master.
    -This technique is so rare, that it is only allowed to have one person practice it in each village. User's not of a village cannot partake in the learning of this technique, as it can cause extreme stress on the body, and the user's have to be within the vicinity of a multiple medics in case of need. The Soke, or Grandmaster of Nawajutsu teaches each other village 1 of the 5 ways of sealing, leaving out the crucial component necessary that allows them to teach it to others. "Teaching them everything they know, but know All he knows."
    -Master's of this technique are capable tying knots in the rope/cord with a mere wiggle of the rope, that are incapable of being undone unless the user of the rope, who has their own specific way of undoing the knot. Only the originator of Hojōjutsu is capable of undoing every knot, having mastered the technique beyond any other.
    -The user is capable of using their chakra to cut part of the ropes/cords or even retract them back into their body with a movement of their arms/legs.
    -Masters of this technique who have learned Fuuinjutsu are capable of completely binding an sealing an opponent using the cords/ropes. The sealing is extremely effective, as it can only be undone by the person who sealed them. The owner of this technique, knowing all ways of sealing and unsealing, is incapable of having Fuuinjutsu used on him in this way.

    Soke Hojōjutsu - Hidden Grandmaster Rope Art Technique
    Kumo Hojōjutsu - Hidden Thunder Rope Art Technique
    Iwa Hojōjutsu- Hidden Stone Rope Art Technique
    Suna Hojōjutsu - Hidden Erosion Rope Art Technique
    Konoha Hojōjutsu - Hidden Flame Rope Art Technique
    Kiri Hojōjutsu- Hidden Wave Rope Art Technique

    -The Grandmaster is able to use any and all Hojōjutsu techniques.
    -Each Master in the village is limited to their element and those that do not require any element. The village that the Grandmaster resides in can have 1 additional person know and use Hojōjutsu, but are limited to the restriction based upon that village.
    - There can only be 1 Grandmaster per village.
    - To become a Grandmaster, after having Mastered Hidden Rope Arts for at least 3 months, must have beaten 2 opponents in a Taijutsu/Kenjtusu only fight with Hidden Rope Arts, then challenge and defeat the original or another Grandmaster.


    Grandmaster (Oraan) belongs to Iwagakure, however there can be a Master in Iwagakure, who will be limited to Hidden Stone Rope Art and rope art that does not contain any elemental value.....Jutsu for Hojōjutsu will look like the following. (Reference picture above)


    Hojōjutsu -8-Notto-zu (Hidden Rope Art - Figure of 8 Knot)
    Type: Attack/Defense
    Rank: C (B with applied Elemental)
    Range: Short
    Chakra: 20 (25 with applied Elemental)
    Damage: 30 (40 with applied Elemental)
    Description: The user charges his chakra (pure or elemental) rope/cord in one of his arms and thrusts his arm towards the ground. The knot of the rope/cord will bounce continuously ricochet across the ground at a rapid rate hitting multiple targets, one target in multiple areas, or multiple objects; until the user forces it to stop.
    *Grandmaster - Can use an element they know for a desired effect.
    *Stone - The knot is turned into a 10 inch(in diameter) stone, that causes mini craters in the ground and is capable of breaking bones and other objects up to its rank.
    *Thunder - The knot is charged with lightning, capable of paralyzing on contact.
    *Wave - The knot becomes extremely slick the more strikes the ground faster than normal and travels in a blur of speed and gaining power.
    *Flame - The knot will be enveloped in flames when it strikes the ground becoming increasingly hot from friction.
    *Erosion - The knot when hitting the ground will raise up a dust cloud from hitting the ground, making it hard for an opponent to see where the knot is coming from as it strikes. the dust cloud also hides the user from sight.

    Hojōjutsu - Taitorōpusaikuron (Hidden Rope Art - Tight-Rope Cyclone)
    Type: Attack/Defense
    Rank: B (A with applied Elemental) (S with Grandmaster Combo)
    Range: Short
    Chakra: 25 (30 with applied Elemental) (40 with Grandmaster Combo)
    Damage: 40 (60 with applied Elemental) (80 with Grandmaster Combo)
    Description: The user extends 10 feet of hidden rope out from both of their sleeves and charges it with chakra (pure or elemental) while spinning extremely quickly, creating a large cyclone. Each rope that extends out of the user's arm has a knot on the end of it. These are two separate ropes.
    *Grandmaster - Costing 2/3 moves in a turn, can choose to charge each rope with a different chakra (up to 2 elemental chakra), resulting in an S ranked Combination
    *Stone - Becomes an A Ranked Earth Cyclone
    *Wave - Becomes an A Ranked Water Cyclone
    *Thunder - Becomes an A Ranked Lightning Cyclone
    *Flame - Becomes an A Ranked Fire Cylone
    *Erosion - Becomes an A Ranked Wind Cyclone
    Note: Grandmaster can only be used 3 times per battle.
    Note: Grandmaster must wait 2 turns to use A Ranked and above Hojōjutsu.

    Hojōjutsu - Te no Musubime (Hidden Rope Art - Knots in Hand Style)
    Type: Attack/Defense
    Rank: B (A with applied Elemental)
    Range: Short
    Chakra: 25 (30 with applied Elemental)
    Damage: 40 (60 with applied Elemental)
    Description: The user extends hidden rope out from both of their sleeves and charges it with chakra (pure or elemental). The knots are held in the hands of the user and used in Taijutsu/Kenjutsu extreme close range fights or to deflect certain objects. Each rope that extends out of the user's arm has a knot on the end of it. These are two separate ropes.
    *Grandmaster - Costing 2/3 moves in a turn, can choose to charge each rope with a different chakra (up to 2 elemental chakra), resulting in 2 A Ranked Elementals or an A Ranked elemental of anything other than Basic 5 causing the Grandmaster 5 damage per turn per hand. Can only be used for 5 turns and will resort in being forced to use pure chakra for 1 turn)
    *Stone - turns knots to earth making bones crack
    *Wave - covers knots to water making countering quicker
    *Thunder - charges knots with lightning, causing paralysis in the body part that is hit.
    *Flame - covers knots with a small fireball, burning flesh and clothing upon impact.
    *Erosion - covers knots with wind, cutting more than bruising the opponent deeply



    ±± Declined ±± when resubmitting you need to bold the changes.



    Hojōjutsu / Nawajutsu - Hidden Rope Art
    Type: Other (encompasses Taijutsu, Kenjutsu and Fuuinjutsu as well)

    Background: Hojōjutsu or Nawajutsu, is the traditional Japanese martial art of restraining a person using cord/rope/chain. Encompassing many different materials, techniques and methods from many different schools, Hojojutsu is a quintessentially Japanese art that is a unique product of Japanese history and culture.

    Description on the Abilities and Inner Workings of the Style: Hojojutsu can be divided into four broad categories.
    1. The first category is the capture and restraint of a prisoner that was effected with strong, thin cord (usually 3-4 millimeters) called a hayanawa or “fast rope”, and sometimes the sageo carried by samurai on the sword-sheaths. In law-enforcement, this cord was carried by constables who secreted the rope in a small bundle that fed cord from one end. This torinawa ("capture-rope") was coiled so that the cord would pay out from one end as the bundled cord was passed around the prisoner’s body, neck and arms as he or she was tied. This was usually accomplished by one constable in the course of performing an arrest while the
    prisoner was actively resisting and had to be accomplished quickly.

    Even at this stage, attention was still paid to visual and aesthetic concerns in the tying method as well as to the cultural needs of Japanese society. According to experts, an accused but not convicted prisoner would be tied using methods which allowed the prisoner to be securely restrained but which contained no knots to save the prisoner the shame of being publicly bound. Instead of securing the tie with knots, the constable held on to the free end of the rope and walked behind the prisoner to keep him or her under control as the prisoner was taken for an interrogation which could involve the application of one or more forms of judicial torture to elicit a confession.

    2. The second category was effected with one or more “main ropes” or “honnawa” which like the torinawa could be any one of many different lengths, but was a proper hemp rope, possibly six or more millimeters in diameter and as much as eighty feet long—which was used to provide a more secure, long-term binding than is possible with the torinawa for transportation to a place of incarceration, restraint at legal proceedings, and—in the case of particularly severe crimes—for the public display of the prisoner prior to execution by such methods as beheading, crucifixion (i.e., the prisoner was displayed tied to a cross before spears were driven through the body), or, in arson convictions, death by fire.

    Honnawa ties were applied by a group of people, usually not less than four, whose presence allowed the use of more intricate and ornate patterns than was the case with the torinawa. Both forms combined effective restraint with a distinct visual aesthetic.

    In either form, the hojojutsu ties known today display a shrewd understanding of human anatomy through several recurrent themes. This can include leverage-removal (tying limbs in positions that decrease the force they can generate), rope-placement to discourage struggling or to make it less effective by placing one or more loops of rope around the neck and constricting restraint around points on the upper arms where determined struggle put pressure on blood vessels and nerves numbing the extremities.

    3.Hojojutsu/Nawajutsu is extremely efficient when fighting in hand to hand (taijutsu) combat. Capable of subduing the opponents hands and feet rendering them unable to move. The free use of the Hidden rope arts simply using the chakra to manipulate the ropes to do the user's bidding is the best use of rendering taijutsu users immobile. However there is also the Knots-in-hands style, which is used purely as a strike based taijutsu. The knots are thick and deliver quick, powerful blows to the body of the opponent. Even blocking an opponent's blow causes the opponent pain. Enough blocking in one particular area can immobilize an area rendering it numb and unusable. Another adaptation was for Hojojutsu users through the use of chakra, separate unwound their ropes and form smaller ropes, hence the reason that it looks like there is soo many ropes instead of just 3 or 4, and can easily force them to make nets and other objects.

    4.Having been experienced with opponents using sharp weapons to battle, masters of Hojojutsu had to come up with a better way to defend themselves. Their ropes were too inefficient as the blades would easily cut through them. The masters decided that they made two decisions. The first was to use Hojojutsu with chakra chain metal. The second was to line the rope with multiple lines of chakra metal to advance with the times. The lining of the very flexible chakra metal enable them to use chakra just like others could with the blades, and kept their ropes from fully being cut through unless by a powerful technique capable of cutting metal. This is what makes the ropes heavier. The heavier the ropes the more chakra metal it is lined with. This enables the users to deal heavier blows with extended rope, capable of fighting at a safe distance from the blades as well as still allowing them to bind their opponent as well, making it even easier for them to subdue their opponent and impossible to escape from, making the breaking of the ropes physically impossible (Steel release, other metal CE exception).


    Additional effects and Restrictions:
    -This style encompasses the raw strength of the user and requires finesse in its use. The cords/ropes are constantly feed chakra from the user and hidden under the clothes of the user in such a way that they are still capable of maintaining their full bodily movement without any restriction even though it is wrapped around the arms, torso, and legs of the user.
    -Constant placement of the user's chakra in the cords/ropes grants the user complete control.
    -Training with the slightly heavy cords and rope wrapped around their body occurs round the clock. When the user of Nawajutsu gets used to wearing a certain weight of rope/cord around their body, they increase the seal placed inside the very thread of the cord/rope, increasing its weight and hardness. This keeps the natural speed of the user in check. The weight of the ropes cannot exceed 100lbs.
    - The cords/rope are laced with lines of chakra flexible/malleable metal capable of channeling chakra especially in the bulb ends of the cords/rope that are great conductors of electricity. The metal keeps the rope from being easily ignited via techniques of the user or the opponent. The most skilled users are capable of tying kunai to the ropes to attack with as well and still keep them hidden under their clothes without hurting themselves. They have scars under their clothing proving how difficult this was to master.
    -This technique is so rare, that it is only allowed to have one person practice it in each village. User's not of a village cannot partake in the learning of this technique, as it can cause extreme stress on the body, and the user's have to be within the vicinity of a multiple medics in case of need. The Soke, or Grandmaster of Nawajutsu teaches each other village 1 of the 5 ways of sealing, leaving out the crucial component necessary that allows them to teach it to others. "Teaching them everything they know, but know All he knows."
    -Master's of this technique are capable tying knots in the rope/cord with a mere wiggle of the rope, that are incapable of being undone unless the user of the rope, who has their own specific way of undoing the knot. Only the originator of Hojōjutsu is capable of undoing every knot, having mastered the technique beyond any other.
    -The user is capable of using their chakra to cut part of the ropes/cords or even retract them back into their body with a movement of their arms/legs.
    -Masters of this technique who have learned Fuuinjutsu are capable of completely binding an sealing an opponent using the cords/ropes. The sealing is extremely effective, as it can only be undone by the person who sealed them. The owner of this technique, knowing all ways of sealing and unsealing, is incapable of having Fuuinjutsu used on him in this way.

    Soke Hojōjutsu - Hidden Grandmaster Rope Art Technique
    Kumo Hojōjutsu - Hidden Thunder Rope Art Technique
    Iwa Hojōjutsu- Hidden Stone Rope Art Technique
    Suna Hojōjutsu - Hidden Erosion Rope Art Technique
    Konoha Hojōjutsu - Hidden Flame Rope Art Technique
    Kiri Hojōjutsu- Hidden Wave Rope Art Technique

    -The Grandmaster is able to use any and all Hojōjutsu techniques.
    -Each Master in the village is limited to their element and those that do not require any element. The village that the Grandmaster resides in can have 1 additional person know and use Hojōjutsu, but are limited to the restriction based upon that village.
    - There can only be 1 Grandmaster per village.
    - To become a Grandmaster, after having Mastered Hidden Rope Arts for at least 3 months, must have beaten 2 opponents in a Taijutsu/Kenjtusu only fight with Hidden Rope Arts, then challenge and defeat the original or another Grandmaster.
    - Grandmasters are capable of manipulating the ropes simply by channeling chakra into them without requiring a jutsu to do so for simple actions like extending the rope short range from them to block light/small objects such as kunai or shuriken.


    Grandmaster (Oraan) belongs to Iwagakure, however there can be a Master in Iwagakure, who will be limited to Hidden Stone Rope Art and rope art that does not contain any elemental value.....Jutsu for Hojōjutsu will look like the following. (Reference picture above)


    Hojōjutsu -8-Notto-zu (Hidden Rope Art - Figure of 8 Knot)
    Type: Attack/Defense
    Rank: C (B with applied Elemental)
    Range: Short
    Chakra: 20 (25 with applied Elemental)
    Damage: 30 (40 with applied Elemental)
    Description: The user charges his chakra (pure or elemental) rope/cord in one of his arms and thrusts his arm towards the ground. The knot of the rope/cord will bounce continuously ricochet across the ground at a rapid rate hitting multiple targets, one target in multiple areas, or multiple objects; until the user forces it to stop.
    *Grandmaster - Can use an element they know for a desired effect.
    *Stone - The knot is turned into a 10 inch(in diameter) stone, that causes mini craters in the ground and is capable of breaking bones and other objects up to its rank.
    *Thunder - The knot is charged with lightning, capable of paralyzing on contact.
    *Wave - The knot becomes extremely slick the more strikes the ground faster than normal and travels in a blur of speed and gaining power.
    *Flame - The knot will be enveloped in flames when it strikes the ground becoming increasingly hot from friction.
    *Erosion - The knot when hitting the ground will raise up a dust cloud from hitting the ground, making it hard for an opponent to see where the knot is coming from as it strikes. the dust cloud also hides the user from sight.

    Hojōjutsu - Taitorōpusaikuron (Hidden Rope Art - Tight-Rope Cyclone)
    Type: Attack/Defense
    Rank: B (A with applied Elemental) (S with Grandmaster Combo)
    Range: Short
    Chakra: 25 (30 with applied Elemental) (40 with Grandmaster Combo)
    Damage: 40 (60 with applied Elemental) (80 with Grandmaster Combo)
    Description: The user extends 10 feet of hidden rope out from both of their sleeves and charges it with chakra (pure or elemental) while spinning extremely quickly, creating a large cyclone. Each rope that extends out of the user's arm has a knot on the end of it. These are two separate ropes.
    *Grandmaster - Costing 2/3 moves in a turn, can choose to charge each rope with a different chakra (up to 2 elemental chakra), resulting in an S ranked Combination
    *Stone - Becomes an A Ranked Earth Cyclone
    *Wave - Becomes an A Ranked Water Cyclone
    *Thunder - Becomes an A Ranked Lightning Cyclone
    *Flame - Becomes an A Ranked Fire Cylone
    *Erosion - Becomes an A Ranked Wind Cyclone
    Note: Grandmaster can only be used 3 times per battle.
    Note: Grandmaster must wait 2 turns to use A Ranked and above Hojōjutsu.

    Hojōjutsu - Te no Musubime (Hidden Rope Art - Knots in Hand Style)
    Type: Attack/Defense
    Rank: B (A with applied Elemental)
    Range: Short
    Chakra: 25 (30 with applied Elemental)
    Damage: 40 (60 with applied Elemental)
    Description: The user extends hidden rope out from both of their sleeves and charges it with chakra (pure or elemental). The knots are held in the hands of the user and used in Taijutsu/Kenjutsu extreme close range fights or to deflect certain objects. Each rope that extends out of the user's arm has a knot on the end of it. These are two separate ropes.
    *Grandmaster - Costing 2/3 moves in a turn, can choose to charge each rope with a different chakra (up to 2 elemental chakra), resulting in 2 A Ranked Elementals or an A Ranked elemental of anything other than Basic 5 causing the Grandmaster 5 damage per turn per hand. Can only be used for 5 turns and will resort in being forced to use pure chakra for 1 turn)
    *Stone - turns knots to earth making bones crack
    *Wave - covers knots to water making countering quicker
    *Thunder - charges knots with lightning, causing paralysis in the body part that is hit.
    *Flame - covers knots with a small fireball, burning flesh and clothing upon impact.
    *Erosion - covers knots with wind, cutting more than bruising the opponent deeply



    - I have added how Hojojutsu/Nawajutsu fighters combat Kenjutsu and Taijutsu fighters like we discussed. The numbers 3 and 4 were bolded before to show the changes, now I bolded all of it.


    ±± Declined ±± Ok, its alll good except: the fuuin part...take it out. the weight and seal and what not...nope. That would lead you to take it out and gain the boost in speed and bla bla. nope. Other than that, it does seem good to go ^^
     
         
    Last edited by Scorps; 05-31-2012 at 10:05 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by Lord of Kaos View Post
    (This might be a bit advanced for a CFS and might be more of a ninjutsu than a nintaijutsu but you never know, right? If it doesn't fit the bounds for a CFS, please let me know and I will submit it in the custom jutsu section)


    Satsui no Hadō/ Dakku Hadō | Surge of Murderous Intent/ Dark Intent


    Akuma with the characteristics of the Satsui no Hadō red chakra 'flares' around him
    Type: Nintaijutsu

    Background:
    Akuma and his brother Gouken were students of their father Goutetsu, who taught to them a nameless life-threatening martial art, which incorporates elements of Karate, Judo, and Kempo. He also taught the Shun Goku Satsu (literally Instant Hell Murder), a lethal technique which, although incredibly powerful, puts the user in considerable danger.As the brothers progressed under Goutetsu's tutelage, a dispute arose on the true nature of their fighting style and the path to master it. Gouken, unable to accept the violent nature of the fighting style, left Goutetsu to begin his own dojo, however Goutetsu did not stop his student Gouken from leaving and even allowed him build his own dojo. Akuma continued Goutetsu's teachings and vowed to use their fighting style as it was intended.

    In order to learn Shun Goku Satsu, Akuma had embraced a malevolent chakra and principle of Satsui no Hadō, the "Surge of the Intent to Kill/Killing Intent". In addition, Akuma realized his limits as a martial artist could be expanded, and left Goutetsu's guidance of enlightenment to train alone to gain more power; however, due to embracing the Satsui no Hadō to his fullest extent, he developed a lust to fight to the death, unlike Goutetsu, who had been able to use the Satsui no Hadō without giving in to its dark side and did not constantly use it to its fullest extent. After coming back from his island, Akuma went back to Goutetsu, and fought and killed him with the Shun Goku Satsu. Akuma, believing that he was the true master of the Art, took the prayer beads of his dead master and placed it on his neck. When Gouken went to visit his master to see how he was doing, he only found his body lifeless and saw his brother, now no longer looking human. Gouken, shocked to see that his younger brother took the life of their master, berated Akuma, who said nothing and left for the woods.


    Description on the Abilities and Inner Workings of the Style:

    Description of Style

    Satsui no Hadō is a manipulation of chakra that emanates greatly from oneself through the natural human instinct and desire to survive, to trample and impose over opposition, and on a metaphysical level, the natural occurrence and manifestation of loss, decline, and destruction. It is very hard to control. For those who do succeed in controlling it, they develop an almost cold, cynical detachment from themselves, as well as others. As such, Satsui no Hadō makes a human unbelievably powerful, increasing their strength, power and speed beyond that of a usual superhuman fighter or a supernatural being, but at the cost of one's humanity and compassion.

    To tap into the Satsui no Hadō, a fighter must be so consumed with the desire to win or have an intense rage, that they are willing to actually kill their foes. As a result, only people who push themselves to be the best at all costs, can take full advantage of it. However, the untrained mind can be driven to a temporary insanity if they have not prepared for it.

    Once a warrior has awoken the Satsui no Hadou within them, it can be very hard to resist. Learning Satsui no Hadou is the first step in learning the most fatal technique known to all of their martial arts - Shun Goku Satsu. If one has used it to their fullest extent for too long throughout years of their life, they will completely lose control, and will transform into a demonic being

    The art of the Satsui no Hadō is not automatically activated in the warriors once they began training. It is only first unlocked under some stressful or emotional condition after which the Satsui no Hadō may be used freely. (similar to how the Sharingan is accessed).

    Inner Workings of the Style


    The fighting style that accompanies the Satsui no Hadō boasts a wide and extensive assortment of powerful punches, quickly spinning kicks, and deadly strikes coupled with super acrobatic skill make an extremely adept fighting style, allowing user to effectively weave continuous and powerful attacks upon adversaries and combine the power of his blows with the surging power of the Satsui no Hadō to create flawlessly fatal blows.

    There are 5 methods, or main parts, or the style that are incorporated into the fighting style:
    *Shoryuken:



    A sweeping uppercut that can be enhanced by the Satsui no Hadō to cause internal damage to an opponent


    *Tatsumaki:



    An often quick spinning hurricane kick in the air, connecting up to 3-4 times that can be enhanced with the Satsui no Hadō.


    *Hadoken:


    A physical manifestation of the Satsui no Hadō, the user releases a burst of chakra from his hands that cause damage to an opponent's chakra paths, causing them to become damaged and have a slowed chakra flow. Can also be performed while jumping.


    *Shun Goku Satsu:



    One of the most powerful offensive Satsui no Hadō techniques, the user focuses the Satui no Hadō chakra that he is utilizing into his upper body, mainly his chest and arms and lashes the target, and upon contact, the Satui no Hadō chakra causes them to be momentarily paralyzed (depending on rank difference there is a certain amount of time) in which time the user releases the Satsui no Hadō in deadly punches and attacks at the target.


    *Ashura Senku:



    Using the Satsui no Hadō to augment the user's speed by moving across the field, bending the exerting chakra from the satsui no Hado to project a false illusion of himself 'lagging' behind his actual body, making taijutsu hard to land while using this.


    (Note: By approving the custom style, you are not approving the above part. Each of these will be submitted as their own jutsu as a part of the form, this if just for listing of them in the art.)

    Skill levels of the style:

    Grand Master(created the style)
    ^
    Master (knows Shun No Goku)
    ^
    User (someone who knows Hadoken and Ashura Senku techniques)
    ^
    Apprentice (is learning Shoryuken, and Tatsumaki techniques)

    Additional effects and Restrictions:
    *Due to the large amounts of chakra flowing through the user's body at all the times the art is being used, the user is less susceptible to Genjutsu, rendering this less effective (greater resistance to genjutsu) The user also has increased taijutsu strength by +10, increased speed slightly faster than Rock Lee (Part II) without weights but still lower than EIG speeds.*

    *In order for the user to be able to meditate long enough to access a darker part of his nature, the user must be standing completely still, similar to how Naruto originally enters Sage Mode.Once active, the form last until the end of the battle, but at the sake of the user's sanity. After the battle's end, the user is left with mental anguish that renders his chakra paths near useless and he's left in states of near-death.*

    *Another side-effect of this power is that when a warrior embraces the Satsui no Hadou to their fullest extent - even when the warrior can not control it - they will develop a lust to fight to the death, their eyes will turn white or red, and their beliefs in fighting become very dark and cold-blooded. The warrior's personality will also change and become very violent and dark. However, as shown in the case of Goutetsu, if one embraces it to a small degree, their eye's pupils will become blue, and they will have no willingness to destroy anything or anyone.*


    ±± Declined ±± The idea of using Rage to power your chakra and body, creating a denser more aggressive use of chakra is a cool idea and its beautifully made, worded and mostly explained. However, some points make it unapprovable without some minor edits:

    -Take the genjutsu resistance and the +10 to taijutsu. CFS don't give those bonus. Your bonus are SLIGHTLY higher or lower stats when compared to the benchmark of your CFS skill. Since this is taijutsu, the benchmark is a normal strong fist user

    -Be sure that your moves and "stances" / "methods" aren't too similar to Gentle fist. Read through the gentle fist moves to get an idea. Some of your moves, mainly Hadoken is basically Gentle Fist.


    Other than that, one of the best CFS submissions i've checked. Congrats

    Satsui no Hadō/ Dakku Hadō | Surge of Murderous Intent/ Dark Intent


    Akuma with the characteristics of the Satsui no Hadō red chakra 'flares' around him
    Type: Nintaijutsu

    Background:
    Akuma and his brother Gouken were students of their father Goutetsu, who taught to them a nameless life-threatening martial art, which incorporates elements of Karate, Judo, and Kempo. He also taught the Shun Goku Satsu (literally Instant Hell Murder), a lethal technique which, although incredibly powerful, puts the user in considerable danger.As the brothers progressed under Goutetsu's tutelage, a dispute arose on the true nature of their fighting style and the path to master it. Gouken, unable to accept the violent nature of the fighting style, left Goutetsu to begin his own dojo, however Goutetsu did not stop his student Gouken from leaving and even allowed him build his own dojo. Akuma continued Goutetsu's teachings and vowed to use their fighting style as it was intended.

    In order to learn Shun Goku Satsu, Akuma had embraced a malevolent chakra and principle of Satsui no Hadō, the "Surge of the Intent to Kill/Killing Intent". In addition, Akuma realized his limits as a martial artist could be expanded, and left Goutetsu's guidance of enlightenment to train alone to gain more power; however, due to embracing the Satsui no Hadō to his fullest extent, he developed a lust to fight to the death, unlike Goutetsu, who had been able to use the Satsui no Hadō without giving in to its dark side and did not constantly use it to its fullest extent. After coming back from his island, Akuma went back to Goutetsu, and fought and killed him with the Shun Goku Satsu. Akuma, believing that he was the true master of the Art, took the prayer beads of his dead master and placed it on his neck. When Gouken went to visit his master to see how he was doing, he only found his body lifeless and saw his brother, now no longer looking human. Gouken, shocked to see that his younger brother took the life of their master, berated Akuma, who said nothing and left for the woods.


    Description on the Abilities and Inner Workings of the Style:

    Description of Style

    Satsui no Hadō is a manipulation of chakra that emanates greatly from oneself through the natural human instinct and desire to survive, to trample and impose over opposition, and on a metaphysical level, the natural occurrence and manifestation of loss, decline, and destruction. It is very hard to control. For those who do succeed in controlling it, they develop an almost cold, cynical detachment from themselves, as well as others. As such, Satsui no Hadō makes a human unbelievably powerful, increasing their strength, power and speed beyond that of a usual superhuman fighter or a supernatural being, but at the cost of one's humanity and compassion.

    To tap into the Satsui no Hadō, a fighter must be so consumed with the desire to win or have an intense rage, that they are willing to actually kill their foes. As a result, only people who push themselves to be the best at all costs, can take full advantage of it. However, the untrained mind can be driven to a temporary insanity if they have not prepared for it.

    Once a warrior has awoken the Satsui no Hadou within them, it can be very hard to resist. Learning Satsui no Hadou is the first step in learning the most fatal technique known to all of their martial arts - Shun Goku Satsu. If one has used it to their fullest extent for too long throughout years of their life, they will completely lose control, and will transform into a demonic being

    The art of the Satsui no Hadō is not automatically activated in the warriors once they began training. It is only first unlocked under some stressful or emotional condition after which the Satsui no Hadō may be used freely. (similar to how the Sharingan is accessed).

    Inner Workings of the Style


    The fighting style that accompanies the Satsui no Hadō boasts a wide and extensive assortment of powerful punches, quickly spinning kicks, and deadly strikes coupled with super acrobatic skill make an extremely adept fighting style, allowing user to effectively weave continuous and powerful attacks upon adversaries and combine the power of his blows with the surging power of the Satsui no Hadō to create flawlessly fatal blows.

    There are 5 methods, or main parts, or the style that are incorporated into the fighting style:
    *Shoryuken:



    A sweeping uppercut that can be enhanced by the Satsui no Hadō to cause internal damage to an opponent


    *Tatsumaki:



    An often quick spinning hurricane kick in the air, connecting up to 3-4 times that can be enhanced with the Satsui no Hadō.


    *Hadoken:


    A physical manifestation of the Satsui no Hadō, the user releases a burst of chakra from his hands that cause damage to an opponent's chakra paths, causing them to become damaged and have a slowed chakra flow. Can also be performed while jumping.


    *Shun Goku Satsu:



    One of the most powerful offensive Satsui no Hadō techniques, the user focuses the Satui no Hadō chakra that he is utilizing into his upper body, mainly his chest and arms and lashes the target, and upon contact, the Satui no Hadō chakra causes them to be momentarily paralyzed (depending on rank difference there is a certain amount of time) in which time the user releases the Satsui no Hadō in deadly punches and attacks at the target.


    *Ashura Senku:



    Using the Satsui no Hadō to augment the user's speed by moving across the field, bending the exerting chakra from the satsui no Hado to project a false illusion of himself 'lagging' behind his actual body, making taijutsu hard to land while using this.


    (Note: By approving the custom style, you are not approving the above part. Each of these will be submitted as their own jutsu as a part of the form, this if just for listing of them in the art.)

    Skill levels of the style:

    Grand Master(created the style)
    ^
    Master (knows Shun No Goku)
    ^
    User (someone who knows Hadoken and Ashura Senku techniques)
    ^
    Apprentice (is learning Shoryuken, and Tatsumaki techniques)

    Additional effects and Restrictions:
    *Users of this art have slightly better reflexes, increased agility, when compared to Strong Fist users and speeds increased to slightly faster than Rock Lee (Part II) without weights but still lower than EIG speeds.*

    *In order for the user to be able to meditate long enough to access a darker part of his nature, the user must be standing completely still, similar to how Naruto originally enters Sage Mode.Once active, the form last until the end of the battle, but at the sake of the user's sanity. After the battle's end, the user is left with mental anguish that renders his chakra paths near useless and he's left in states of near-death.*

    *Another side-effect of this power is that when a warrior embraces the Satsui no Hadou to their fullest extent - even when the warrior can not control it - they will develop a lust to fight to the death, their eyes will turn white or red, and their beliefs in fighting become very dark and cold-blooded. The warrior's personality will also change and become very violent and dark. However, as shown in the case of Goutetsu, if one embraces it to a small degree, their eye's pupils will become blue, and they will have no willingness to destroy anything or anyone.*



    -------------------------------------------


    Remove information about Genjutsu resistance and changed Additional Effects area to fit standards. Also, I read over the Gentle Fist jutsus and abilities of the Gentle Fist on Naruto wikia. When I submit the techniques, I'll try my best to make them as different from the Gentle Fist jutsus as possible. And thank you for the complement. :3

    ____________________
    P a t e n t C e r t i f i c a t e

    Lord of Kaos, our loyal member, gave on the 14th of May, a request for a Patent on custom fighting style Satsui no Hadō/ Dakku Hadō | Surge of Murderous Intent/ Dark Intent. I, Scorps of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


    Satsui no Hadō/ Dakku Hadō | Surge of Murderous Intent/ Dark Intent
    Powered by Scorps
    Copyright 2012, Lord of Kaos, NarutoBase.net

     
         
    Last edited by Scorps; 05-31-2012 at 10:12 PM.

  12. #152
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    Re: ±±Custom Fighting Styles Submission±±


    |Reikon Tomonari| Soul Resonance

    Type:
    Nin-Taijutsu/Nin-Kenjutsu

    Background:
    -A warrior known as Ermac, was so full of pride in his power that he even decided to fight the legendary Sage of the Six Paths. The fight didn't last very long but the Sage felt that Ermac had deffinately proved himself capable. The sage took him in as a student, teaching him extreme chakra control, allowing Ermac to develope a special style. Ermac was capable of manipulating his chakra in the form of a spirit, while hardening it at the same time. Ermac could create multiple limbs if he wanted to or simply project his being as a new opponent all together. Through this, his clan could even rival the future Senjus and Uchihas in power. Madara saw this style as a threat and had almost all members who knew this style killed. Those who were strong enough to survive went into hiding, passing this technique down to their children. When Madara and Hashirama finally died, all 7 known members came out of hiding and lit up the world with their awesomness. (So to speak)

    Description on the Abilities and Inner Workings of the Style:
    - In essence, Reikon Tomonari is the manipulation of chakra in a new form of combat. The user projects his chakra in the form of a limb made of dense chakra. Through this ability, the user not only gains range and power, but a large variety in combat, giving him an advantage over any basic fighter (An example is creating 2 more arms of chakra to hold down the opponent while u beat him with the originals. Another would be coating the arm in chakra to increase it's overall size for more range and damage.). The draw back to this technique is the inability to use other ninjutsu while this is active but possibilities are worth it. Experts of this style take it to a whole new level. They can actually project a chakra body (In essence like a glowing shadow clone without being able to use ninjutsu, but is capable of increasing it's size) that is capable of fighting for them or making it a team effort . Masters can extend the range of which the limbs reach with some cases even reaching as far as mid-range and are capable of expeling this ability through weapons such as swords or hammers to extend range and mass.

    Additional effects and Restrictions:

    Addition:
    -greater chakra manipulation (Able to manipulate chakra at very high speeds)
    -Denser chakra, capable of actually doing damage on it's own.

    Restrictions:
    -Unable to to perform other ninjutsu or genjutsu while a jutsu is active in the turn
    -Must have mastered ninjutsu
    -Must have trained in basic taijutsu.


    ±± Declined ±± Don't Resubmit. Too similar to Bijuu techniques and chakra cloaks.
     
         
    Last edited by Scorps; 06-15-2012 at 09:03 PM.

  13. #153
    Senior Member Vayne's Avatar
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    Re: ±±Custom Fighting Styles Submission±±

    Ball arts (tama gigei)
    Type: Chakra Manipulation/Weaponary
    Background: A rogue shinobi once fled from his country, and while on his way to salvation he was surrounded by countless ninja of his previous village, the shinobi did not have a weapon to protect himself he fled from the hunting nin until he found a ball the shinobi felt desperate so he infused his chakra to the ball and the ball became very strong taking out many ninja's thus the ball arts were created.
    Description on the Abilities and Inner Workings of the Style:
    The art works by infusing chakra to a ball making the ball more powerful and versatile the chakra infused can cause the ball to increase it's length and size, making the ball shape into a rubbery stick like shape that is rock hard, or a metalic ball.

    Elemental Chakra
    Fire Chakra : When fire chakra was inserted the ball would be engulfed with fire that the user can control by his will making fire either appear as a small spot or engulfing the whole ball.


    Wind Chakra: When Wind chakra was inserted the ball when kicked will travel at great speeds and it will also pick up dust or other small substances when it is heading to the opponent, and it will also become very spiky


    Earth Chakra: When Earth chakra was inserted to the ball the ball will become very hard, rock hard. Due to the ball being rock hard mangekyo can control the parts were the ball is hard like he can do in when fire chakra is inserted


    Lightning Chakra: When lightning chakra is inserted the ball will be able to electrify and temporarily paralyze the opponent. Also when lightning chakra is inserted the ball can pass through D rank earth defenses.


    Water Chakra: When water chakra is inserted the ball will liquefy and be able to separate and join on the users will. When water chakra is inserted the benefits are basically splashing the opponent in the face or stopping D rank fire techs


    Additional effects and Restrictions:
    -must be S rank
    -must pass a mission
    -Elemental chakra can be added to non-elemental chakra
    -Lengthened balls can only reach a maximum of 3.75 meters


    ±± Declined ±± Don't resubmit. Not a CFS
     
         
    Last edited by Scorps; 06-15-2012 at 09:03 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Tenken| Heavenly Punishment
    Type: Taijutsu; Kenjutsu [Can be implemented in multiple combat styles]
    Background:
    A style designed to grant the user a great advantage over the opponents, mostly used in close range combat.
    This style can only be achieved by those who possess strong will, desire or ambition and who have experienced multiple battles throughout their life. Only some people have witnessed this style and even few have attained it, however, it doesn't mean it cannot be taught to others. Some people consider it a curse, even comparing it with the Uchiha's Sharingan as to ''awaken'' the ability to use this style, the ones who did it have passed through difficult and sometimes even traumatic events in their life. Nonetheless, it is achievable through training.
    This style is rare because if one who has achieved it, breaks up the training current, in order for someone to come up with it again, it will need to do it by awaken it on its own, which it isn't something easy to accomplish

    Description on the Abilities and Inner Workings of the Style:
    This is more of a supplementary fighting style which can be used for either defensive or offensive approaches.
    Upon achieving his ''self-awakening'', at any time during a battle, the user can use it to manifest an aura around him. This aura is the manifestation of his own inner energy and self. However this aura is solely a manifestation of one's own inner power. To make it usable in battle, the user then uses his own chakra to make that aura take a physical form, which can be then manipulated for multiple different uses in battle. This aura usually retains it's own user's physical appearance, but can also change depending on the situation. It's very similar in appearance to the Bijuu chakra cloak.



    Examples of Usage:
    - Mimicking the user's movements [It can mimic the user's movements normally or can do it following an axis of symmetry (The user swings his whole body from right to left side performing a horizontal cut and the aura around him performs the exact same movement but from left to right, that way, attacking the opponent from two different sides)]
    - Confuse the opponent [Making the aura perform a serie of movements or 'fake' attacks so the user attacks the opponent while he is occupied/distracted with the aura; Send the aura towards the opponent attacking the opponent and then the user attacks the opponent himself while he blocks the aura, etc]
    - Shapeshifting [Grow in size as to help the user fighting stronger and bigger opponents; Stretching to reach different ranges; Making the aura manifest multiple arms or different weapons, etc]
    - Tangibility/Intangibility [The user uses his chakra to make the aura around him to take a physical form and manifest itself, being able to do physical damage. By manipulating his chakra to a lesser extent, the user can make the aura to only take a form and shape it, making it intangible; Make the aura perform a first fake (intangible) attack, which is merely a diversion, followed by a physical one, which can harm and damage the opponent)

    All these abilities can then be combined between themselves according to each situation in order to attain better results in battle


    Additional effects and Restrictions:

    - Must have mastered NB's Cannon Taijutsu [Strong Fist]
    - While using this styke, the user has enough power to overpower in strength someone of the same stature as the user and to fight evenly with much bigger opponents
    Note: I didn't classified it under Nintaijutsu, though it may seem similar, so i could use it with my Samurai bio. Samurais can also use and shape their chakra to some extent as some were even using the Samurai Sabre Technique to turn their sword into a chainsaw
     
         

  15. #155
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    Re: ±±Custom Fighting Styles Submission±±



    Haki

    Type: Taijutsu/Chakra control
    Background:
    Haki (覇気 Haki?, literally meaning "Ambition") is a mysterious form of chakra control that is found in every living being in the world. It is not that different from the normal senses. However, most people do not notice it or fail to awaken/control it. Broadly, there are two types of Haki that everyone can use, given the proper training; however, there is a third type that only a certain group of "chosen ones" are said to possess. In simple terms, Haki is an ability to release your charka around you to feel out movement and to enhance your taijutsu.

    Description on the Abilities and Inner Workings of the Style:

    Haki is separated into three categories, or "colors": Kenbunshoku Haki, which grants users a sixth sense of the world around them and limited precognitive abilities; Busoshoku Haki, which allows the user to use their chakra as armor to defend against attacks or to make their own attacks more potent; and Haoshoku Haki, a rare type of Haki only one in a million can use which grants the user the ability to overpower the will of others. Most people who can use Haki tend to have a type they're better at and as a result focus on that type. However, a person can improve their abilities with all the types of Haki, it just requires more work.


    Kenbunshoku Haki, is a form of Haki that allows the user to sense the presence of others, even if they are concealed from view. With enough skill, one can use this Haki to predict an opponent's moves shortly before they make them, thereby making the attack that much easier to evade. The way this works, is the user, using the skill of Haki, will release their chakra around them in an orb. In doing so, anything that passes into that orb of chakra the user will feel the shape, motion and direction of it, and be able to react to it. (This will be submitted as a jutsu. It's the idea that chakra control can be used more in tai)

    Busoshoku Haki allows the user to create a force similar to an invisible armor around themselves made of chakra. Similar to hyuga techniques, this allows the user to defend against attacks that would otherwise cause them harm. Only significant physical force can overcome this defense. The user creates a layer of chakra around their body as they enter into a taijutsu battle. In doing so, it acts as a armour for the user. This ability increases the power of the users attacks, but not only that, it allows them to hit stuff they wouldn't usually be able to. The layer of chakra will make it so they can hit things such as a person who's body is made of water, and still hurt them. Naturally this "invisible armor" can be used as a weapon to strike others with. It can be used to augment the user's own attacks, projected ahead of the user as pure brute force, or imbued in weapons to increase their effectiveness. Any attack enhanced by Busoshoku Haki hits immensely harder than it would normally be without it. Pure charka can make contact with other forms of chakra and so this form of taijutsu allows the user to hit elements. The chakra is shaped into the armour form making it equilant to elemental power. (This will be made a jutsu in the future, this is just a reference/example of the style itself)

    Haoshoku Haki is a rare form of Haki that cannot be attained through training and only one in a million people carry it. It is similar to that of killing intent in the way it effects a target. The user has an aura about them that gives off an intimidating pressence. The user will release their pressence into the area around them, based on their rank/status (sensei ect). The greater their pressence the stronger the haoshoku haki, if their pressence is a that much higher than their targets, their targets will collapse under preasure, which will be made of pure chakra. This type of Haki grants the user the ability to dominate the wills of others. The most common usage in the series so far is knocking those with weak wills unconscious. (To be made a jutsu, another example of the control of chakra)

    Additional effects and Restrictions:

    - The user must have effective chakra control
    - The real power of this style lies within the jutsu
    - Must be a taijutsu master to be able to use effectively.


    ±± Declined ±± This was already submitted by Jacoob Moore
     
         
    Last edited by Scorps; 06-15-2012 at 09:13 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Hayaisochi 速い 手順 - Quick Step

    Type: Nin-Taijutsu - Hayaisochi

    Background: The Quick Step is a Nin-Taijutsu style developed in the early ages, the age of the samurai before ninja even existed thought that was the prototype style, which made use of enormous concentration on ones mevements and a clear vision, the samurai used it for close combat to accelerate their body movements thus combining it with the katana, this technique was a enhanced form of that style using the mighty wind element thus evolving into something greater than a regular martial arts style. A style designed to grant the user a great advantage over the opponents, mostly used in close range combat but also at medium, thought one could say it's more suited for close combat. This was developed by a ninja in sunagakure who possessed the swift release also known as Haiyaton, it made use of the lightning and wind element to enhance ones speed giving their body enormous acceleration, Quick Step made use of circular motion is an example of a body experiencing acceleration resulting in velocity of a constant magnitude but change of direction. In this case, because the direction of the object's or person's motion is constantly changing, being tangential to the circle, the object's velocity also changes, but its speed does not. This acceleration is directed toward the centre of the circle and takes the value which is truly astonishing. Thought the man who developed this technique only used the wind element to enhance it. Thought this jutsu could also be used by regular ninja who didn't possess the swift release as it made use of taijutsu and the wind element, the sunagakure ninja developed five different types of quick step levels and each one gained a unique name. To use this style; One must have mastered the Wind element, one must have it as his/her specialty, thus stating this in their biography and also one must have mastered regular Taijutsu to make use of Quick Step.

    Description on the Abilities and Inner Workings of the Style: This special and unique type of Nin-Taijutsu also refered to as the Hayaisochi relies on the regular movements, swift motion of the user thus making use of these things to hit specific places on the opponents body. Quick step also makes the users' body go limp in order to avoid any attacks, and float like a piece of paper through the air the user stretches and moves in ways slime or sludge would move in order to avoid attacks, making small wind currents while moving, thus gliding through the air. Putting it in a simple way, the user makes use of the wind element to glide through the air it's like a withered leaf that glides down from a tree landing safely on the ground and avoid direct and physical blows the user uses the same concept so no harm will come to the users' body. The user has to observe their opponents movements to use this style it's like dancing thought, making use of your opponents body to guide your own while doing that the user can attack freely wherever he want's.

    Example: Link (skip to 1:40 in the video)

    Additional effects and Restrictions:

    -The user must have mastered the wind element.
    -The user must have mastered NB cannon taijutsu and must have started training in K' Taijutsu.
    -The user must state in their biography that he or she has wind as one of the users' specialty and Taijutsu.
    -The user mostly gains enhanced reflexes, almost non human.
    -The user gains a fair amount of speed when used in close combat, thus seemily they glide through the air making the enemy see a blur.


    ±± Declined ±± bolded part makes no sense and it has some similar "feel" to a technique from Demosthenes.
     
         
    Last edited by Scorps; 06-15-2012 at 09:17 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Naiteki Rosendo | Inner Alignment

    Type: Weapons Taijutsu / NinTaijutsu

    Background:
    The most basic tenant of weapons-based Taijutsu is that one must feel at one with one's weapon in order to use it effectively; the weapon and the self must be thought of as one. This fighting style was developed by Bishamon over the course of several years of fighting with the same custom weapon. Many ancient cultures considered great weapons to have souls of their own. Through this fighting style, the soul of the user and the soul of the weapon become one.

    Description on the Abilities and Inner Workings of the Style:
    By aligning the souls of the user and his weapon, this fighting style allows the user to wield their weapon with greatly increased speed, strength, and reflexes. The style allows the user to use his weapon to the fullest.

    The effects of this alignment are similar to the effects of the alignment between a Jinchuriki and a tailed beast. The weapon grants all of its strength to the user, enveloping him in an aura of spiritual energy. This spiritual energy aura, besides enhancing the user's speed, strength, and reflexes, extends the reach of the user's Taijutsu attacks in the same way that channeling chakra through a weapon does. This spiritual energy aura is not strong enough to block Ninjutsu techniques, and simply adds strength to the user's Taijutsu attacks. If the user decides to channel elemental chakra through his custom weapon, however, the spiritual aura around him will gain the characteristics of that particular elemental chakra, equivalent to a C-rank elemental Ninjutsu aura.

    Additional effects and Restrictions:
    -If the user and his weapon ever become physically separating during the battle, this style cannot be used.
    -If the user and his weapon become physically separated while this style is being used, the custom weapon cannot be used for the rest of the battle and the user will not be able to use any jutsus for an entire turn.
    -If the user and his weapon become physically separated while this style is being used, the user will lose half of his remaining chakra and life.
    -If the custom weapon is destroyed while using this style, the user dies.
    -No lightning, water, or wind jutsus over S-rank while this style is used.


    ±± Declined ±± It would make sense if in narutoverse, weapons had souls. Unless you have a living CW (mimicking Samehada for example) this CFS makes little to no sense. However, if you have such a CW you need to base this on that and need to explain exactly what this shroud is and what will it achieve when used. I suggest providing one or two example of uses.
     
         
    Last edited by Scorps; 06-15-2012 at 09:19 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Quote Originally Posted by -Kamishiro- View Post
    Card Magic || Majikku Kādo
    Type:Ninjutsu-Kenjutsu--Genjutsu

    Background: Once Lyon.. was traveling through a jungle and suddenly he noticed and heard a sound of humans screaming in addition to sounds of sharp weapons clashing,Lyon.. trance and standing on his place for a while then he decided to go their to see if someone needs his help.Lyon.. rushed towards the location where the sound came from he ran at great speed till he noticed human bodies,he standing in a distance and watched carefully he noticed a couple of youth boys attacking a girl which seems youth too.He saw the boys attacking the girl with kuanis and shurikens and swords and he saw the girl holding very unusual and weird kind of weapons it even didn't seem as weapon.He saw the girl defending against herself with the unusual weapons which looks like some pieces of papers however they had had the ability to cut like the kunais/shurikens and it was very fast.He saw the girl throwing paper by paper till she throw all the weapons that the boys had had ,and at sudden time she took a paper from her bag it seemed like the others however it had had very effective and powerful attack Lyon.. saw her throwing that card on the ground and suddenly a huge torrent of flame coming out of the card burning all of the boys.Lyon.. became afraid and he was thinking about running away till the unknown girl noticed his movements and called him.Lyon.. came to her and he was a little afraid but she talked to him normally and she seemed very funny girl and after long conversation between Lyon.. and the girl he knew that her name is Akiza and she was a master of genjutsu and sharingan he also knew that that pieces of papers are called "Cards" and it's unusual and effective weapon.Akiza was the only one knowing the style of the card magic however after a spar with Lyon.. she knew that he worthy to hold and learn that style.After months of training Lyon.. mastered the magic cards style and he knew all the attacks and all the secrets of that style and before he leaves Akiza to go home she gave him a special deck of cards and she said "This was my father's and i want you to have it to remember me."after that Lyon.. took the cards and continue his way to his home.

    Description on the Abilities and Inner Workings of the Style:
    Magic Cards style is based on the hand's movements and the special cards and there are several abilities of that style :

    Genjutsu



    By placing or pointing the face up part of the cards towards the opponent the user is able to cast a genjutsu on the opponent without any hand seal,also the user is able to use cannon genjutsu technique through the cards.

    Summoning



    The user is able to use the sharpness of the cards to cut a part of his body while swinging/moving his hands on the air causing the cards to be mixed with blood then the user can or throw the cards on the ground summoning the animal or pointing/placing the face up part of the cards towards the opponent summoning the animal.

    Kenjutsu :

    The user is able to use the cards as sharp weapons that is just like kunais and shurikens.

    Ninjutsu :



    By infusing the user's elemental ninjutsu the user is able to turn the user's cards to one of the five based elements :

    Fire : By infusing the user's fire chakra with the cards the user is able to turn the cards into very sharp and fast torrents of fire that is able to burn the opponent upon touching his skin.

    Water : By infusing the user's water's chakra with the cardsthe user is abe to turn the cards into very fast torrents of water that is capable to soak the opponent and inflect damage to him

    Wind :
    By infusing the user's wind's chakra with the cards the user is able to turn the cards into very fast and slicing weapons that is able to cut to cut the opponent's skin and make very deep injured.

    Lightning : By infusing the user's lightning chakra with the cards the use is able to turn the cards from normal cards to cards that is surrounds by electricity that is able to shock the opponent upon touching him.

    Earth : By Infusing the user's earth chakra with the cards the user is able to turn the cards from normal paper to very hard and sharp pieces of earth.

    Kekkei Genkai : By Infusing the user's kg chakra with the cards the user is able to turn the cards into the user's kg effect/ability


    Additional effects and Restrictions:

    Ranks :

    • The Wizard || Mahoutsukai
      The Wizard is the person who masters all the effects and secrets of the cards magic style and he is able to use all techniques without any restrictions.

    • The Joker || Odokemono
      The Joker is the person who is able to use all the effects of the cards magic style however he doesn't know the secrets of the cards magic style and he is second in command.

    • The Hunter || Karyuudo
      The Hunter is the person who have spent some time learning cards magic style and he can only infuse cards with elemental chakra and use them as weapons.

    • The Junior || Mmeshita
      The Junior is the beginer who have just began learning the effects and how to use and control the cards and he can only infuse elemental chakra with the cards.


    - Must master :
    • Genjutsu.
    • Kenjutsu.
    • All the five basic elements.
    • Must master the user's kg before can infusing his kg chakra with his cards.
    • and must learn the summoning technique.

    - To use the summoning ability the user must first sign a summoning contract and can only summon the animal that he signed it's contract.




    ±± Declined ±± This is a mess and a mix of so many things it barely know were to start. One thing i'll tell you, magic references need to disappear all together, period. Also, genjutsu just by placing cards? Nope, not going to thappen.

    .

    Resubmitting removed the genjutus and summoning parts and changed the name of the style and removed all the magic related parts ^_^


    The Way of Cards || Majikku Kādo
    Type:Ninjutsu-Kenjutsu--Genjutsu

    Background: Once Ahmed was traveling through a jungle and suddenly he noticed and heard a sound of humans screaming in addition to sounds of sharp weapons clashing,Ahmed trance and standing on his place for a while then he decided to go their to see if someone needs his help.Ahmed rushed towards the location where the sound came from he ran at great speed till he noticed human bodies,he standing in a distance and watched carefully he noticed a couple of youth boys attacking a girl which seems youth too.He saw the boys attacking the girl with kuanis and shurikens and swords and he saw the girl holding very unusual and weird kind of weapons it even didn't seem as weapon.He saw the girl defending against herself with the unusual weapons which looks like some pieces of papers however they had had the ability to cut like the kunais/shurikens and it was very fast.He saw the girl throwing paper by paper till she throw all the weapons that the boys had had ,and at sudden time she took a paper from her bag it seemed like the others however it had had very effective and powerful attack Ahmed saw her throwing that card on the ground and suddenly a huge torrent of flame coming out of the card burning all of the boys.Ahmed became afraid and he was thinking about running away till the unknown girl noticed his movements and called him.Ahmed came to her and he was a little afraid but she talked to him normally and she seemed very funny girl and after long conversation between Ahmed and the girl he knew that her name is Akiza and she was a master of genjutsu and sharingan he also knew that that pieces of papers are called "Cards" and it's unusual and effective weapon.Akiza was the only one knowing the style of the card magic however after a spar with Ahmed she knew that he worthy to hold and learn that style.After months of training Ahmed mastered the way of cards style and he knew all the attacks and all the secrets of that style and before he leaves Akiza to go home she gave him a special deck of cards and she said "This was my father's and i want you to have it to remember me."after that Ahmed took the cards and continue his way to his home.

    Description on the Abilities and Inner Workings of the Style:
    Magic Cards style is based on the hand's movements and the special cards and there are several abilities of that style :


    Kenjutsu :

    The user is able to use the cards as sharp weapons that is just like kunais and shurikens.

    Ninjutsu :



    By infusing the user's elemental ninjutsu the user is able to turn the user's cards to one of the five based elements :

    Fire : By infusing the user's fire chakra with the cards the user is able to turn the cards into very sharp and fast torrents of fire that is able to burn the opponent upon touching his skin.

    Water : By infusing the user's water's chakra with the cardsthe user is abe to turn the cards into very fast torrents of water that is capable to soak the opponent and inflect damage to him

    Wind :
    By infusing the user's wind's chakra with the cards the user is able to turn the cards into very fast and slicing weapons that is able to cut to cut the opponent's skin and make very deep injured.

    Lightning : By infusing the user's lightning chakra with the cards the use is able to turn the cards from normal cards to cards that is surrounds by electricity that is able to shock the opponent upon touching him.

    Earth : By Infusing the user's earth chakra with the cards the user is able to turn the cards from normal paper to very hard and sharp pieces of earth.

    Kekkei Genkai : By Infusing the user's kg chakra with the cards the user is able to turn the cards into the user's kg effect/ability


    Additional effects and Restrictions:

    Ranks :

    • The Wizard || Mahoutsukai
      The Wizard is the person who masters all the effects and secrets of the way of cards style and he is able to use all techniques without any restrictions.

    • The Joker || Odokemono
      The Joker is the person who is able to use all the effects of the way of cards style however he doesn't know the secrets of the way of cards style and he is second in command.

    • The Hunter || Karyuudo
      The Hunter is the person who have spent some time learning way of cards style and he can only infuse cards with elemental chakra and use them as weapons.

    • The Junior || Mmeshita
      The Junior is the beginner who have just began learning the effects and how to use and control the cards and he can only infuse elemental chakra with the cards.


    - Must master :
    • Kenjutsu.
    • All the five basic elements.
    • Must master the user's kg before can infusing his kg chakra with his cards.



    ±± Declined ±± Remove the KG infusion and provide 2 or 3 techniques please.
     
         
    Last edited by Scorps; 06-15-2012 at 09:22 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Shigure Souen Ryuu (Shower in Late Autumn, Blue Swallow Style) (時雨蒼燕流)

    Type:NinGen-Kenjutsu

    Background: Shigure Souen Ryuu, literally meaning Shower in Late autumn, Blue swallow style, is a sword style that has been passed down from generation to generation of adept swordsmen, the style is famed as “The invincible Sword style” Due to the fact, that each time the Shigure Souen Ryuu style was passed down, the new generation of students created a new form for the Shigure Souen, or updated the old forms, in essence this resulted in the sword style becoming eternal, and of course perfect as it constantly improved. When being passed down, the forms of The Shigure souen are only shown once, as it is thought that if the student is truly worthy, he will only need a single demonstration to go on to learn and then perfect it himself. Each user of the Shigure Souen style, receives a sword entitled Shigure Kintoki (shower in late autumn golden moment), that looks and appears to be a standard bamboo bokken, however when used in accordance with the Shigure Souen, the Bokken transforms into a excellent sword, it is said that when using the Shigure Souen style with Shigure Kintoki, the blade will never dull or break. It is through use of this blade, that the user learns if he has truly succeeded the style and created a new form, as if he hasn’t, while performing the technique the blade will remain a bokken. Shigure Souen is rumored to work by combining Ninjutsu, Genjutsu, and Kenjutsu into one. The main elements of Shigure Souen, are water and wind, and anything that may be formed by these two elements cohesion, for instance Ice, or rain and also mist. Both the wind and water elements represent a true sword to its finest. A being that is a necessity to protect life, but also has the power to cause mass destruction, Tranquility and Harmony, Anarchy and Mayhem. It is said that a true swordsman can only come in contact with the spirit of his blade, if he knows what his blade in essence stands for, gaining extreme power by doing so. This is something that a real practitioner and successor to this style will know. The Shigure Souen consists of various forms that are categorized as either offensive, defensive or in only some occasions both.

    Description on the Abilities and Inner Workings of the Style: The forms of Shigure Souen revolve around the manipulation of water or wind with each sword swing, for instance rain/water droplets gathering on the blade of the sword, condensing and enhancing the blades sharpness, resistance , reach and several other less prominent, but in many cases more potent abilities, or even causing a pillar of water to burst from the ground, the pillar bobbing and weaving in accordance of how the sword is swung and controlled. The genjutsu part of Shigure Souen, comes from the capability to both release and create Mist with your sword, and understand what Mist represents. Mist of course representing concealment and lies, a endless swathe of fog, where you can’t determine what is real and what is a figment of the imagination, where lies are hidden within the truth and truth within the lies. The mist weaving a genjutsu that could be either simple or complex, the genjutsu working along with the kenjutsu aspect, and enhancing it. Of course in most situations the enemy wouldn’t see the mist being released as it would take its immediate genjutsu effect and is usually the beginnings of the genjutsu rather than the catalysts. For instance the user putting the enemy under a genjutsu where they envision a floating sword behind them about to strike them. Or where the enemies vision is altered, making them miscalculate how far away the enemies sword tip is from them.


    Additional effects and Restrictions:

    -The Shigure Souen style requires the most heightened abilities of swordplay, as such standard Kenjutsu techniques power is increased by +10.
    -The Shigure Souen style most prominent attribute is tranquility and peace of mind, resultantly the user gains a heightened level of calmness, furthermore the users reaction time and speed increases in accordance of how adept they are with Shigure Souen.
    -The Shigure Souen style, can only be learnt by those who have mastered water and wind, and have begun tutelage in genjutsu, although some of the finer, more advanced Shigure Souen forms can be enhanced by using in conjunction with KG and special abilities, such as Rain or Ice.

    I have permission from Axle to make this. http://www.narutobase.net/forums/con...=2089&u2=70437


    ±± Declined ±± don't resubmit. This is a mix of many existing CWs abilities, custom techniques and many more things.
     
         
    Last edited by Scorps; 06-15-2012 at 09:24 PM.

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    Re: ±±Custom Fighting Styles Submission±±

    Budokai arts
    Type:Chakra manipulation/Supplementary
    Background: This art was discovered by a shinobi of the name mangekyo byakugan when he was on top of a mountain meditating and molding his chakra he discovered a new type of fighting art and decided to call it Budokai as the name of his cat
    Description on the Abilities and Inner Workings of the Style: The user of this art gains great strength, resistance, and unique traits. (will be explained later on). This art requires great deal of courage, determination, and self sacrifice, but all this for a great reward the users gain a more powerful body, faster reaction time, and unique traits such as the following:
    #1-The users can gains increased chakra control over their first affinity elemental chakra increasing the power of techs up by one rank except for already high ranked jutsu’s(A, S, ad Forbidden)
    #2-The user gains resistance over D rank techniques of his first affinity, since a shroud of chakra covers there body.
    #3-The time needed to perform jutsu’s of his first affinity that require hand seals is either cut in half or increased in rank but with same number of hand seals.
    #4-Increased speed of one rank(you may delete this since I know reference to the speed chart isn’t preferable)
    #5- The advantage of the versus elemental affinity becomes negligible ex D rank water becomes = to D rank fire.
    The use of the abilities of this art is restricted to the mastery of the person over it:
    Student: The students of this art can only use the second ability of this art(#2)
    Specialist: The specialists of this art can use two out of the abilities except ability #4 and 5
    Expert: The experts of the art can use abilities #1,2, and 3.
    Master: The master of the art can use abilities #1,2,3, and 4
    Budokai: Only a few can become a Budokai of the art due to the immense training, and strain on the body that comes with the title. Budokais can use all abilities of the art.
    Additional effects and Restrictions:
    -For the user of this art to use the abilities of it he/she must perform a series of 4 handseals.
    -The students will lose consciousness after the activation of the art after 3 posts, specialists after 4 posts, experts after 5 posts, and masters and budokais after 6 posts due to the strain on the body.
    -One can not use this art in two consecutive official battles, he/she can not use the art after a official battle he/she must restrain the use of the art after an official battle or they will immediately die(get there rights to use this art taken from them)
    -Must pass a test to begin using the art.(don’t worry mods I will judge them )
    -Must have reached C rank in at least three elements.
    -Must be at least S-Rank shinobi.
    -No custom clans, or cannon clans allowed, except Nara, Uzumaki, and yamanaka.
    -No other chakra manipulation CFW allowed on the bio.
    -If an individual puts the art as his specialty he does NOT get any perks from them.
    -No effects on custom elements.


    Will keep adding restriction if it gets declined hope not


    ±± Declined ±± Don't resubmit. This is not a CFS
     
         
    Last edited by Scorps; 06-15-2012 at 09:05 PM.

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