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  1. #1
    Ciberr's Avatar

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    [Open] 6 tails vs ???

    Unofficial
    Customs allowed (I have like 4 but I'll go with it)
    LoK's rules and regs
    Mid range
    Open grassy field at night under the moonlight
    I'll be using The 6 tails Utakata
    Post your bio and go first if you wish or tell me to go first
     
         
    Last edited by Ciberr; 12-07-2017 at 10:58 AM.

  2. #2
    Vayne's Avatar

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    Re: [Open] 6 tails vs ???

    I'll take this with Vayne bio. You can start o-o
     
         

  3. #3
    Ciberr's Avatar

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    Re: [Open] 6 tails vs ???

    Quote Originally Posted by Vayne View Post
    I'll take this with Vayne bio. You can start o-o


    ...Who are you? How did you find me?

    It's been a while since Utakata was opposed by anyone. Well over a year since his last encounter, Utakata knows he can't take anyone who would challenge him lightly. He starts off his defense by tapping into Saiken''s powers, infusing his suiton justu with acidic chakra for the next 3 turns. This of course happens without a sign.

    Bijustu: Acidic Senjigusuri Justu | Tailed Beast Skill: Acidic Infusion Technique

    Type: Supplementary
    Rank: A
    Range: N/A
    Chakra: + 20 per water justu used
    Damage: N/A
    Description: Utakata with the help of Saiken will give all of his suiton techniques over the next 3 turns acidic properties. The acidic properties grant suiton justu's used by Utakata of all kind +10 in damage, but the boost isn't relevant when said justu is combating Fire, Wind, lightning or other matter based elements. It only affects physical elements and other ninja. Concerning elements where suiton is normally weak or on even terms with(Like water or earth), the acidic properties will somewhat overcome the weakness or evenness of the water and cause the opposing attack to be rendered useless after a turn. For example, normally an A rank water justu would be overcome by an A rank earth attack but due to the acid's melting like properties the water will be on somewhat even terms and result in the opposing justu being crumbled down after a turn. In special cases like a physical element justu(Earth, crystal, etc) traveling long range while being effected by acid, said justu will crumble before reaching short range. Short-Medium ranges still go by the one turn implication. Should another ninja be affected by acidic water, the acid within the water will act quickly as expected and begin to burn the ninja's skin. Rank of the acid water isn't important to consider when damage is concerned, only the quantity of water.

    -Usable 3 times per battle
    -Cannot be stacked with itself
    -Can be used without enabling a transformation form
    -Bubble release justu are also affected by this
    -Water related CE's, rain element and CFS justu aren't boosted by this justu
    -Only usable by Utakata


    After doing so, Utakata then focuses his suiton chakra into the ground under his opponents feet, causing a rush of acidic water to begin to form around his opponent. The water upon initially forming begins to burn the guys feet legs and subsequently his entire body as it begins to encase him in a prison of acidic water. After starting the prison, Utakata goes into his chakra shroud.

    (Suiton: Funshutsu Mizu Kinko) - Water Release: Gushing Water Imprisonment

    Type: Supplementary
    Rank: B
    Range: Short-Mid
    Chakra: 20
    Damage: N/A(+10)
    Description: The user creates a flow of gushing water under the opponent which traps them in a sphere of water. The user can perform an attack while the opponent is trapped. This jutsu is similar to Water Prison Technique, though the user doesn't need to keep his arm in the sphere of water.


    (Chakra no Koromo) Chakra Shroud

    Type: Supplementary
    Rank: A-Rank
    Range: Short
    Chakra: 30 (-10 per turn, adds 100 chakra points)
    Damage: N/A (+10 to Taijutsu, +5 to Ninjutsu)
    Description:
    The jinchūriki accesses his Bijuu's chakra and releases a portion of it into his body, triggering this initial transformation. By doing this, red chakra oozes from his skin, engulfing him in a chakra shroud that resembles a miniature, translucid version of his Bijuu (although with little detail), with a variable number of tails (depends on which Bijuu it is) and certain unique traits like the Kyuubis ears or Hachibi's horns. The jinchūriki gains a drastic increase in speed, being capable of fighting on par with almost any ninja and gets his Taijutsu damage boosted not only by the increased strength behind his chakra shroud but also by the chakra shroud itself, which damages enemies to the touch. In certain situations, the jinchūriki can also gain more animalistic abilities, such as running tremendously fast on all fours or viciously clawing on his enemies. The chakra shroud protects the jinchūriki from damage and grants him a high resistance to all C-Rank and bellow techniques and B-rank and below Taijutsu.
    Note: Can only be used 3 times and lasts for a maximum of 5 turns.
     
         

  4. #4
    Vayne's Avatar

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    Re: [Open] 6 tails vs ???

    I would be alerted to the usage of the water through both my basic senses, and my weapon's allowance for me to sense any shadow, no matter how small or faded. In response, I would supply my weapon with twenty chakra points, providing myself with a defensive armour that would be blended in with my clothes, as the garb was worn beneath my normal attire. This would come as a passive occurrence. Additionally, the water would be captured by my shadow a moment after it's creation. My shadow would spread across the rising water and surround it, engulfing it and forming a dark semi-sphere. I would backflip out of the shadow water sphere as it travel's towards the Jinchuruki, aiming to initially hit him with the blunt strength of the shadow, and then release the accumulated acidic water back towards the man.

    That's of little concern at the moment. First you must survive before getting answers, Jinchuruki.


    (Kage: Toukai No Fuzen) - Shadow Arts: Extirpation of Sin

    Type: Supplementary/Offensive/Defensive
    Rank: S
    Range: Short - Long
    Chakra: 40
    Damage: 80
    Description: Due to the very nature of shadows they can exist/be inside any non-opaque construct. {X} {X}. Naturally, this would only work on techniques that the user's shadow appear in, such as a water technique originating from beneath the user. Using this fact the user can use his shadow to attack and destroy structures from the inside out. Depending on the user’s need two main ways of using the technique exist. In the first the user would expand his shadow inside the structure while solidifying it. Depending on what the user desires the shadow can completely break down the structures into nothingness, separate them, or simply render them useless. The second manner of usage is to manipulate the shadow to begin spreading inside and outside the structure. The shadow would intricately bind the structure and maintain its shape. However, the moment the shadow’s bind on the structure is stopped/interrupted, the previous structure would be rendered useless. This usage allows the user to take control of the constructs and move them as they desire. For example if used on a crystal fist technique the user would attack the target with the broken down crystals that are held together and surrounded by the users shadow. The beauty of this usage is that it adds more danger to the opponent, albeit in the form of a D ranked 'blast' of the material that the countered technique was composed off. The technique is usable three times per battle. The second manner of usage
    can be maintained for a cost of 10 chakra points per turn. No S-Rank or above Shadows in the next turn.

    (Bugu no Achlys) - Garb of Achlys(weapon)

    Type: Weapon
    Rank: Dependant
    Range: Dependant
    Chakra: 10 per turn | Up to forty for specific abilities
    Damage: -
    Description: Garb of Achlys, or GOA, is an ancient tool that takes the form of a battered piece of clothing that resembles a cloth, although due to the abilities it has it has been seen in different forms. Once a worthy owner encounters GOA it would form a bond with them and change into a form desirable and suitable for the user. Once this is accomplished the user would be granted several new abilities, all for a cost though. This is due to the parasitic nature of GOA. GOA is a conscious, sentient construct that although is aware of the world around it, does not interact with it in a significant manner, merely just being present. The weapon itself is said to have an unknown number of capabilities, however only a numbered amount of it’s abilities are currently known.

    First and foremost, the garb’s connection with user and the user’s capabilities. Through it’s awareness of the world GOA grants Vayne sensory, however it is limited to shadows. Vayne becomes aware of any and all shadows present in the area, no matter how small or faded they may be. However, although he becomes aware of the shadow, distinguishing specific parts of the shadow would require concentration. Normally Vayne would have a basic understanding of what the shadow is, for example he would distinguish that fingers are being held up, but with concentration he would be capable of knowing how many fingers are being held up. This sensory grants Vayne a two times multiplier in regards to sensing. Of course this ability becomes completely useless for constructs that lack a shadow. This ability is always active as long as a piece of GOA is in contact with Vayne. It costs five chakra points per turn. The user is limited to focusing on 3 objects, during which his awareness of the outer world is cut to just being aware.(No sensory multiplier)

    The second ability relates to the general function of the garb and it’s bias towards perfection. Due to this GOA can essentially change it’s shape into anything and separate into multiple shapes to match the need’s of it’s bearer. GOA has the ability to alter it’s size, this proves useful when it is owned by different users. The size altering occurs after the user passively sacrifices twenty chakra points, through those GOA could change it’s size, essentially expanding at a rapid rate, allowing it to assume more shapes. Individually, GOA can be treated as a cloth, not offering any defensive or offensive capabilities. However, when more and more of GOA build atop itself it can reach surmountable strength and durability. The power of GOA depends on the amount of additional chakra the user supplies, with the strength corresponding to the 1:2 chakra:damage output. This can be used five times per battle. When hitting thirty chakra points mark, the strength increase only lasts three turns, which upon ending prevent the utilisation of the power increase of equal or higher measure for two turns. Sacrificing forty results in an increase that only lasts two turns, after which a three turn interval must pass before the reutilisation of the power increase ability. In regards to sacrifices lower than thirty, they all last for four turns, after which a turn interval must pass before the utilisation of the technique. The aspect of decreasing the size of GOA would cost five chakra points and can be freely used as it offers no noteworthy advantage to the user. Any offensive/defensive actions done with the expanded cloth would cost a move, barring the turn it expands in.

    The third and perhaps the most battle useful ability of GOA is it’s relation to the Nara clan arts and related techniques. The garb implements it’s awareness into the user and clear their mind from any unnecessary thoughts(killing intent and similar/emotion altering techniques) , this allows the user to be more proficient with their usage of nara clan related techniques, allowing them to be able to create and use more complex and concentration requiring techniques. Normal techniques would be performed with more ease, translating to a -5 to chakra requirement for initial usage of the technique. Furthermore, GOA has one more function that greatly aids the user in conflicts. It becomes passively active when a nara or related technique is used(Shadow CFS for examole), GOA would release some of the user’s previously taken chakra into the technique, empowering it as a result. This translates to a rank increase for A ranks and below, while for higher it increases the power by ten. This ability can only come into effect as long as the GOA has taken some chakra beforehand. GOA absorbs five chakra points per turn for this ability and would require twenty chakra points in order to have the ability come into play, however, the user can actively sacrifice chakra, four times per battle, in order to have a higher storage of chakra. The user can sacrifice up to forty chakra points, this can be performed in the same timeframe of a technique, allowing the user to have the boost added to the attack in the same instance it is released. Boosts are restricted to once every two turns.

    In regards to the GOA's durability, it depends on the extent of the second abilities usage that was previously mentioned. When the ability is not in use the garb would be as durable as normal clothes, leaving it vulnerable to attacks. However, all parts of the garb must be destroyed in order to render it completely useless. If a portion of the garb was not destroyed then it could be used to return the garb to it's former glory, based on the capabilities/restrictions placed on the second ability.
    -Can only be used by a nara.
    -If not on the user's person, it can be summoned similar to any other weapon.

    Ninpo: Sōzō no Karada) | Ninja Art: Body of Creation (for future reference)

    Type: Supplementary/Defensive
    Rank: C
    Range: Short-Long
    Chakra cost: N/A (-5 per turn)
    Damage: N/A
    Description: Using the ability to manipulate Ink, the user will gain the ability to place the ink on their bodies for the sake of future battles. Similar to getting a tattoo, the ink will rest on the user's skin in a variety of shapes and forms, and can often times be confused with Fūinjutsu seals. The ink "tattoos" have a variety of uses and properties, namely the ability to create ink animals directly from the user's body without the need for a scroll, because in essence the user would have turned his body into a living canvas. By channeling chakra into the ink the user can have the tattoos move about on their bodies in order to ensure the perfect orientation. Ninjutsu and Ink manipulation techniques that would require pre-prepared scrolls can be done with Sōzō no Karada by either the user drawing the needed shapes on their body or having the image needed already drawn on before the match. How this works is by first drawing the required shape/kanji onto their body and then coursing chakra through the ink to summon the preferred effect. Due to the ability to move the ink while it is on the skin, a new shape can be created instantly with chakra control and as such the user would only need to drawn a single shape once and then have it re-purposed for anything else. As mentioned before, the main ability of this technique is to allow the user to bring forth small, ink made creatures for the sake of carrying messages, scouting, or general amusement. Meaning, even if they were used to attack they would count as free form techniques with no rank or damage value at all. The creatures able to be created are listed below:

    Hawk (鷹, Taka) Can be ridden for reconnaissance or high-speed travel. Smaller variants can be used to carry explosive tags or be used to deliver messages.

    Rat (鼠, Nezumi) Can swarm across an area to search for a target much faster than the user would be able to on their own. Being so small, the rats are inconspicuous, also making them suitable for covert message delivery.

    Snake (蛇, Hebi) Can be used as ropes to restrain someone. With the ability to soundlessly enter through even the smallest crevice, they can also be used for covert ops.

    Tomoe Lion (巴獅子, Tomoe Shishi) Used for travelling on ground, these lions appear vicious on the outside but are actually harmless. If needed they can be used to hold down a target with their powerful jaws.

    Fish (魚, Sakana) Made of special, water resistant ink, the fishes are able to travel through bodies of water to deliver messages or very small objects in their mouths.

    Note: Must be stated in the user's biography or beginning of the battle.
    Note: Up to 3 tattoos can be made in one go.
    Note: The technique can be used five times per event, with each contract lasting two turns.(In the case four are made at a single go) Alternatively, the user can create a less amount of constructs and have the additional turns added to the created construct. For example releasing two creations that would last four turns each. Due to the technique lacking any actual damage potential, this extension serves for more story oriented purposes.
     
         

  5. #5
    Ciberr's Avatar

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    Re: [Open] 6 tails vs ???

    Quote Originally Posted by Vayne View Post
    I would be alerted to the usage of the water through both my basic senses, and my weapon's allowance for me to sense any shadow, no matter how small or faded. In response, I would supply my weapon with twenty chakra points, providing myself with a defensive armour that would be blended in with my clothes, as the garb was worn beneath my normal attire. This would come as a passive occurrence. Additionally, the water would be captured by my shadow a moment after it's creation. My shadow would spread across the rising water and surround it, engulfing it and forming a dark semi-sphere. I would backflip out of the shadow water sphere as it travel's towards the Jinchuruki, aiming to initially hit him with the blunt strength of the shadow, and then release the accumulated acidic water back towards the man.

    That's of little concern at the moment. First you must survive before getting answers, Jinchuruki.


    (Kage: Toukai No Fuzen) - Shadow Arts: Extirpation of Sin

    Type: Supplementary/Offensive/Defensive
    Rank: S
    Range: Short - Long
    Chakra: 40
    Damage: 80
    Description: Due to the very nature of shadows they can exist/be inside any non-opaque construct. {X} {X}. Naturally, this would only work on techniques that the user's shadow appear in, such as a water technique originating from beneath the user. Using this fact the user can use his shadow to attack and destroy structures from the inside out. Depending on the user’s need two main ways of using the technique exist. In the first the user would expand his shadow inside the structure while solidifying it. Depending on what the user desires the shadow can completely break down the structures into nothingness, separate them, or simply render them useless. The second manner of usage is to manipulate the shadow to begin spreading inside and outside the structure. The shadow would intricately bind the structure and maintain its shape. However, the moment the shadow’s bind on the structure is stopped/interrupted, the previous structure would be rendered useless. This usage allows the user to take control of the constructs and move them as they desire. For example if used on a crystal fist technique the user would attack the target with the broken down crystals that are held together and surrounded by the users shadow. The beauty of this usage is that it adds more danger to the opponent, albeit in the form of a D ranked 'blast' of the material that the countered technique was composed off. The technique is usable three times per battle. The second manner of usage
    can be maintained for a cost of 10 chakra points per turn. No S-Rank or above Shadows in the next turn.

    (Bugu no Achlys) - Garb of Achlys(weapon)

    Type: Weapon
    Rank: Dependant
    Range: Dependant
    Chakra: 10 per turn | Up to forty for specific abilities
    Damage: -
    Description: Garb of Achlys, or GOA, is an ancient tool that takes the form of a battered piece of clothing that resembles a cloth, although due to the abilities it has it has been seen in different forms. Once a worthy owner encounters GOA it would form a bond with them and change into a form desirable and suitable for the user. Once this is accomplished the user would be granted several new abilities, all for a cost though. This is due to the parasitic nature of GOA. GOA is a conscious, sentient construct that although is aware of the world around it, does not interact with it in a significant manner, merely just being present. The weapon itself is said to have an unknown number of capabilities, however only a numbered amount of it’s abilities are currently known.

    First and foremost, the garb’s connection with user and the user’s capabilities. Through it’s awareness of the world GOA grants Vayne sensory, however it is limited to shadows. Vayne becomes aware of any and all shadows present in the area, no matter how small or faded they may be. However, although he becomes aware of the shadow, distinguishing specific parts of the shadow would require concentration. Normally Vayne would have a basic understanding of what the shadow is, for example he would distinguish that fingers are being held up, but with concentration he would be capable of knowing how many fingers are being held up. This sensory grants Vayne a two times multiplier in regards to sensing. Of course this ability becomes completely useless for constructs that lack a shadow. This ability is always active as long as a piece of GOA is in contact with Vayne. It costs five chakra points per turn. The user is limited to focusing on 3 objects, during which his awareness of the outer world is cut to just being aware.(No sensory multiplier)

    The second ability relates to the general function of the garb and it’s bias towards perfection. Due to this GOA can essentially change it’s shape into anything and separate into multiple shapes to match the need’s of it’s bearer. GOA has the ability to alter it’s size, this proves useful when it is owned by different users. The size altering occurs after the user passively sacrifices twenty chakra points, through those GOA could change it’s size, essentially expanding at a rapid rate, allowing it to assume more shapes. Individually, GOA can be treated as a cloth, not offering any defensive or offensive capabilities. However, when more and more of GOA build atop itself it can reach surmountable strength and durability. The power of GOA depends on the amount of additional chakra the user supplies, with the strength corresponding to the 1:2 chakra:damage output. This can be used five times per battle. When hitting thirty chakra points mark, the strength increase only lasts three turns, which upon ending prevent the utilisation of the power increase of equal or higher measure for two turns. Sacrificing forty results in an increase that only lasts two turns, after which a three turn interval must pass before the reutilisation of the power increase ability. In regards to sacrifices lower than thirty, they all last for four turns, after which a turn interval must pass before the utilisation of the technique. The aspect of decreasing the size of GOA would cost five chakra points and can be freely used as it offers no noteworthy advantage to the user. Any offensive/defensive actions done with the expanded cloth would cost a move, barring the turn it expands in.

    The third and perhaps the most battle useful ability of GOA is it’s relation to the Nara clan arts and related techniques. The garb implements it’s awareness into the user and clear their mind from any unnecessary thoughts(killing intent and similar/emotion altering techniques) , this allows the user to be more proficient with their usage of nara clan related techniques, allowing them to be able to create and use more complex and concentration requiring techniques. Normal techniques would be performed with more ease, translating to a -5 to chakra requirement for initial usage of the technique. Furthermore, GOA has one more function that greatly aids the user in conflicts. It becomes passively active when a nara or related technique is used(Shadow CFS for examole), GOA would release some of the user’s previously taken chakra into the technique, empowering it as a result. This translates to a rank increase for A ranks and below, while for higher it increases the power by ten. This ability can only come into effect as long as the GOA has taken some chakra beforehand. GOA absorbs five chakra points per turn for this ability and would require twenty chakra points in order to have the ability come into play, however, the user can actively sacrifice chakra, four times per battle, in order to have a higher storage of chakra. The user can sacrifice up to forty chakra points, this can be performed in the same timeframe of a technique, allowing the user to have the boost added to the attack in the same instance it is released. Boosts are restricted to once every two turns.

    In regards to the GOA's durability, it depends on the extent of the second abilities usage that was previously mentioned. When the ability is not in use the garb would be as durable as normal clothes, leaving it vulnerable to attacks. However, all parts of the garb must be destroyed in order to render it completely useless. If a portion of the garb was not destroyed then it could be used to return the garb to it's former glory, based on the capabilities/restrictions placed on the second ability.
    -Can only be used by a nara.
    -If not on the user's person, it can be summoned similar to any other weapon.

    Ninpo: Sōzō no Karada) | Ninja Art: Body of Creation (for future reference)

    Type: Supplementary/Defensive
    Rank: C
    Range: Short-Long
    Chakra cost: N/A (-5 per turn)
    Damage: N/A
    Description: Using the ability to manipulate Ink, the user will gain the ability to place the ink on their bodies for the sake of future battles. Similar to getting a tattoo, the ink will rest on the user's skin in a variety of shapes and forms, and can often times be confused with Fūinjutsu seals. The ink "tattoos" have a variety of uses and properties, namely the ability to create ink animals directly from the user's body without the need for a scroll, because in essence the user would have turned his body into a living canvas. By channeling chakra into the ink the user can have the tattoos move about on their bodies in order to ensure the perfect orientation. Ninjutsu and Ink manipulation techniques that would require pre-prepared scrolls can be done with Sōzō no Karada by either the user drawing the needed shapes on their body or having the image needed already drawn on before the match. How this works is by first drawing the required shape/kanji onto their body and then coursing chakra through the ink to summon the preferred effect. Due to the ability to move the ink while it is on the skin, a new shape can be created instantly with chakra control and as such the user would only need to drawn a single shape once and then have it re-purposed for anything else. As mentioned before, the main ability of this technique is to allow the user to bring forth small, ink made creatures for the sake of carrying messages, scouting, or general amusement. Meaning, even if they were used to attack they would count as free form techniques with no rank or damage value at all. The creatures able to be created are listed below:

    Hawk (鷹, Taka) Can be ridden for reconnaissance or high-speed travel. Smaller variants can be used to carry explosive tags or be used to deliver messages.

    Rat (鼠, Nezumi) Can swarm across an area to search for a target much faster than the user would be able to on their own. Being so small, the rats are inconspicuous, also making them suitable for covert message delivery.

    Snake (蛇, Hebi) Can be used as ropes to restrain someone. With the ability to soundlessly enter through even the smallest crevice, they can also be used for covert ops.

    Tomoe Lion (巴獅子, Tomoe Shishi) Used for travelling on ground, these lions appear vicious on the outside but are actually harmless. If needed they can be used to hold down a target with their powerful jaws.

    Fish (魚, Sakana) Made of special, water resistant ink, the fishes are able to travel through bodies of water to deliver messages or very small objects in their mouths.

    Note: Must be stated in the user's biography or beginning of the battle.
    Note: Up to 3 tattoos can be made in one go.
    Note: The technique can be used five times per event, with each contract lasting two turns.(In the case four are made at a single go) Alternatively, the user can create a less amount of constructs and have the additional turns added to the created construct. For example releasing two creations that would last four turns each. Due to the technique lacking any actual damage potential, this extension serves for more story oriented purposes.


    You know, I knew you wouldn't get one shotted (obviously). But i wasn't expecting that. maybe I should've read your bio lmao.
    -

    Somewhat surprised at the unique counter to his attack, Utakata raises an eyebrow. The surprise factor of his most recent attack would easily make quick work of most ninja, however the one in front of him doesn't appear to be like most ninja. He doesn't let the difficulty of defeating his opponent get to him though. He keeps his cool, calmly places his bubble blower in his mouth and blows a bubble directly in front of him. He steps into it and has the bubble launch him quickly to his right, avoiding the attack. Immiedtly afterwards, he pops the bubble and looks directly at his opponent.

    (Fuyou Shabondama no Jutsu) – Floating Soap Bubble Technique

    Rank: C
    Type: Supplementary
    Range: Short
    Chakra cost: 15
    Damage points: N/A
    Description: Utakata creates a single large soap bubble with his bubble blower and quickly jumps inside the soap bubble. Under his command the bubble then takes him to wherever he wishes. It can travel up to long distances and to great heights without the risk of popping.
    Note: Can only be used by Utakata.


    Survival is all I know. You know who I am, so you must know what I am capable of, yes?
     
         

  6. #6
    Phaizon's Avatar

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    Re: [Open] 6 tails vs ???

    Lol ol boy one shot aint work this time. WEW
     
         

  7. #7
    Vayne's Avatar

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    Re: [Open] 6 tails vs ???

    In response to the Jinchuriki dodging the attack, I would perform two actions at the same time. I would throw two tagged kunai towards him, aiming to hit his chest and the ground beneath his legs. The tags on the kunai would activate and release ten miniature snakes that would aim to explode near him. Each snake would carry the power of an explosive tag, so the total of twenty tags exploding all around the man would surely serve as a means to disorient him and keep him on the defensive. The other and more pressing action that I take is manipulating the water shadow from before. The shadow and water would separate from my shadow and take the form of a real all black ninja to left of the man. The shadow warrior would move to attack the man who was only several meters away. The speed of the water embedded shadow ninja would be equal to that of a kunai, so dodging from such a short range would be quite difficult. Additionally, the ninja was around 7 feet tall, allowing for more reach to attack. The ninja would move to strike down the jinchuruki and release the water back at him. The ninja would also make sure to step on the Jinchuriki shadow to prevent his movement, so the strike would come from slightly behind the man.

    Of course, now show me it all!

    After setting off my attacks, I would begin meditating in place, gathering natural energy.



    (Kage: Kurieshonzu No Kinou) - Shadow Arts: Creations of Yesterday

    Type: Supplementary
    Rank: A
    Range: Short - Long
    Chakra: 30
    Damage: N/A
    Description: Similar to it's parent technique "Shadow Arts: Creations of Tomorrow" this technique allows the user to separate previously created shadow constructs from his shadow. The separated constructs would gain the traits of Shadow Imitation Shuriken/Shadow Paralysis Jutsu, similar to Creations of tomorrow, which allows the separated constructs, if they were to hit the targets shadow, to pin and stop the target in their place. After separation from the user the constructs can be mentally controlled by the user, thus allowing him to focus on other techniques more easily. Due to the influx of additional chakra to the technique, this technique can be used to sustain the separated technique for an additional 2 turns.(IF originally lasts 2 turns would last 4) The user also gains the ability to modify the shape of the constructs 2 times per battle without a jutsu cost, but a chakra cost of 20. Any additional modification would cost 30 chakra, then 40, then 50 etc and count towards the jutsu cost of the user. This is all in accordance with Creations of Tomorrow’s effects/restrictions. Using Kurieshonzu No Kinou occurs in the same instant of using a construct, happening in the same time frame but counting as a move. Furthermore, in regards to the constructs, they would be granted a degree of sentience (Movement and identifying friend from foe, but not strong enough to be cast in illusions). Constructs that lack adequate movements limbs or similar, would move through basic methods like slithering. These constructs would move at speeds equal to that of shadow techniques in broad daylight. Constructs that have proper limbs or similar would move at speeds equal to that of shadow techniques through translucent objects. Additionally, the constructs sentience would be restricted to commands given by the user, for instance having the constructs sole mission to rampage and attack a target.
    -This technique is only applicable on Nara techniques that give actual physical form to the shadow, as such, it can’t be used on techniques similar to kage mane.
    -Usable 4 times per battle with a turn interval between uses.
    -10 Chakra per turn for each separated construct.

    (Sunēkutagu o Bakuhatsu) - Exploding Snake Tags

    Type: Offensive
    Rank: E Rank
    Range: Short
    Chakra: 5
    Damage: 10
    Description: These are special exploding tags created by the Sage of Snakes. These tags are blue with a snake tattoo and scaly look. The user will use these instead of normal exploding tags. When these tags go off the release 10 tiny snakes (2 inches in length) that have explosive scales. The snakes will bite down and wrap around the nearest body part and than explode. The explosions each have the power of a normal explosive tag.
    Note: Must post this in the user bios to be able to use them
    Note: When attached to a kunai, these tags can be countered in a free form way the same as normal explosive tags. The snakes are treated the same and may be countered with sword slashes ect.

    Quote Originally Posted by Phaizon View Post
    Lol ol boy one shot aint work this time. WEW

    We on that new wave typa gang shit
     
         

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